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Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.
Every day millions of Tamil women in southeast India wake up before dawn to create a kolam, an ephemeral ritual design made with rice flour, on the thresholds of homes, businesses and temples. This thousand-year-old ritual welcomes and honors Lakshmi, the goddess of wealth and alertness, and Bhudevi, the goddess of the earth. Created by hand with great skill, artistry, and mathematical precision, the kolam disappears in a few hours, borne away by passing footsteps and hungry insects. This is the first comprehensive study of the kolam in the English language. It examines its significance in historical, mathematical, ecological, anthropological, and literary contexts. The culmination of Vijaya Nagarajan's many years of research and writing on this exacting ritual practice, Feeding a Thousand Souls celebrates the experiences, thoughts, and voices of the Tamil women who keep this tradition alive.
Reprint of the ed. published by Doubleday, Garden City, N.Y.
The Book On Hindu Customs And Traditions Puts Together Everyday Beliefs, Practices, Observances, And Etiquette Of Living A Life Enriched By Thousands Of Years Of Spiritual Consciousness. Legend, History, Philosophy, And Folk-Lore Are Intricately Linked With Customs And Traditions. A Large Number Of The Festivals And Fasts Relate To The South Of India, Hence Many Common Practices Have Been Given, With Additional Information On Local Practices And Customs.The Book Will Serve Its Purpose If Younger Generations, Living At Home Or Abroad, Are Able To Nourish Mental And Psychological Roots, And Gain Stature As Individuals By Living An Enriched Life. It Is Hoped That The Book Will Help To Arrange Important Family Functions, And Thus Preserve Social Bonds.
In this book, Tracy Pintchman has assembled ten leading scholars of Hinduism to explore the complex relationship between Hindu women's rituals and their lives beyond ritual. The book focuses particularly on the relationship of women's ritual practices to domesticity, exposing and exploring the nuances, complexities, and limits of this relationship. In many cultural and historical contexts, including contemporary India, women's everyday lives tend to revolve heavily around domestic and interpersonal concerns, especially care for children, the home, husbands, and other relatives. Hence, women's religiosity also tends to emphasize the domestic realm and the relationships most central to women. But women's religious concerns certainly extend beyond domesticity. Furthermore, even the domestic religious activities that Hindu women perform may not merely replicate or affirm traditionally formulated domestic ideals but may function strategically to reconfigure, reinterpret, criticize, or even reject such ideals. This volume takes a fresh look at issues of the relationship between Hindu women's ritual practices and normative domesticity. In so doing, it emphasizes female innovation and agency in constituting and transforming both ritual and the domestic realm and calls attention to the limitations of normative domesticity as a category relevant to many forms of Hindu women's religious practice.
Posh: Art of the Dot teaches readers how to complete and create stunning, meditative kolams. A form of drawing practiced in southern India, kolams are geometrical line drawings composed of curved loops and straight lines, drawn around or over a grid pattern of dots. Art lovers can follow step-by-step guides as they work their way through beginner, intermediate, and advanced designs. Each completed kolam is a gorgeous geometric marvel that can be colored in and decorated. With an introduction from anthropologist and kolam specialist, Anna Laine, this original book will help readers become experts themselves.
1-systems are a mathematical formalism which was proposed by Aristid 1indenmayer in 1968 as a foundation for an axiomatic theory of develop ment. The notion promptly attracted the attention of computer scientists, who investigated 1-systems from the viewpoint of formal language theory. This theoretical line of research was pursued very actively in the seventies, resulting in over one thousand publications. A different research direction was taken in 1984 by Alvy Ray Smith, who proposed 1-systems as a tool for synthesizing realistic images of plants and pointed out the relationship between 1-systems and the concept of fractals introduced by Benoit Mandel brot. The work by Smith inspired our studies of the application of 1-systems to computer graphics. Originally, we were interested in two problems: • Can 1-systems be used as a realistic model of plant species found in nature? • Can 1-systems be applied to generate images of a wide class of fractals? It turned out that both questions had affirmative answers. Subsequently we found that 1-systems could be applied to other areas, such as the generation of tilings, reproduction of a geometric art form from East India, and synthesis of musical scores based on an interpretation of fractals. This book collects our results related to the graphical applications of- systems. It is a corrected version of the notes which we prepared for the ACM SIGGRAPH '88 course on fractals.
Kolam is an Indian art form traditionally drawn using rice flour on floors of houses or in courtyards. This story is about a little girl, Bhoomi, who falls in love with her mother's kolams and decides to learn the art of drawing kolams. Join Bhoomi in her quest!
Encounters Beyond the Gallery challenges the terms of their exclusion, looking to relational art, Deleuze-Guattarean aesthetics and notions of perception, as well as anthropological theory for ways to create connections between seemingly disparate worlds. Embracing a unique and experimental format, the book imagines encounters between the art works and art worlds of Rirkrit Tiravanija, Tamil women, the Shipibo-Conibo of Eastern Peru and a fictional female contemporary artist named Rikki T, in order to rethink normative aesthetic and cultural categories. Its method reflects the message of the book, and embraces a plurality of voices and perspectives to steer critical attention towards the complexity of artistic life beyond the gallery.