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On the Sun Temple at Konarak, India.
On the Sun Temple at Konarak, India.
Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments. The insight, elegance and fluency that the authors bring to their text are complemented by 1458 superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression.
Working with Bengali mentors, especially his close friend A. B. Ghose, Sir John Woodroffe became the pseudonymous orientalist Arthur Avalon, famous for his tantric studies at the beginning of the twentieth century. Best known for The Serpent Power, the book which introduced 'Kundalini Yoga' to the western world, Avalon turned the image of Tantra around, from that of a despised magical and orgiastic cult into a refined philosophy which greatly enhanced the prestige of Hindu thought to later generations of westerners. This biographical study is in two parts. The first focuses on Woodroffe's social identity in Calcutta against the background of colonialism and nationalism - the context in which he 'was' Arthur Avalon. To a very unusual degree for someone with a high position under the empire, Woodroffe the British High Court Judge absorbed the world of the Bengali intellectuals of his time, among whom his popularity was widely attested. His admirers were attracted by his Indian nationalism, to which his tantric studies and supposed learning formed an important adjunct. Woodroffe's friend Ghose, however, was the chief source of the textual knowledge in which the 'orientalist' scholar appeared to be deeply versed. The second part of this study assesses Woodroffe's own relationship to Sanskrit and to the texts, and highlights his very extensive but gifted use of secondary sources and the knowledge of Ghose and other Indian people. It examines the apologetic themes by which he and his collaborators made Tantra first acceptable, then fashionable. Partly because of his mysterious pseudonym, Woodroffe acquired a near legendary status for a time, and remains a fascinating figure. This book is written in a style that should appeal to the general reader as well as to students of Indian religions and early twentieth century Indian history, while being relevant to the ongoing debate about 'orientalism'.
Exploring Ancient Skies brings together the methods of archaeology and the insights of modern astronomy to explore the science of astronomy as it was practiced in various cultures prior to the invention of the telescope. The book reviews an enormous and growing body of literature on the cultures of the ancient Mediterranean, the Far East, and the New World (particularly Mesoamerica), putting the ancient astronomical materials into their archaeological and cultural contexts. The authors begin with an overview of the field and proceed to essential aspects of naked-eye astronomy, followed by an examination of specific cultures. The book concludes by taking into account the purposes of ancient astronomy: astrology, navigation, calendar regulation, and (not least) the understanding of our place and role in the universe. Skies are recreated to display critical events as they would have appeared to ancient observers--events such as the supernova of 1054 A.D., the "lion horoscope," and the Star of Bethlehem. Exploring Ancient Skies provides a comprehensive overview of the relationships between astronomy and other areas of human investigation. It will be useful as a reference for scholars and as a text for students in both astronomy and archaeology, and will be of compelling interest to readers who seek a broad understanding of our collective intellectual history.
The guide to India is a useful handbook to an extraordinary country. The introductory colour section includes photography of the country's many highlights in the 42 Things Not To Miss section, from boating on the backwaters of Kerala to taking in a cricket match at the Oval Maiden in Mumbai. It provides comprehensive accounts of every attraction from the vibrant cities and elaborate temples to Himalayan peaks and palm-fringed beaches. There is also practical advice on activities as diverse as camel trekking in the Rajasthan desert, rafting on the Indus and hiking through the lunar landscapes of Ladakh. The listings sections provide hundreds of insider reviews of the best hotels, hostels, restaurants, bars, shops and museums in every city and village. The authors also give an informed insight into India's history, politics, religion, music and cinema, providing a valuable context to the reader's trip.
Art Shrines Of Ancient India Deals With The Art Treasures Of Selected Archaeological Sites In The Various State.5 Of India. The Sites Dealt With Are: Sarnath, Sanchi, Kanchipuram, Mamallapuram Cmahabalipuram) , Temples Of Chamba, Aihole, Badami, Pattadakkal, Elephanta, Euora, Ajanta,Nalanda, Konarak, Halebid, Belur, Khajuraho, Suchindram, Mandu, Madurai, Chittor And Mount Abu. Profusely Illustrated, The Book Peeps In~O The Historical And Mythological Past Of Each Site And Evaluates The Artistic Contri- Butions Of The Various Ruling Dynasties: The Mauryas, The Sungas, The Guptas, The Pallavas, The Chalukyas, The Rashtrakutas, Thepalas, The Senas,. The Gangas, The Cholas, The Hoysalas, The Chandellas, The Pandyas And The Nayaks. The Book Also Deals With The Siva-Sakti Theme And Homage To The Sun In The Art Of Ancient India And Indicates How These Are Depicted In The Various Temples Of I!Ldia. This Book Will Be An Invaluable Guide To All Tourists, Especially Foreigners And Non- Resident Indians, Who Want To Savour, In A Short Time, The Rich Artistic Heritage Displayed In The Famous Temples And Archaeological Sites In India.