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‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Kashmiri one of the languages spoken in northern region of India.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume ‘North’ she deals with five languages Kashmiri, Punjabi, Urdu, Hindi and Sanskrit that are spoken in northern region of India.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Punjabi one of the languages spoken in northern region of India.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Hindi one of the languages spoken in northern region of India.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Urdu one of the languages spoken in northern region of India.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Hindi one of the languages spoken in northern region of India.
This book was born from my experiences in the IOWA International Writing Program and my innumerable trips to the US. During the 20 years between 1970 and 1990, was conscious of the stormy changes engulfing middle class Indians there. These edcuated families had migrated after the 60's to the Promised Land for reasons of their own. During their long, successful journeys, they were stopped short by the problems facing their teenage children, particularly their daughters. Ini (which in Tamil, means 'Hereafter') – written in 1993 – is about the dilemmas they faced. Ini was roughly translated by Mr. M.M. Subramaniam, living in the US, so that his teenaged daughter could read it. ‘Ini' evolved into Portable Roots... through an interesting collaboration with my friend of many years, Rekha Shetty. Her sociological insights into the changing lives of the Indian Diaspora, have resulted in this transcreation of my original work. - Sivasankari
(Reprint London 1895 edn.)
NIRMAL VERMA (1929-2005) was an acknowledged master of Hindi prose and one of the pioneers of the Nai Kahani (new story) movement in Hindi. Throughout his life he was known as a major voice among the Indian intelligentsia for consistently upholding the right of individual liberty and freedom of expression. He famously took a stand against Prime Minister Indira Gandhi during the Emergency (1975-77), and he also advocated the cause of a Free Tibet. He traveled widely in Europe and the USA including many years in Prague, leaving after the Soviet invasion. With his fiction and also reportage for The Times of India, he earned the title "an Indian writer exiled in Europe." Readers International published the first collection of his stories available in English outside India: The World Elsewhere and Other Stories (1988), winner of the Sahitya Akademi award. He also won the Jnanpith's Murtidevi Award for his essays, and in 1999 he received the highest literary award of India, the Bharatiya Jnanpith Award for the totality of his works, stories, novels, essays, travelogues, and translations. The Crows of Deliverance (1991), his second collection translated into English from Readers International, touches on what he felt were key themes in his stories (from a 2002 interview): "My works essentially deal with situations arising out of troubled relationships among the members of the same family or strained man-woman ties. Indians are very accustomed to the joint family system with strong ties of kinship. But in the last 30-40 years, increasing industrialisation and massive migration of people has taken its toll on the system. With the evolution of the nuclear family. Everyone now has to lead his own life. The disintegration of the joint family has snatched the feeling of security from individuals who now have to bear the strains and tensions alone. "The second most important development is the emergence of an independent woman -- a woman not dependent on others but a person who has the capacity to stand on her own feet. In the past, the Indian woman has been a victim of many malpractices and injustices that were operating in our family system. The emergence of the 'new' woman has created a sort of a revolution in the network of human relationships in society and also led to peculiar tensions. These important developments in the Indian family system and society have created situations in relationships that have become central themes of my fiction."