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The exciting Kolam Kondattam Kontest is right around the corner. And Bharathi can't wait to participate and show off, er, showcase his creative skills. Encouraged by his friends, Tabassum and Alagu, he registers for the contest (with a 'k'). Alas, the Residents' Welfare Association, led by the fearsome Mrs Subramaniam, won't hear of it. The contest is open only to the residents of Pravin's Paradiso Apartments. And while Bharathi hangs out at the apartments all the time, he's not exactlytechnicallyactually a resident. Now it's up to Bharathi to hatch an ingenious plan. Will he be able to get around the rules, get past the building bullies and get a shot at his dream?
In this compelling first novel, a young Indian American girl finally learns that she can choose which memories to keep and which to let go. Although Maya has done her best to avoid it, she is spending part of her summer in Chennai, India, with her mother, who is trying to sell her grandfather's old house. Soon Maya is drawn into a complicated friendship with eccentric Kamala Mami, who has been a housekeeper and cook for years in Maya's extended family. At the same time, Maya is thrust into an ocean of memories, all coming at her too quickly for her to understand. In particular, she is forced to examine the history of her parents' divorce -- all the more painful because she believes the trouble began with the choosing of her name. For years the tension has simmered in a cauldron of anxiety, secrets, and misunderstandings. It is only with the help of Kamala Mami and Maya's cousin Sumati that Maya is able to see what happened to her parents.
You're seen, tracked and followed everywhere you go. Every line & picture you post; someone is watching. All that information in the wrong hands is a recipe for disaster. You have a smart door, a CCTV; everything is controlled via an app on your mobile phone. All they need to do is to hack into your phone. Anyone can get in; anyone can see you inside your home. How safe are you inside your home? Myra is assaulted in her bedroom after a party where she had invited friends. Did one of her friends do this to her? Or is it someone from her past who is out to hurt & destroy her? Or is it an obsessive tracker who hacks into her phone? Eye on You is about the dangers of social media, leaving digital footprints and having advanced gadgets at home that track our lives.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-05-1946 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 96 VOLUME NUMBER: Vol. XI, No. 10 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 14-17, 19, 21, 23, 27-90 ARTICLE: 1. Food Crisis in India 2. Future Of The Man (As A Sociologist Sees it) 3. Future Of The Man (As A Moralist Sees it) AUTHOR: 1. Mr. Herbert Hoover 2. Frank Highman 3. Rev. J.A. Mee KEYWORDS: 1. Food Crisis, Help From Australia, President Truman, Famine, Food investigator,Ration, Bread, Wheat 2. Agriculturist, Food-gathering, Social change, Atlantic Charter, San Francisco Charter 3. Spiritual Life, Moralist, Utopia, Mankind, Democracy, Spiritual we-being Document ID: INL-1945-46(D-J) Vol-I (10)
Tamil Nadu – where there are more temples than pharmacies, where the language is older than Sanskrit, where atheists have ruled for half a century provided they were atheists from the right caste. Tamil Nadu, where the young population is ripe for a revolution. At least this is what Nanban thinks, coming from the hub of Mumbai and well-versed in its Machiavellian political ways, he plans to shake things up. His meeting with Veerappan Gounder, who took a bit hit in the last election, seems like his chance to challenge the Tamil status quo. Together they embark on a campaign where no ideal is too high and no action too dastardly to get what Nanban wants – but at what price. V Sanjay Kumar weaves a political thriller as compelling as it is incisive, about the human factor and the vested interests that spark change and about an Indian state which is older than time and just as stubborn.
V. Malar can’t wait to celebrate the harvest festival Pongal with her cousins from Seattle. But will they have enough in common to make it enjoyable? An illustrated chapter book about extended family and holiday traditions, kicking off a charming new series. V. Malar loves living on a farm with her parents in a small town in India. And Malar’s absolute favorite time of year, the harvest festival known as Pongal, is finally here! This year’s festival will be different because her aunt, uncle, and cousins from Seattle will be visiting and celebrating with them. Feeling both excited and nervous, Malar promises to be a great host to her cousins. But when Priya and Kamal talk about all the things they have back home, or when they’re not interested in the animals on the farm, Malar finds it hard to keep her patience and be the gracious host she promised she’d be. The cousins clearly don’t start off on the right foot, but after a few clashes, there are some laughs, and Malar realizes that her cousins might just become friends after all. Family and celebrations big and small await in Suma Subramaniam’s sweet story, brought to life by Archana’s Sreenivasan’s friendly illustrations. A glossary of Indian terms and an author’s note about Pongal can be found in the back matter.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Sivasankari (born October 14, 1942) is a renowned Tamil writer and activist. She has carved a niche for herself in the Tamil literary world during the last four decades with her works that reflect an awareness on social issues, a special sensitivity to social problems, and a commitment to set people thinking. She has many novels, novellas, short stories, travelogues, articles and biographies to her credit. Her works have been translated into several Indian languages, English, Japanese and Ukrainian. Eight of her novels have been made into films, having directed by renowned directors like K. Balachander, SP Muthuraman and Mahendran. Her novel 'Kutti' on girl child labour, filmed by the director Janaki Viswanathan, won the President's Award. Sivasankari's novels have also been made as teleserials, and have won the national as well as regional 'Best Mega Serial' awards. As a multi-faceted personality, she has won many prestigious awards including Kasturi Srinivasan Award, Raja Sir Annamalai Chettiyar Award, Bharatiya Bhasha Parishad Award, 'Woman of the year 1999-2000' by the International Women's Association, and so on. 'Knit India Through Literature' is her mega-project involving intense sourcing, research and translations of literature from 18 Indian languages, with a mission to introduce Indians to other Indians through culture and literature.
Relatable stories told in an inimitable style, this anthology of short stories is a must read. It talks of the simple villager and the city dweller too. The quiet streets and the busy metropolis both, find a place in these stories. Lose yourself in the imaginary world of Kathakaar, the storyteller who weaves these tales.
Poorva: Magic, Miracles and the Mystical Twelve has all the elements that Swamiji wanted divine lifestories of twelve Vaishnava saint-composers unfolding in a magical wonderland.