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The latest installment of the most significant comics anthology of the 21st century includes comics by R. Crumb, as well as many other masters of the form. Eighteen of the very best cartoonists in the world are contributing new pieces to this oversized volume, including Anna Haifich, Noel Frieberg, Adam Buttrick, Archer Prewitt, Lale Westvind, Will Sweeney, Dash Shaw, James Turek, Rick Altergott, CF, Aisha Franz, Kim Deitch, Ron Regé Jr., and John Pham. There's a contribution from editor Sammy Harkham, as well.
Poor Sailor uses few words to tell the similar tale of a woodsman who trades a simple but contended life for adventure at sea, and the high price he must pay for it. Harkham's quiet Lone is eery, emotional, honest and moving- all of the things this gifted cartoonist believes a comic should be.
Fantagraphics is proud to present cartoonist C.F. s acclaimed Powr Mastrs series (previously published by Picturebox Books). Powr Mastrs is a Dune-like science fiction/fantasy epic in which C.F. narrates the story of a tribe of mystical beings whose power relations are constantly in flux. As power shifts, so do physical and psychological identities."
Sammy Harkham is one of the most regarded and influential cartoonists of his generation. This collection of his short stories condenses a decade of ground breaking work. Harkham's genius is his ability to infuse vast amounts of emotion and information into nuanced cartoon narratives, his style is both articulate and expedient. At the centre are two vastly different narratives: 'Poor Sailor', a sea faring myth of a man gone to find wealth for his love; and 'Somersaulting', a kind of fever dream of teenagers in love, whiling away the summer.
"Trots and Bonnie is hilarious, poignant, raunchy, gorgeously drawn, and more relevant than ever. Shary Flenniken is an absolute genius." —Roz Chast In the 1970s and 1980s, National Lampoon was home not only to some of the funniest humor writing in America but also to many of its best cartoons. One of the greatest was Trots and Bonnie by Shary Flenniken, a comic strip that followed the adventures and mishaps of the guileless teenager Bonnie and her wisecracking dog, Trots. Bonnie stumbles through the mysteries of adulthood, as Flenniken—one of the few female contributors to National Lampoon—dissects the harsh realities of American life. Dating, sex, politics, and violence are all confronted with fearlessness and outrageous humor, rendered in Flenniken’s timeless, gorgeous artwork. After all these years, they have lost none of their power to shock and amuse. This collection, handpicked by Flenniken and with an introduction by the New Yorker cartoonist Emily Flake, is the first book of Trots and Bonnie ever published in America, a long-overdue introduction to some of the most stunning and provocative comics of the twentieth century.
Amazing! -Sammy Harkham Florent Ruppert (b. 1979) and Jerome Mulot (b. 1981) began their creative partnership as art students in Dijon, France. Their intensely collaborative comics are drawn by both artists in a shared visual style - simultaneously abstract and gestural - that obscures the individual contribution of either hand. Throughout their work, Ruppert and Mulot deftly interweave the naturalistic and the synthetic, playfully manipulating productive tensions in comics, cognition and social culture. Their complex and dazzling comics pages incorporate visual devices from related media, including film and optical toys. Their cinematic figure drawing enlivens mask-like, schematic faces that alienate even as they solicit involvement. Disorienting, bracing and darkly comedic, Barrel of Monkeys prismatically examines the human bestiary at its most surreal and transgressive. It is their first book to be published in an English-language edition. Rebus Books was founded by Bill Kartalopoulos to publish books of comics and other works of visual exposition that implicitly explore and reveal the expressive possibilities of the comics form. For additional information please visit rebusbooks.net When I’d get Ruppert and Mulot’s books in French, I was perplexed by comics that seemed largely informed by theatre, Eadweard Muybridge and proto-animation. Now that I can read it, I’m delighted by how evil and mean-spirited the work is. -Dash Shaw Ruppert and Mulot explore the dark edges of human behavior like no one else, making the disturbing feel elegant and the elegant feel disturbing. With a light hand, their vignettes tie together slapstick, violence, humor and horror, all while cleverly experimenting with different forms of representation and body language. Barrel of Monkeys is an enjoyable slap in the face from two of the most unique and exciting cartoonists I’ve come across yet. -Lilli Carre
Our hero, attending a Halloween party in an embarrassing pink bunny costume (he wanted to he a pirate) stumbles across a secret society of damaged, forgotten, and pissed-off toys in the basement of his friend's house--including the terrifying Amélie, not an adorable gamine played by Audrey Tautou --but a towering sentient assemblage of broken toy parts out for revenge! With appearances in such anthologies as Kramers Ergot and Blab, Stéphane Blanquet has been delighting and terrifying American readers with his superslick, ultradetailed creepiness. So it makes perfect sense that his first graphic novel to be published in the U.S. would be... a children's book? Yes indeed.
A not-so-classic yarn about a mysterious stranger in a small midwestern town It's a story line we know all too well: "A mysterious stranger comes to town." Only the town is not really a town and the stranger is a gigantic cell-phone tower. The town is Birdseye Bristoe-a portmanteau name created from an interstate sign that points to two real towns-and it has only one real permanent resident, an old-timer known as Uncle. A confirmed bachelor and World War II veteran, he owns most of the real estate in town. His teenaged great-niece and -nephew visit occasionally, though the town doesn't have much to offer apart from an adult superstore, a gas station, and a tackle shop. Uncle reluctantly agrees to lease his land to a conglomerate of telecommunications carriers, and sets the somewhat random condition that the tower be built with a huge crossbar set horizontally into the mast, making it also the world's largest cross. Birdseye Bristoe begins with the destruction of the cell tower and works backward to unravel the story of its fall. This is the first full-length graphic novel from the acclaimed artist Dan Zettwoch, who is well known for his comic books and anthology work (in Kramers Ergot, Beasts II, and the Drawn & Quarterly Showcase). Zettwoch has a sharp eye for the iconography of small-town USA, and his stylized prose reveals the intermingling of a keen wit and a strong affection for his characters. Birdseye Bristoe brims with larger-than-life personalities, hilarious anecdotes, references to midwestern/mid-southern pop culture, and diagrams of the cell-tower/cross construction process.
Follows three people living in a faceless city of decrepit movie theaters, girlie nightclubs, and paper thin apartment buildings.
Short stories from the radiant "cute-brut" world of a truly remarkable artist Against Pain is the first collection of multipage anthology pieces by Ron Regé, Jr. The storytelling side of his expressive work is featured in these comic strips gathered from McSweeney's, The New York Times, Kramers Ergot, NON, Rosetta, Arthur, The Comics Journal, and Drawn & Quarterly's anthology. Suicide bombers, art appreciation, a Lynda Barry "cover," and even a Tylenol-sponsored comic about pain are brought together under the theme of suffering and how people cope with it. Against Pain also includes the alt-comics zine classic Boys:a twenty-two-page collaborative comic-considered by many to be Regé's finest work-illustrating the "lust life" of a friend in explicitly honest and hilarious detail.