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2 dolls with 8 detailed, historically accurate suits of armor, including coats of mail worn by Norman knights (ca. 1066), Crusaders, English and German knights, 13th–15th centuries.
Experience the magic of Camelot with a collection that includes figures of King Arthur at three periods in his life, Guinevere, Merlin, Lancelot, and other figures. Handsome period costumes include embellished tunics, gowns, and fur robes for the women; armor, tunics, breeches, and capes for the men. 10 dolls, 22 costumes.
Two dolls, 16 costumes worn from A.D. 12001350. Includes tunics, chain-mail armor, and fur-trimmed capes for men; gowns, brocaded tunics, and a sleeveless chemise for women.
Camelot and the grand Arthurian legends come to colorful life in this gorgeous book of paper doll art. This chivalrous collection features five costumed dolls ― King Arthur, Queen Guinevere, Sir Lancelot, Merlin the wizard, and the enchantress Morgan le Fay ― each with a variety of additional outfits and accessories, plus a colorful backdrop on the inside covers.
Illustrations portray people from every class of society, from farmers to courtiers.
Meticulously rendered toy soldier collection in paper form includes easy-to-assemble, free-standing Union and Confederate soldiers, cannons, tents, flags, more — all in full color. 16 color plates. Introduction.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
A photo essay examining the design, construction, and uses of hand weapons and armor from a Stone Age axe to the revolvers and rifles of the Wild West.
Four children find a magic way to go back into the time of Ivanhoe and Robin Hood.