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Koogai, the owl-huddled in its hollowwith the sun overhead,it flies freewhen darkness descendsBird of the night -an abuse, a bad omenattacked and shunnedby birds, by humans ...Strong, but unaware ofits immense power,Koogai, the owl -foolishor wise?Set in post-Independence Tamil Nadu's era of agrarian and industrial change, Koogai reflects the nuances of an authentic contemporary myth leavened with irony and fierce humour. Empowering themselves with the image of the owl, a totem of self-respect and hope, men and women break free of old castetaboos only to find themselves entangled in the doublespeak of an egalitarian rhetoric
Literature produced by historically marginalized communities has often been argued to function as an important tool for social change. However, much depends on how this literature is received and interpreted. Since the university operates as a potential site for social change, it is significant to enquire whether such literature, specifically that produced by Tamil Dalits, has been incorporated into mainstream curricula. It is equally vital to explore how students respond to Dalit literature. This book traces the evolution of Tamil Dalit writing from the early decades of the twentieth century to the present, and explores its impact on academia. Furthermore, it analyses the literary works of Tamil Dalits and explores how students of Tamil and English literary studies have responded to Tamil Dalit literature and its English translations. The book addresses the following research questions: What were the socio cultural conditions that led to the emergence of contemporary Tamil Dalit literature? What are the dominant themes and trends in contemporary Tamil Dalit literature? How does academia respond to the emergence of Tamil Dalit literature? In particular, how do students respond to Dalit literature, a literature which has found a place in both English and Tamil literature curricula? As a literature which has an ideological function, how is it received and understood by readers?
A cultural and political history of Tamilnadu through its most colourful personalities. The fascinating history of Tamilnadu comes alive in this archive of cultural and political knowledge, thoughtfully assembled by the prize-winning historian A. R. Venkatachalapathy. From glamorous film stars turned politicians such as Jayalalithaa and M. G. Ramachandran to a revolutionary anti-caste movement that began over a century ago and the ongoing struggle against Hindi hegemony, Tamilnadu has at once reshaped the mainstream and profoundly influenced the trajectory of the nation. As informative as it is entertaining, Tamil Characters is an essential deep dive into the modern history of India’s most idiosyncratic state.
This book, companion to the much-acclaimed Dalit Literatures in India, examines questions of aesthetics and literary representation in a wide range of Dalit literary texts. It looks at how Dalit literature, born from the struggle against social and political injustice, invokes the rich and complex legacy of oral, folk and performative traditions of marginalised voices. The essays and interviews systematically explore a range of literary forms, from autobiographies, memoirs and other testimonial narratives, to poems, novels or short stories, foregrounding the diversity of Dalit creation. Showcasing the interplay between the aesthetic and political for a genre of writing that has ‘change’ as its goal, the volume aims to make Dalit writing more accessible to a wider public, for the Dalit voices to be heard and understood. The volume also shows how the genre has revolutionised the concept of what literature is supposed to mean and define. Effervescent first-person accounts, socially militant activism and sharp critiques of a little-explored literary terrain make this essential reading for scholars and researchers of social exclusion and discrimination studies, literature (especially comparative literature), translation studies, politics, human rights and culture studies.
Midnight- when stone and water melt- at the village entrance, the guardian-lamp spirits meet, they talk, exchange notes, share joys, share sorrows. Devanoora Mahadeva leads us to a world of spirits ruled by a strong sense of justice. As we listen in, their conversation introduces four generations of a family: Akkamahadevamma; her son Yaada; his son Somappa; and the main protagonist, Somappa's daughter, Kusuma. In this intricately woven cosmos, death casts its shadow. Following the different voices around, we come face to face with the harsh realities of Dalit life. Steered by the nuances of folk tale and oral tradition, this extraordinary account of feudal oppression presents a rare blend of poetry and prose. A modern classic, when it first appeared in 1988, Kusumabale marked a turning point in modern Kannada literature.
This monograph explores the grammar of modifier PPs in Japanese, concentrating on their word order. The study argues that (i) modifier PPs are hierarchically arranged and (ii) there is an interesting fine-grained correlation between different PP types and Modal/Aspect functors which indicates that Temporal and Locative appear relatively freely with respect to a certain range of the Modal/Aspect functors in the middle field, whereas the rest of the PP types are more constrained in this respect. Unlike cartographic approaches to PPs (Schweikert 2005, Cinque 2006), the book adopts the working hypothesis that the fine-grained hierarchies can be derived in a constrained manner along the lines of Svenonius and Ramchand (2014) and proposes that the properties of the PPs characterized by (i) and (ii) can be captured in a sortal domain analysis. The book appeals to a linguistic audience interested in modifier syntax as well as in Japanese.
To judge by the dictum of al-Ja~i?: (d. A.D. 869), 'Wisdom has descended upon these three: the brain of the Byzantine, the hands of the Chinese, and the tongue of the Arab', in the great age of the