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47 great drawings by modern Austro-German master: portraits, nudes, more. Notable for originality, power, acute psychological penetration. Introduction. Captions.
Beautiful paintings and drawings, by one of the leading figures within the historic avant-garde, are coming to Rotterdam. Oskar Kokoschka (1886-1980) inspired whole generations of artists, and in the autumn of this year, his portraits of people and animals will be exhibited in Museum Boijmans Van Beuningen. The exhibition will give a picture of the great cultural periods of Europe at the end of the 19th century and the beginning of the 20th.
Oskar Kokoschka ((1886-1980) is one of Austria’s finest and most revered Expressionist artists. His paintings are renowned and admired for their vivid color and restless energy. This significant book focuses on the early portraits that Kokoschka painted in Vienna and Berlin on the eve of World War I. Perhaps the best known and most highly esteemed of all his works, these portraits are wonderful examples of Kokoschka’s use of exaggeration and distortion of color to convey deep emotion and psychological tension. They also present a fascinating look at many of the important intellectual figures of the era, for their subjects include Peter Altenberg, Adolf Loos, Alma Mahler, and Kokoschka himself (in his Self Portrait as Knight Errant). This beautifully illustrated book includes not only these arresting oil portraits but also some of Kokoschka’s drawings of the same sitters and a selection of the postcards, fans, and posters he made for the Wiener Werkstätte in the period before the portraits were completed, all of which shed light on his early development. There are also discussions by eminent authorities on the culture and history of Vienna and Berlin in the prewar period; Kokoschka’s shift from Art Nouveau to Expressionism; his place within the German and Austrian Expressionist movements; his reception in the United States; and much more.
Oskar Kokoschka ((1886-1980) is one of Austria’s finest and most revered Expressionist artists. His paintings are renowned and admired for their vivid color and restless energy. This significant book focuses on the early portraits that Kokoschka painted in Vienna and Berlin on the eve of World War I. Perhaps the best known and most highly esteemed of all his works, these portraits are wonderful examples of Kokoschka’s use of exaggeration and distortion of color to convey deep emotion and psychological tension. They also present a fascinating look at many of the important intellectual figures of the era, for their subjects include Peter Altenberg, Adolf Loos, Alma Mahler, and Kokoschka himself (in his Self Portrait as Knight Errant). This beautifully illustrated book includes not only these arresting oil portraits but also some of Kokoschka’s drawings of the same sitters and a selection of the postcards, fans, and posters he made for the Wiener Werkstätte in the period before the portraits were completed, all of which shed light on his early development. There are also discussions by eminent authorities on the culture and history of Vienna and Berlin in the prewar period; Kokoschka’s shift from Art Nouveau to Expressionism; his place within the German and Austrian Expressionist movements; his reception in the United States; and much more.
This is the first book about the theatre career of Fred and Adele Astaire, detailing their years in vaudeville, on Broadway, and in London, their impact culturally, and the essence of their partnership on and off the stage.
Portraiture is a demanding art requiring the artist to capture a likeness and render it revealing some hint of the personality behind the image. A two-pronged task, it requires great technical skill and an intuitive eye. In both these respects, John Singer Sargent stands out as a portrait artist of major stature. Born in 1856 in Florence of American parents, Sargent showed artistic aptitude at an early age and was enrolled at the Academia delle Belle Arti in that city. Later he studied with Parisian artist Carolus Duran, acquiring the loose, painterly style for which he is renowned. International acclaim as a portrait artist came early in his life and followed him throughout his career. Sargent's portraits done in oil are well known; they appear in major museums throughout the world. A lesser-known but no less respected aspect of his oeuvre, his portrait drawings are the focus of this collection. Included here are early works in pencil and pastels, and later renderings in charcoal, a medium Sargent favored after 1910. They have been selected from both public and private collections by art historian Trevor J. Fairbrother and attest to Sargent's technical skill, versatility, and dexterity in three different mediums. In addition, these works reveal Sargent's ability to treat a diverse group of subjects; he handles the languorous beauties of the Edwardian age, members of the aristocracy, and the great literary and artistic figures of his day with equal virtuosity, capturing their characteristic mood and style. This collection includes portraits of Lord and Lady Spencer, Henry James, William Butler Yeats, Vaslav Nijimsky, Tamara Karsavina, Dame Ethel Smyth, and Jascha Heifetz. Artists, students, historians, and lovers of portraiture will appreciate this selection of drawings by Sargent. Anyone interested in trying his hand at portraiture will find this volume both instructional and inspirational.
It was during this period that he made his first professional works, charming postcards and fans for the influential Wiener Werkstatte. These decorative works soon gave way to his more mature style, characterized by a masterly command of draughtsmanship and an often-violent subject matter that plumbs the depths of the human psyche, instinct, and myth. This volume includes a broad selection of works from the years when Kokoschka was at the height of his artistic powers, creating deeply charged portraits, figure studies, and dramatic illustrations based on the literary works he authored.
Oskar Kokoschka first met Alma Mahler on April 12, 1912, exactly eleven months after the death of her husband - the composer Gustav Mahler. Three days later, the much younger Kokoschka proposed to her in a passionate letter and they embarked on a stormy relationship which was to last only three years. This short and passionate affair greatly influenced his work. Kokoschka, born in Austria in 1886, was both an artist and writer. He led a turbulent life and travelled extensively, before settling in England where he became a British Subject in 1947. He died in Switzerland in 1980, just days before his 94th birthday. Kokoschka's work was greatly influenced by Gustav Klimt and medieval artists such as Lucas Cranach and Albrecht Durer, painting in a distinctive Expressionist style in his early career. Kokoschka and Alma Mahler explores their passionate relationship, illustrating and discussing the 20 paintings, 70 drawings and prints, and 7 fans that bear witness to this incredibly intense and fateful relationship. His works reflect his love and overwhelming desire, the impressions gained from his travels, and the depths of his despair. The fascinating picture portrayed by the author includes hitherto unpublished material, in particular Alma Mahler's diary from 1912-1913.