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Why should you read the KOSMOAUTIKON Epic Cycle? KOSMOAUTIKON has information of the long count of the Human Condition. No other work of American literature observes the ancient origins of the human genome. No other poem projects the force of the strong poet into a Space faring civilization. KOSMOAUTIKON does not repeat any modernist clichés. Modernism can only detect modernism. Modern literature can only regurgitate modernist linguistic codices – a fascination with disease, medical mythos, and the omnipotence of laboratory science. KOSMOAUTIKON accuses the madness of this modernist experiment. Instead, KOSMOAUTIKON detects the astral position of the human mind. A story is told that places man in a position of power in relation to the universe. Modernism treats men as irrelevant parasites. In story Theory man is the center of all things, since only the human has a terra- forming mind. KOSMOAUTIKON creates a new linguistic codex to project a new advance in the human Genome. A new linguistic structure must always prepare the way for any human advance. “I had to remove your planet – and then your bones.” KOSMOAUTIKON tells the story of Rogue males. Who are our rogue males? Alexander, Christ, Cesar, Dante, Michelangelo, Leonardo Da Vinci, Caravaggio, Henry VIII, Edward De Vere (Shake-speare), Beethoven, Francis bacon, Oscar Wilde (etc.). Western civilization has been made by rogue males. No other modern text would even dare to discuss the power of the rogue male. Modernism seeks to inoculate, medicate, or incarcerate the rogue male – early. Yet there will be rogues makes again – and they will change the human genome. This is the story of KOSMOAUTIKON There is no other document that contains future speech. No Western person of the future can be educated without first reading KOSMOAUTIKON.
With the third volume of his project, Kosmoautikon: The Wound of Genesis is America’s epic poem. Mark Chandos presents his masterwork of the science fiction epic genre. Kosmoautikon tells the story of a future man after the exodus from Earth as humans depart to fill the galaxy with new man-like creatures, Homo Faustus. The author takes the reader on a magical journey through a new conception of the universe and into the heart of the human genome. From Kosmoautikon: What totems devise monuments of fixed veracity? Peering in a glass to read the genome, man and woman mark symbols, tapping at them with dull talons. My poem, permeable sieve, misprision to every new phylum. Thought, I test, is not fixed, but reformed in time, and what is time but divided thought? Disunion in my eye circles to the center. Since there is no perfect communication, ear to ear, there is art: my poem preserved as snarled and frozen imprint of my mind. And you, because death seems dithering, assert the gem-like crystal goblet . . . still solid. You, tapping against the cracking glass with talons. Mark Chandos’s essay, Modernism as Pangaea, introduces a bold new interpretation of modernism. He states that his “aim is to present a strong theory of poetry. Yet there can be no advance in Western poetry until the elephant in the room has been faced. Philosophy and poetry have failed to keep pace with the successes of scientism.” Kosmoautikon faces this challenge directly.
Why should you read the KOSMOAUTIKON Epic Cycle? 1) KOSMOAUTIKON has information of the long count of the Human Condition. No other work of American literature observes the ancient origins of the human genome. No other poem projects the force of the strong poet into a Space faring civilization. 2) KOSMOAUTIKON does not repeat any modernist clichés. Modernism can only detect modernism. Modern literature can only regurgitate modernist linguistic codices – a fascination with disease, medical mythos, and the omnipotence of laboratory science. KOSMOAUTIKON accuses the madness of this modernist experiment. Instead, KOSMOAUTIKON detects the astral position of the human mind. A story is told that places man in a position of power in relation to the universe. Modernism makes treats men and parasites. In story Theory man is the center of all things, since only the human has a terra- forming mind. 3) KOSMOAUTIKON creates a new linguistic codex to project a new advance in the human Genome. A new linguistic structure must always prepare the way for any human advance. “I had to remove your planet – and then your bones.” 4) KOSMOAUTIKON tells the story of Rogue males. Who are our rogue males? Alexander, Christ, Cesar, Dante, Michelangelo, Leonardo Da Vinci, Caravaggio, Henry VIII, Edward De Vere (Shake-speare), Beethoven, Francis bacon, Oscar Wilde (etc.). Western civilization has been made by rogue males. No other modern text would even dare to discuss the power of the rogue male. Modernism seeks to inoculate, medicate, or incarcerate the rogue male – early. Yet there will be rogues makes again – and they will change the human genome. This is the story of KOSMOAUTIKON Five. 5) There is no other document that contains future speech. No Western person can be educated without first reading KOSMOAUTIKON. Most googled favorite lines from KOSMOAUTIKON: 1) We had to remove your planet – then your bones. 2) Observe my second sweat condense the juice loving bark, my song recovered stitch all numbered kiss close fit . . . 3) . . . then fix my sleep at that beam all-speeding from glow emitting north, my eye abreast a lover's shard of light. 4) The caldron planet still beaconed red 5)...You will not miss the globular element of your fire-burned ancestors. 6) When you could not yourself believe. I made you diamond tablets of belief. When you yourself could not detect the sky, I wrote the sun for you each day new. When you by yourself were congealed as frost, I dipped your brittle mouth still blue and flaked. When you could not lift your hands yourself to count, I raised your arm to rage against the beats of breath.
