Download Free Knockemstiff Book in PDF and EPUB Free Download. You can read online Knockemstiff and write the review.

"More engaging than any new fiction in years." —Chuck Palahniuk An unforgettable work of fiction that peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place. Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.
Now a Netflix film starring Tom Holland and Robert Pattinson A dark and riveting vision of 1960s America that delivers literary excitement in the highest degree. In The Devil All the Time, Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and Gothic over­tones of Flannery O’Connor at her most haunting. Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right. Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.
From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors. It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it? In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.
*"The rhythm and flow of words perfectly match the art while advising readers to choose love and use their voices in a powerful song." --School Library Journal (starred review) From rising country star Jimmie Allen comes a lyrical celebration of the many types of voices that can effect change. From voices tall as a tree, to voices small as a bee, all it takes is confidence and a belief in the goodness of others to change the world. Coming at a time when issues of social justice are at the forefront of our society, this is the perfect book to teach children in and out of the classroom that they're not too young to express what they believe in and that all voices are valuable. The perfect companion for little readers going back to school!
In 'Blessed', a thief's career is cut short when he falls from a rooftop. Since the accident he has been subsisting on a disability cheque, a potent painkiller prescription and having his wife sell her blood. In 'The Fights', Bobby has been off the sauce for five long months. On the advice of his Alcoholics Anonymous mentor, he pays his family a visit in Knockemstiff-where even the wood smoke reminds him of whiskey. While his father and brother amuse themselves by watching pre-recorded boxing and his mother mopes in the kitchen, the inertia infusing his old home threatens to take hold. Part of the Storycuts series, these two short stories were previously published in the collection Knockemstiff.
Best known as the original screenwriter of Blade Runner, author Hampton Fancher makes his debut with this extraordinary collection that bears all of the hallmarks that have made him beloved to film fans. These are stories about people and places that exist just outside our perceptions of space and time: in “Narrowing the Divide,” an escaped lab rat winds up in a philosophical conversation with a man whose wife sleeps in the next room; in “Cargot,” a failed actor is reincarnated as a garden snail and avenges himself with a Hollywood producer’s wife; and in “The Black Weasel,” a washed-up bartender finds an unlikely traveling partner in a slow-witted drifter with a suspicious bankroll. These are also stories about survival and instinct, with elements of the absurd and the sublime. The Shape of the Final Dog is a rare literary work that is mordantly funny, deftly written, and bound to delight and entertain.
A classic underdog story about a local band that almost hits the big time. Everyone knows the price of fame. Hitless Wonder measures the price of obscurity. What happens when you chase a dream into middle age and, in doing so, risk losing the people you love?
On a September night in 1971, a few days after getting busted for dropping two of the 127 hits of acid found in a friend's shoe, a sixteen-year-old who is grounded for a year curls up in the corner of her ratty bedroom, picks up a pen, and begins to write. Once upon a cruddy time on a cruddy street on the side of a cruddy hill in the cruddiest part of a crudded-out town in a cruddy state, country, world, solar system, universe. The cruddy girl named Roberta was writing the cruddy book of her cruddy life and the name of the book was called Cruddy. Now the truth can finally be revealed about the mysterious day long ago when the authorities found a child, calmly walking in the boiling desert, covered with blood. She could not give the authorities any information about why she was the only survivor and everyone else was lying around in hacked-up pieces. Roberta Rohbeson, 1971. Her overblown, drug-induced teenage rant against a world bounded by "the cruddy top bedroom of a cruddy rental house on a very cruddy mud road behind cruddy Black Cat Lumber" soon becomes a detailed account of another story. It is a story about which Roberta has kept silent for five years, until, under the influence of a pale hippie called the Turtle and a drug called Creeper, her tale giddily unspools... Roberta Rohbeson, 1967. The world of Roberta, age eleven, is terrifyingly unbounded, a one-way cross-country road trip fueled by revenge and by greed, a violent, hallucinatory, sometimes funny, more often horrific year of killings, betrayals, arson, and a sinister set of butcher knives, each with its own name. Welcome to Cruddy, Lynda Barry's masterful tale of the two intertwined narratives set five years -- an eternity -- apart, which form the backbone of Roberta's life. Cruddy is a wild ride indeed, a fairy tale-cum-low-budget horror movie populated by a cast of characters that will remain vivid in the reader's mind long after the final page: Roberta's father, a dangerous alcoholic and out-of-work meat cutter in search of his swindled inheritance; the frightening owners of the Knocking Hammer Bar and sometime slaughterhouse; and two charming but quite mad escapees from the Barbara V. Herrmann Home for Adolescent Rest. Written with a teenager's eye for freakish detail and a nervous ability to make the most horrible scenes seem hilarious, Roberta's two stories -- part Easy Rider and part bipolar Wizard of Oz -- painfully but inevitably converge in a surprising denouement in a nightmarish Dreamland in the Nevada desert. By turns terrifying, darkly funny, and resonant with humanity, propelled by all the narrative power of a superior thriller and burnished by the author's pitch-perfect ear for dialogue, Cruddy is a stunning achievement.
