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"This new title in the Visions of Africa series offers a deep insight into the art of the Kota people of Gabon in the coastal area of western equatorial Africa. The Kota have developed an astonishing creativity in their representations of their ancestors. Their dreamlike figures combine a sharp sense of stylized reality tending towards abstraction with an extraordinary and imaginative use of copper, tin, and iron for purposes of decoration. But what seems to have been just a matter of aesthetic "taste" has in fact a symbolic function, as most of the decorative motifs and the choice of the technique are linked to the Kota's kinship system or religious beliefs. The same applies to the use of copper, which was a rare material and consequently a mark of wealth and power in their society. The mbulu-ngulu reliquary figure was an icon, the visual sign of a world in which the ancestors continued to watch over their descendants. In Kota lands it was an essential "tool" in group survival, one that enabled a continuous communication to be established between the living and the dead. The reliquary figures and initiation masks of the Kota and Mbete served as aides-mémoire and instruments useful in arousing the forces of the netherworld among the Gabonese and Congolese in times past. Together with the Fang byeri and other nkisi punu, in their various forms they have gradually become the time-honoured emblems of the culture and ancestral values of the peoples of the great African equatorial forest." -- Publisher's description
A guide to Punu art by a world authority on the aesthetics and use of ritual objects by the peoples of southern Gabon.
An updated and comprehensive single-volume history covering all periods from human origins to contemporary African situations.
The beginning of the 21st century coincides with the dawn of a new economic era--an industrial revolution breathtaking in its scope, its potential, and its promise. Internationally recognized experts Frank Vogl and James Sinclair show corporations how to best position themselves for this new era.
Lavish illustrations feature both iconic and never-before-published Pende masterworks, selected to
French ethnologist Perrois, who lived in Equatorial Africa from 1965 to 1984, presents the wealth of his research, including a history of colonial conquest and discovery in the region. Providing magnificent illustration are a wealth of photographs, drawings, and maps, and a catalog of the Fang objects (jewelry, masks, and especially statues) in the collection at the Folch Rusinol Museum in Barcelona. 10x115/8". Annotation copyrighted by Book News, Inc., Portland, OR
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018
"Featuring approximately 250 works by over thirty artists from across the African continent, Snap Judgements presents a range of highly individual artistic responses to the unprecedented changes now taking place in Africa and provides new insight into the increasing role of the visual arts within the global cultural community. In addition to introducing audiences to the multiple imaginations and voices that constitute today's African artists, the book explores ways that this body of photo-based art arises from the dialectic of African aesthetic values and Western influences."--BOOK JACKET.