There are many beliefs and theories about the human soul and many great thinkers have sought to understand this aspect of the human personality. All the major theories and beliefs about the human soul are of the view that the human soul is immortal, that is the soul lives forever. If the human soul is immortal, where does it go after death? In this book, the author discusses the final destination of the human soul and the means by which people can be saved and be sure of where their soul will depart to after death to rest peacefully. It is appointed unto man to die once and after that to face judgment. He recommends this book to everyone, singles, marriage couples, non Christians, church goers, people of other faith, older people and the youth. The human personality is made up of body, spirit and soul. The body needs food, water, exercise, emotional satisfaction, but what about the soul and the spirit? It is no good we ignore addressing these issues or to simply dismiss them as myth or nonsense; because eternity is part of the human personality. We need to know where exactly our soul will depart to after death.
April is Poetry Month. A gift from the heart.Breathtaking translation of poems by Rumi, one of the world's most loved mystical teachers. Beautifully packaged and illustrated with Persian calligraphy, this ideal gift book introduces readers to the quatrains, the shorter poems that encapsulate Rumi's timeless appeal. These beautiful, simple translations - 100 in all - demonstrate Rumi's timeless appeal and popularity. Jalal-uddin Rumi was born in what is now Afghanistan in 1207. His poetry has inspired generations of spiritual seekers, both from his own Sufi school and well beyond. His poems speak to the seeker and the lover in all of us. One day you will take my heart completely and make it more fiery than a dragon. Your eyelashes will write on my heart the poem that could never come from the pen of a poet.
The Philosophy of Time Travel an 88-page journal An 88 page journal for those of us trying to figure out the Primary &Tangent Universe This jouranal may contain spoilers! Finally, soft cover edition of The Philosophy of Time Travel This journal is dedicated to the 2001 movie Donnie Darko Great gift for any fan of the Donnie Darko universe
In their youth, Manni and Franzi, together with their brothers, Ziggy and Sebastian, captured Germany's collective imagination as the Flying Magical Loerber Brothers -- one of the most popular vaudeville acts of the old Weimar days. The ensuing years have, however, found the Jewish brothers estranged and ensconced in various occupations as the war is drawing near its end and a German surrender is imminent. Manni is traveling through the Ruhr Valley with Albert Speer, who is intent on subverting Hitler's apocalyptic plan to destroy the German industrial heartland before the Allies arrive; Franzi has become inextricably attached to Heinrich Himmler's entourage as astrologer and masseur; and Ziggy and Sebastian have each been employed in pursuits that threaten to compromise irrevocably their own safety and ideologies. Now, with the Russian noose tightening around Berlin and the remnants of the Nazi government fleeing north to Flensburg, the Loerber brothers are unexpectedly reunited. As Himmler and Speer vie to become the next Führer, deluded into believing they can strike a bargain with Eisenhower and escape their criminal fates, the Loerbers must employ all their talents -- and whatever magic they possess -- to rescue themselves and one another. Deftly written and darkly funny, Germania is an astounding adventure tale -- with subplots involving a hidden cache of Nazi gold, Hitler's miracle U-boats, and Speer's secret plan to live out his days hunting walrus in Greenland -- and a remarkably imaginative novel from a gifted new writing talent.
Over sixty years, for numerous readers--of all ages; in big cities, small towns and little hamlets--Ruskin Bond has been the best kind of companion. He has entertained, charmed and occasionally spooked us with his books and stories, and opened our eyes to the beauty of the everyday and the natural world. He has made us smile when our spirits are low, and steadied us when we've stumbled. Now, in this brilliantly readable autobiography--his book of books--one of India's greatest writers shows us the roots of everything he has written. He begins with a dream and a gentle haunting, before taking us to an idyllic childhood in Jamnagar by the Arabian Sea--where he composed his first poem--and New Delhi in the early 1940s--where he found material for his first short story. It was a brief period of happiness that ended with his parents' separation and the untimely death of his beloved father. A search for companionship and security, undercut by a fierce independence and a tendency for risk-taking, would inform every choice he made for the rest of his life. With effortless intimacy and candour, Bond recalls his boarding school days in Shimla and winter holidays in Dehradun, when he tried to come to terms with a sense of abandonment, made friends, discovered great books and found his true calling. Determined to be a writer, he spent four difficult years in England, from 1951 to 1955, and he writes poignantly of his loneliness there, even as he kept his promise to himself and produced a book--the classic novel of adolescence, The Room on the Roof. It was born of his longing for 'the atmosphere that was India'--the home he would return to even before the novel was published, taking a gamble that would prove to be the best decision he made. In the final, glorious section of the autobiography, he writes about losing his restlessness and settling down in the hills of Mussoorie, surrounded by generous trees, mist and sunshine, birdsong, elusive big cats, new friends and eccentrics--and a family that grew around him and made him its own. Full of anecdote, warmth and gentle wit; often deeply moving and always with a magnificent sense of time and place--and containing over fifty photographs, some of them never seen before--Lone Fox Dancing is a book of understated, enduring magic, like Ruskin Bond himself.
"Laughter is the language of the soul," Pablo Neruda said. Among the most lasting voices of the most tumultuous (in his own words, "the saddest") century, a witness and a chronicler of its most decisive events, he is the author of more than thirty-five books of poetry and one of Latin America's most revered writers, the emblem of the engaged poet, an artist whose heart, always with the people, is literally consumed by passion. His work, oscillating from epic meditations on politics and history to intimate reflections on animals, food, and everyday objects, is filled with humor and affection. This bilingual selection of more than fifty of Neruda's best poems, edited and with an introduction by the distinguished Latin American scholar Ilan Stavans and brilliantly translated by an array of well-known poets, also includes some poems previously unavailable in English. I Explain a Few Things distills the poet's brilliance to its most essential and illuminates Neruda's commitment to using the pen as a calibrator for his age.