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"This new title in the Visions of Africa series offers a deep insight into the art of the Kota people of Gabon in the coastal area of western equatorial Africa. The Kota have developed an astonishing creativity in their representations of their ancestors. Their dreamlike figures combine a sharp sense of stylized reality tending towards abstraction with an extraordinary and imaginative use of copper, tin, and iron for purposes of decoration. But what seems to have been just a matter of aesthetic "taste" has in fact a symbolic function, as most of the decorative motifs and the choice of the technique are linked to the Kota's kinship system or religious beliefs. The same applies to the use of copper, which was a rare material and consequently a mark of wealth and power in their society. The mbulu-ngulu reliquary figure was an icon, the visual sign of a world in which the ancestors continued to watch over their descendants. In Kota lands it was an essential "tool" in group survival, one that enabled a continuous communication to be established between the living and the dead. The reliquary figures and initiation masks of the Kota and Mbete served as aides-mémoire and instruments useful in arousing the forces of the netherworld among the Gabonese and Congolese in times past. Together with the Fang byeri and other nkisi punu, in their various forms they have gradually become the time-honoured emblems of the culture and ancestral values of the peoples of the great African equatorial forest." -- Publisher's description
A guide to Punu art by a world authority on the aesthetics and use of ritual objects by the peoples of southern Gabon.
Surveys the history, culture, and contemporary life of the Luba people of Zaire.
The beginning of the 21st century coincides with the dawn of a new economic era--an industrial revolution breathtaking in its scope, its potential, and its promise. Internationally recognized experts Frank Vogl and James Sinclair show corporations how to best position themselves for this new era.
A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.
An updated and comprehensive single-volume history covering all periods from human origins to contemporary African situations.
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018
"Asked why he decided to collect African art, Paul Tishman replied, "How does one fall in love?" Such was the passion Paul and Ruth Tishman brought to collecting. The Tishmans acquired their first works of African art - an ivory figure and a bronze mask from the Benin kingdom - in the late 1950s. Over the next 20 plus years, the Tishmans built one of the great private collections of African art that included the major art traditions found throughout the continent. The Tishmans' desire to share the art with as many people as possible led to the 1984 sale of the collection to the Walt Disney Company, who proved to be generous stewards, making the collection available for exhibition and publication. In the autumn of 2005, the Walt Disney World Co., a subsidiary of the Walt Disney Company, donated the Walt Disney-Tishman African Art Collection to the National Museum of African Art, Smithsonian Institution, continuing the tradition of sharing the rich history of African art and culture with current and future generations." --
'A book to take readers into another world.' - Caroline Jones AO, presenter, Australian Story 'A raw, honest story that needs to be heard.' - Tony Park, bestselling author of An Empty Coast 'This mesmerizing book is not just about a love of elephants, it is also about the indomitable spirit of someone who followed her passion.' - Cynthia Moss, world-renowned elephant specialist, celebrated in the BBC's Echo of the Elephants In 2001, Sharon Pincott traded her privileged life as a high-flying corporate executive to start a new one with the Presidential Elephants of Zimbabwe. She was unpaid, untrained, self-funded and arrived with the starry-eyed idealism of most foreigners during early encounters with Africa. For thirteen years - the worst in Zimbabwe's volatile history - this intrepid Australian woman lived in the Hwange bush fighting for the lives of these elephants, forming an extraordinary and life-changing bond with them. Powerfully moving, sometimes disturbing and often very funny, Elephant Dawn is a celebration of love, courage and honour amongst our greatest land mammals. With resilience beyond measure, Sharon earns the supreme right to call them family.
Lavish illustrations feature both iconic and never-before-published Pende masterworks, selected to