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Boxed set of 20 booklets of 14 pages, illustrated, on various aspects of Korean culture
The most well-known Korean ceramics are the celadon of the Goryeo Dynasty (918-1392) and the white porcelain of the ensuing Joseon Dynasty (1392-1910). [...] The celadons of Goryeo, their grace and color tinged with feminine beauty, symbolized an aristocratic Buddhist culture, while the white porcelains from the Joseon period are thought to typify the bureaucratic and scholarly Confucian society and were essentially masculine in tone, vigorous and orderly. [...] Korea's traditional ceramic wares serve as a barometer for understanding Korean culture in that they most accurately reflect Korean aesthetics and the Korean worldview.
Bold, sophisticated, engaging, and startlingly modern, Buncheong ceramics emerged as a distinct Korean art form in the 15th and 16th centuries, only to be eclipsed on its native ground for more than 400 years by the overwhelming demand for porcelain. Elements from the Buncheong idiom were later revived in Japan, where its spare yet sensual aesthetic was much admired and where descendants of Korean potters lived and worked. This innovative study features 60 masterpieces from the renowned Leeum, Samsung Museum of Art in Seoul, as well as objects from The Metropolitan Museum of Art, and presents current scholarship on Buncheong's history, manufacture, use, and overall significance. The book illustrates why this historical art form continues to resonate with Korean and Japanese ceramists working today and with contemporary viewers worldwide.
The ceramic art of Korea stretches back to prehistory when simple brown wares were made and decorated with geometrical incisions. Potters were influenced by ideas and techniques from China and go on to produce their own highly sought-after works, including grey stoneware, celadons or greenware, buncheong ware and white porcelain. The National Museum of Korea collection is world-famous and of great importance in the world of ceramic art. This book catalogues the best and most representative items in the collection.
Pottery has the longest and strongest tradition in Korean ceramics, continuing from prehistoric times to the present. But it has not been given the attention it deserves because the history of Korean ceramics is focused on porcelain. This book takes a close look at pottery, the most commonly used type of vessel in the everyday life of Koreans, dividing it into two major categories: unglazed pottery, from comb-patterned earthenware to modern day puredok and glazed pottery, from the wares of Gurim-ri kiln to onggi. It shows that Korean pottery vessels, though rather overlooked in history, have a simple beauty that makes them valuable works of art.
This is one of three titles to be published in the 'Handbooks of Korean Art' series. This book focuses on earthenware and celadon and is written by Youngsook Pak and Roderick Whitfield. They both teach in the Department of Art and Archaeology in the School of Oriental and African Studies, University of London.
An illustrated history of Korean ceramics from ancient origins to today. This book is a captivating, richly illustrated history of fired clay in Korea, spanning ancient times to the present day. Drawing on the latest research, this book features a wide range of examples from archaeological sites and museums. In addition, it offers a rare glimpse into the world of modern North Korean ceramics. The authors devote substantial chapters to the refined celadons of the Goryeo and porcelains of the Joseon dynasties (tenth to twentieth centuries), as well as an array of blue-and-white vessels. Merging maritime archaeology, textual evidence, and kiln excavation reports, this overview reveals a remarkable and enduring ceramic tradition in Korea.
The Handbook of East and Southeast Asian Archaeology focuses on the material culture and lifeways of the peoples of prehistoric and early historic East and Southeast Asia; their origins, behavior and identities as well as their biological, linguistic and cultural differences and commonalities. Emphasis is placed upon the interpretation of material culture to illuminate and explain social processes and relationships as well as behavior, technology, patterns and mechanisms of long-term change and chronology, in addition to the intellectual history of archaeology as a discipline in this diverse region. The Handbook augments archaeologically-focused chapters contributed by regional scholars by providing histories of research and intellectual traditions, and by maintaining a broadly comparative perspective. Archaeologically-derived data are emphasized with text-based documentary information, provided to complement interpretations of material culture. The Handbook is not restricted to art historical or purely descriptive perspectives; its geographical coverage includes the modern nation-states of China, Mongolia, Far Eastern Russia, North and South Korea, Japan, Taiwan, Vietnam, Cambodia, Laos, Thailand, Burma, Malaysia, Indonesia, the Philippines and East Timor.