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A monograph devoted to the great Russian architect Konstantin Stepanovich Melnikov, considered one of the leading interpreters of the aesthetic and social ideals of Constructivism, the Soviet avant-garde architectural movement. The volume offers a repositioning of Melnikov's works within the context of the Moscow of the Twenties and Thirties. It highlights his ideational (in the unrealised projects) and concrete (in those realised) contributions to the construction of contemporary Moscow through a selection of models, flanked by the original designs of the buildings, cartographic reconstructions of the city of Moscow and original photographs. The essays explore in detail Melnikov's biography, his professional education in the Twenties, Stuttgart's architecture school and the avant-garde (1918-1945), Melnikov and his dialogue with the city, and works from the first half of the Twenties up to 1936. The volume ends with the complete list of Melnikov's works and an up-to-date bibliography.
Fascism, Architecture, and the Claiming of Modern Milan, 1922–1943 chronicles the dramatic architectural and urban transformation of Milan during the nearly twenty years of fascist rule. The commercial and financial centre of Italy and the birthplace of fascism, Milan played a central role in constructing fascism's national image and identity as it advanced from a revolutionary movement to an established state power. Using a wide range of archival sources, Lucy M. Maulsby analyses the public buildings, from the relatively modest party headquarters to the grandiose Palace of Justice and the Palazzo del Popolo d'Italia, through which Mussolini intended to enhance the city's image and solidify fascism's presence in Milan. Maulsby establishes the extent to which Milan's economic structure, social composition, and cultural orientation affected Il Duce's plans for the city, demonstrating the influences on urban development that were beyond the control of the fascist regime. By placing Milan's urban change in its historic context, this book expands our understanding of the relationship between fascism and the modern city.
It's Only a Joke, Comrade! uncovers how ordinary people joked, coped, and struggled to adapt in Stalin's brave new world. It asks what it means to live under a dictatorship: How do people make sense of their lives? How do they talk about it? And whom can they trust to do so?
Key Modern Architects provides an accessible and thought-provoking introduction to the work of the most significant architects of the modern era. Fifty short chapters introduce fifty key architects, from Le Corbusier to Aldo Van Eyck to Zaha Hadid, exploring their most influential buildings and developing a critique of each architect's work within a broader cultural and historical context. The selection represents the most influential architects working from 1890 to the present, those most likely to be taught on survey courses in modern architectural history, along with some lesser-known names with an equal claim to influence. Emphasis is placed on a critical and interpretative approach, allowing the student to position each architect in a cultural and intellectual context quickly and easily. Artistic, technical, social, and intellectual developments are brought to the fore – built and unbuilt projects, writings and influences. This approach brings to light the ideology behind architectural work, offering insights into each architect's working practice. - Helps students to develop a critical approach to understanding modern architectural history. - One chapter per architect – meaning chapters may be read individually as a concise resource for the study of an architect, or together as a coherent book-length history of the whole period of modern architecture. - Chapters are supported by boxed lists of each architect's most significant projects, along with suggestions for further reading as a springboard to further study and research. Combining the clarity and accessibility of a textbook with in-depth reading and a critical approach, Key Modern Architects provides an invaluable resource for both the classroom and for independent study in architectural and art history.
Avant-Garde Modernism dominated the Russian architectural profession throughout the 1920s. Though severely limited by the disruptions of revolutions and civil war, the Avant-Garde has left behind it a body of theoretical work and a number of important completed projects that exerted a profound influence on pioneers of the Modern movement such as Walter Gropius and Hannes Meyer. Too often reduced to a single, homogenous movement, Soviet Modernism is here presented in all its considerable diversity; with over 300 rarely seen contemporary photographs, and documents by leading Modernists such as Tatlin, Melkikov and Golosov. In a new essay, Catherine Cooke examines the pre-revolutionary origins of the Avant-Garde and highlights the numerous fissures and tensions that characterized the movement during its decade of greatest influence.
"This text charts the trajectory of Russian avant-garde architecture during the brief but intense period of design and construction which took place between 1922 and 1935"--OCLC
Idealistic visions of the Soviet capital that were never realised. Published at the centenary of the Russian Revolution, Imagine Moscow: Architecture, Propaganda, Revolution portrays Moscow as it was envisioned by a bold generation of architects in the 1920s and early 1930s. Through evocative imagery and a wealth of rarely seen material, this book provides a window into an idealistic fantasy of the Soviet capital that was never realised and has since been largely forgotten. Focusing on six unbuilt architectural landmarks, Imagine Moscow explores how these projects reflected changes in everyday life and society following the revolution, during one of the most fascinating periods of the twentieth century. Large-scale architectural plans, models and drawings are placed alongside propaganda posters, textiles and porcelain, contextualising the transformation of a city reborn as the new capital of the USSR and the international centre of socialism.
The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history. Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture. The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history. Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.
"This book includes seventy-three structures, starting with the Shabolovka Radio Tower in Moscow and concluding with the Lenin Mausoleum. In between are buildings from all over Moscow (where the greatest concentration of modernist buildings still remains), St. Petersburg, Ivanovo, Ekaterinburg, Kiev, Kharkov, Zaporozhe, Nizhi Novgorod, Sochi, and Baku. The buildings range from grand projects such as Gasprom in Kharkov to a modest bus shelter in Sochi, a rare survivor by an unknown architect." "In an essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe."--BOOK JACKET.