Welcome to Heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Frank Bill's Southern Indiana is haunted by a deep, abiding sense of place, and his people are men and women pressed to the brink - and beyond. They are survivors, and in Frank Bill's hands, their stories bristle with noir energy.
“The best Appalachian novelist of his generation.” —Ron Rash, author of Serena and The Cove "The Dark Corner is one of the most riveting and beautifully written novels that I have ever read. Trouble drives the story, as it does in all great fiction, but grace, that feeling of mercy that all men hunger for, is the ultimate subject, and that's just part of the reason that Mark Powell is one of America's most brilliant writers." —Donald Ray Pollock, author of The Devil All the Time and Knockemstiff “Mark Powell’s third novel powerfully tackles the ongoing curses of drugs, real estate development, veterans’ plights, and other regional cultural banes that plague an Appalachia still very much alive and with us as its own chameleon-like animal. Brimming with fury and beauty, The Dark Corner is a thing wrought to be feared and admired.” —Casey Clabough, author of Confederado “Powell’s work is so clearly sourced to the wellspring of all spiritual understanding—this physical world...He is heir to the literary lineage of Melville, Conrad, Flannery O’Connor, Denis Johnson, and Robert Stone.” —Pete Duval, author of Rear View A troubled Episcopal priest and would-be activist, Malcolm Walker has failed twice over—first in an effort to shock his New England congregants out of their complacency and second in an attempt at suicide. Discharged from the hospital and haunted by images of the Iraq War and Abu Ghraib, he heads home to the mountains of northwestern South Carolina, the state’s “dark corner,” where a gathering storm of private grief and public rage awaits him. Malcolm’s life soon converges with people as damaged in their own ways as he is: his older brother, Dallas, a onetime college football star who has made a comfortable living in real-estate development but is now being drawn ever more deeply into an extremist militia; his dying father, Elijah, still plagued by traumatic memories of Vietnam and the death of his wife; and Jordan Taylor, a young, drug-addicted woman who is being ruthlessly exploited by Dallas’s viperous business partner, Leighton Clatter. As Malcolm tries to restart his life, he enters into a relationship with Jordan that offers both of them fleeting glimpses of heaven, even as hellish realities continue to threaten them. In The Dark Corner, Mark Powell confronts crucial issues currently shaping our culture: environmentalism and the disappearance of wild places, the crippling effects of wars past and present, drug abuse, and the rise of right-wing paranoia. With his skillful plotting, feel for place, and gift for creating complex and compelling characters, Powell evokes a world as vivid and immediate as the latest news cycle, while at the same time he offers a nuanced reflection on timeless themes of violence, longing, redemption, faith, and love. MARK POWELL is the author of two previous novels published by the University of Tennessee Press, Prodigals and the Peter Taylor Prize–winning Blood Kin. The recipient of National Endowment for the Arts and Breadloaf Writers’ Conference fellowships, as well as the Chaffin Award for fiction, he is an assistant professor of English at Stetson University.