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This book invites you to cultivate stillness and contentment in an ever-changing, uncertain world, inspired by ancient and contemporary Japanese wisdom. Drawing on a thousand years of Japanese literature, culture, and philosophical ideas to explore the true nature of time and what it means to be human, Kokoro–which mysteriously translates as "heart-mind"–is a meditation on living well. Join Japanologist Beth Kempton on this life-changing pilgrimage far beyond the tourist trail, to uncover the soul of the country, its people, and its deeply buried wisdom. Distilling insight from a rich variety of sources, from centuries-old poetry and ancient Zen texts to martial arts teaching and contemporary philosophy, alongside the real-life stories of modern day pioneers, Kokoro offers an inspiring take on what it truly means to be happy,so that you can live each day with wonder and ease.
Originally written in Japanese and published in Japan in 2002, "Kokoro no Katachi - The Image of the Heart" has been offering a unique perspective on the Japanese martial arts (Budo or Bugei) and their cultural significance to many readers. "What is true Budo?""What does the journey to become a master of Budo entail? "Driven by those burning questions, the author Mr. Hino examines and illuminates the wisdom of legendary masters, especially the world's most well-known grand master of Japanese martial arts Masaaki Hatsumi (1931-). His personal encounter and interview with Mr. Hatsumi make the essence of ancient martial arts real and alive in present times. With a new epilogue added, the book is now available in English as a complete edition.
Kokoro Yoga, by New York Times bestselling author and former U.S. Navy SEAL Mark Divine, is an integrated physical, mental, and spiritual training, designed initially for the nation's elite special-ops soldiers and now taught to anyone seeking to develop the heart and mind of a warrior. Kokoro, the Japanese concept of warrior spirit—or merging heart and mind into action—is the central focus of Divine's new approach to teaching yoga. Coach Divine's yoga sequences are focused to adapt to all physical and mental capabilities, combining breathing, meditation, and visualization into both traditional poses as well as cross-training/combat-conditioning exercises. His decades of experience with amateur and professional athletes, active and aspiring Navy SEALs, and wounded warriors uniquely qualifies him as an expert motivator and teacher. With Kokoro Yoga the practitioner will: * Get an unbeatable full-body workout through body-weight functional movements that can be done at home or on the on go * Increase flexibility while building long, lean muscle mass * Improve physical and mental balance, focus, and control at all levels—including a special segment designed for those recovering from PTSD * Find emotional, intuitional, and spiritual harmony to achieve peak performance Coach Divine’s methods have been tested by the toughest warriors in the world. Use this book as a guide to experience the profound power of yoga as a developmental system that will allow you to break through any barriers holding you back.
Shinkei (1406-75), one of the most brilliant poets of medieval Japan, is a pivotal figure in the development of renga (linked poetry) as a serious art. In an age when anyone who wished to signal his denial of mundane concerns or make his way in the world with relative freedom donned the robes of a monk, Shinkei stood out by being a practicing cleric with a temple in Kyoto, the Japanese capital. His priestly duties and his devotion to Buddhist ideals are directly reflected in the intensely pure, lyrical longing for transcendence that is the most notable quality of his sensibility. Shinkei's life and work also provide a vivid portrayal of a tumultuous period of Japanese history that was one of the defining moments of its culture, when Zen Buddhism began to directly influence the arts. The book is in two parts. The first part is a literary biography based primarily on Shinkei's own writings - his critical essays, waka sequences, hokku collections, and commentaries - supplemented by various external sources. What emerges is the compelling portrait of a man who bore witness to the tragic anarchy of his times while clinging to the ideal of poetic practice as a mode of being and access to Buddhist enlightenment. Shinkei became embroiled in the factional struggles preceding the Onin War (1467-77) and died a refugee in what is now Kanagawa. The second part consists of annotated translations of Shinkei's most representative poetry: (1) selected hokku (opening verse of a sequence) and tsukeku (linked pairs of verses), along with Muromachi-period commentaries on them; (2) two 100-verse renga sequences - the first a solo composition from 1467, and the second a collaboration with Sogi and other poet-priests and samurai from 1468; and (3) a selection of one hundred waka poems highlighting Shinkei's most characteristic mode of ineffable remoteness. Throughout, the author's annotations seek to define and clarify the unique genre called "linked poetry."
The description for this book, Kurozumikyo and the New Religions of Japan, will be forthcoming.
One of the central themes in cognitive linguistics is the uniquely human development of some higher potential called the "mind" and, more particularly, the intertwining of body and mind, which has come to be known as embodiment. Several books and volumes have explored this theme in length. However, the interaction between culture, body and language has not received the due attention that it deserves. Naturally, any serious exploration of the interface between body, language and culture would require an analytical tool that would capture the ways in which different cultural groups conceptualize their feelings, thinking, and other experiences in relation to body and language. A well-established notion that appears to be promising in this direction is that of cultural models, constituting the building blocks of a group's cultural cognition. The volume results from an attempt to bring together a group of scholars from various language backgrounds to make a collective attempt to explore the relationship between body, language and culture by focusing on conceptualizations of the heart and other internal body organs across a number of languages. The general aim of this venture is to explore (a) the ways in which internal body organs have been employed in different languages to conceptualize human experiences such as emotions and/or workings of the mind, and (b) the cultural models that appear to account for the observed similarities as well as differences of the various conceptualizations of internal body organs. The volume as a whole engages not only with linguistic analyses of terms that refer to internal body organs across different languages but also with the origin of the cultural models that are associated with internal body organs in different cultural systems, such as ethnomedical and religious traditions. Some contributions also discuss their findings in relations to some philosophical doctrines that have addressed the relationship between mind, body, and language, such as that of Descartes.
This book explores ‘efficacious intimacy’ as an embodied concept of worldmaking, and a framework for studying belief practices in religious and political domains. The study of how beliefs make and manifest power through their sociality and materiality can reveal who, or what, is considered effective in a particular socio-cultural context. The chapters feature case studies drawn from diverse religious and political contexts in Asia, Africa, and the Americas, and explore practices ranging from ingesting sacred water to resisting injustice. In doing so, the authors analyze emotions and affects, and how they influence dynamics of proximity and distance. Taking an innovative approach to the topic of intimacy, the book offers a fascinating examination of how life-worlds are constructed by material practices. It will be of interest to scholars of anthropology, religion, and material culture.