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Discover the BookTok sensation Kore , a lush romantasy retelling of the myth of Persephone and Hades as the original grumpy/sunshine pairing, perfect for fans of Lore Olympus . Before the Goddess of the Underworld, before the Dread Queen, there was Kore. Kore, the youngest daughter of Demeter, is caught between two worlds. Her mother teaches duty and secrecy, hiding her powers away from the other gods. But as Kore grows into her power, she finds solace and freedom in visits from the feared and hated King of the Dead, her Aidoneus. When the struggles of Olympus threaten the tenous balance of her world, Kore flees to the Underworld in search of sanctuary. When her journey turns into a fight for survival facing monstrous shades and vengeful gods, Kore also discovers that the underworld is full of wonderous possibility. Can she break through the dark and reach the heart of its King? He claims there is no place for love among the dead. She is determined to prove him wrong.
“An eminent Polish physician reflects on his lifetime practice of medicine . . . A profound celebration of the human spirit.” —Kirkus Reviews There is a grand tradition of physicians who are also great writers and philosophers. When his first book, Catharsis, was published in English, critics from Seamus Heaney to Czeslaw Milosz stood to applaud. Now Andrzej Szczeklik has followed with an ever deeper and more accomplished book. It has become unfortunately rare for a scientist or doctor to find his grounding in a broad understanding of literature and the humanities. But in Kore, the author insists that only with a curiosity thoroughly at home in both worlds can one expect to discover what we should mean about sickness and about the soul. No tedious academic, Szczeklik writes with the grace of a poet and the ease of a fine storyteller. Anecdotes drawn from a personal immersion in art, music, and literature are woven with reports on experimental medicine and daily clinical experience. From DNA and the re–creation of the Spanish Flu virus, to contemporary research in genetics, cancer, neurology, and the AIDS virus, from Symptoms and Shadows, to Dying and Death, to Enchantment of Love, every chapter of this book is alive and engaging. The result is a life–affirming work of science, philosophy, art, and spirituality. “No medical experience necessary: readers need only approach with a love of the human body and an understanding of how it relates to emotion and story . . . Readers may find it difficult to keep up, but few are likely to forget this book.” —Publishers Weekly
Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda’s work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda’s trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker’s expanding worldwide appeal.
The fifth part of the Corinth volume dedicated to the Sanctuary of Demeter and Kore publishes the large-scale terracotta sculpture found in the sanctuary. Extending from the late 7th through the 4th century B.C., the sculpture consists of fragments from 132 to as many as 147 statues, from half- to nearly life-size. These are, for the most part, statues of young males, both draped and nude, although females and seated infants appear as well. Several introductory chapters discuss the types represented, the findspots and possible original placement of the sculptures, and the techniques involved in their construction. The fragments are presented in 156 well-illustrated catalogue entries. This volume greatly expands our knowledge of the history of Corinth, broadening our understanding both of cult practices at the site and of the manufacture of terracotta sculpture.
About 24,000 figurines and fragments have been found on Acrocorinth, and this study greatly increases our understanding of the way in which this artform developed over the centuries.
The Films of Kore-eda Hirokazu: An Elemental Cinema draws readers into the first 13 feature films and 5 of the documentaries of award-winning Japanese film director Kore-eda Hirokazu. With his recent top prize at the Cannes Film Festival for Shoplifters, Kore-eda is arguably Japan’s greatest living director with an international viewership. He approaches difficult subjects (child abandonment, suicide, marginality) with a realistic and compassionate eye.The lyrical tone of the writing of Japanese film scholar Linda C. Ehrlich perfectly complements the understated, yet powerful, tone of the films. From An Elemental Cinema, readers will gain a special understanding of Kore-eda’s films through a novel connection to the natural elements as reflected in Japanese traditional aesthetics.An Elemental Cinema presents Kore-eda’s oeuvre as a connected whole with overarching thematic concerns, despite frequent generic experimentation. It also offers an example of how the poetics of cinema can be practiced in writing, as well as on the screen, and helps readers understand the films of this contemporary director as works of art that relate to their own lives.
This volume presents the terracotta miscellaneous finds from the Sanctuary of Demeter and Kore at Acrocorinth. The finds comprise 21 classes, including protomes and masks, altars, plaques, models of various personal and household items, and loomweights and other textile tools (the latter initially studied by Gloria S. Merker and brought to publication by Nancy Bookidis). In addition to providing a catalogue of the finds arranged according to their subjects, the authors compare these finds with similar objects found elsewhere in Greece and refer to literary, epigraphical, and visual sources to understand their possible uses and meanings and the character of religious activity that may have triggered their dedication in the sanctuary. This volume will greatly facilitate comparative studies of ancient Greek miscellaneous finds and will be an important reference for historians of Greek art as well as of Greek religion.