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"Twiga the giraffe is having a baby! Can Koko find her way to the doctor's house in time?"--P. [4] of cover.
From the #1 New York Times bestselling author of Ghost Story comes “an inspired thriller” (The Washington Post) about four Vietnam vets linked by a shattering secret and their global hunt to track down a brutal killer. Koko. Only four men knew what it meant. Now they must stop it. They were Vietnam vets—a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a devastating secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York, searching for someone from the past who has risen from the darkness to kill and kill and kill.
The third and final instalment in the fast-paced kick-ass Koko trilogy described by Booklist as "[A] futuristic wild ride... Great fun". Surviving job loss, an unsettled vendetta, a submarine wreck, heartbreak, and mortal carnage on a tokusatsu scale, Koko P. Martstellar (ex-corporate mercenary and saloon/brothel owner) is trying to reassemble what's left of her life. Being hired to protect global industrialist Bogart Gong seems like as good a place to start as any, but bodyguard work isn't the cakewalk Koko thought it'd be. Throw in some autocratic malfeasance, a hatchet man with a flair for the dramatic, a South American despot, lovers back from the grave, and a high-speed race at a prison, and you've a brain-melting cocktail of cyberpunk satire that's impossible to put down.
Unable to achieve what she aspires, desperate to be number one, Gemma, a newspaper tycoon and a ruthless CEO of a twelve-billion-dollar media conglomerate, with its flagship newspaper ‘Before Dawn’ contrives catastrophic events in order to increase readership and further her ranking. However, when she falls in love, everything changes, and she must sacrifice her world to save the ones she loves. This is truly a story about fake news that happens to be deadly, or better yet, manufactured.
Tells the story of a gorilla that communicates with humans using sign language and her love for her kitten, All Ball
‘A bewitching addition to the current South African literary boom. Mohale Mashigo tells her story with charming lucidity, disarming characterisation, subversive wisdom and subtle humour.’ – ZAKES MDA How long does it take for scars to heal? How long does it take for a scarred memory to fester and rise to the surface? For Marubini, the question is whether scars ever heal when you forget they are there to begin with. Marubini is a young woman who has an enviable life in Cape Town, working at a wine farm and spending idyllic days with her friends ... until her past starts spilling into her present. Something dark has been lurking in the shadows of Marubini’s life from as far back as she can remember. It’s only a matter of time before it reaches out and grabs at her. The Yearning is a memorable exploration of the ripple effects of the past, of personal strength and courage, and of the shadowy intersections of traditional and modern worlds.
A personal, scientific account of the ground-breaking Project Koko discusses Patterson's controversial experimental program of teaching sign language to an ape.
There were two souls in the universe waiting to be united. One individual was in Rhode Island, and the other was in Massachusetts. One was a tiny toy poodle, and the other was a compassionate human being. Both were struggling with challenges in their lives before the union. Neither one knew they were going to meet someday. The human being had a vision to the universe to find a toy poodle. Perhaps the tiny poodle also had a vision to the universe to find a loving home. The tiny poodle was a scrubby stray found on a hot day under a car, with hair so long and badly matted, he could not even move. He weighed three pounds. The human read about the tiny poodle and went to the shelter, where they cleaned him up so well that he looked so beautiful. Five people were interviewed, but the compassionate human was the lucky one chosen, or they were lucky to find each other. They brought each other peace, comfort, and love in a true, loving bond. It was meant to be. They awakened each other's souls and had such an amazing journey together that will touch your heart.
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.