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Knightly Dueling is a complete overview of the fighting arts of German chivalric dueling, on horse and on foot, during the late Middle Ages and early Renaissance. Through the words and pictures of original source texts of the great German fight masters of the 14th through 16th centuries - extraordinary works that poetically preserved medieval methods of armed combat - it reveals knightly dueling for what it truly was: mortal combat over some grave matter with battlefield weaponry and armour. Until now, no single book has encompassed and clarified the scattered existing historical information on German dueling with swords, lances, daggers, pollaxes and other weapons. Knightly Dueling shows the ruthless reality of man-to-man combat of the German Kunst des Fechtens (art of fighting), providing a thorough understanding of Johannes Liechtenauer's Roszfechten (horse fighting) and Kampffechten (duel fighting). It gives Middle High German transcriptions, as well as the first and only modern English translations, of works from various fight books by Liechtenauer's renowned masterly interpreters, including Hanko Döbringer, Peter von Danzig, Hans Talhoffer and Andre Lignitzer. The book also presents an illustrated blow-by-blow account of a deadly duel from a German Fechtbuch (fight book); primary source information regarding specific training of noblemen for duels and the training of noble youth in the combat arts; and a unique glossary of historical German chivalric terms for arms and armour. Lavishly illustrated with many pieces of period artwork, Knightly Dueling restores the concept of German chivalry to its rightful martial role and is a must for any serious scholar of the dynamic field of European martial arts.
Long before he became the Shield Knight, Ridmark Arban was a young Swordbearer in the court of the lord of the Northerland. And when savage orcs descend upon the people of the Northerland, Ridmark must fight in their defense, or fall upon the field of battle...
About This Book "No amount of wisdom could possibly make sense of the mysterious verdict which God intended through this duel." A new translation of a key work by one of European literature’s most important early writers. One of the few novellas written by the master German playwright, The Duel was considered by Thomas Mann and others to be one of the great works of German literature. The story of a virtuous woman slandered by a nobleman, it is a precise study of a subject that fascinated von Kleist: That people are sometimes seemingly punished for their very innocence. This Is An Enhanced eBook This eBook contains Illuminations—additional curated material that expand the world of Kleist’s novella through text and illustrations—at no additional charge. "Illuminations" contains writings by Paul the Deacon - J.G. Millingen - Sir Walter Scott - Johann Ludwig Uhland - Miguel de Cervantes - Andrew Lang - John Carl Blankenagel - Louis and Regis Senac - Alfred Hutton - Fiore de Liberi and a collection of the twelve laws of chivalry. Illustrations include: Gerhard von Kugelgen - Johannes Gehrts - Jörg Breu Jüngere and Pauls Hector Mair - Achilles Emperaire - George Muhlberg and others. Also included is The Duelist’s Supplement – “The Art of Dueling: How To Shoot and Slash Your Way To Satisfaction” which includes an entire facsimile scan of Fior de Liberi's Flower of Battle.
A textbook describing the geography of Louisiana and tracing the history of the state from early Indian settlements to the present day.
This work considers how chivalry was interpreted in 15th century Scotland and how it compared with European ideas of chivalry; the resposibilities of knighthood in this period and the impact on political life; the chivalric literature and the relevance of Christian components of chivalric culture.
Today, war is considered a last resort for resolving disagreements. But a day of staged slaughter on the battlefield was once seen as a legitimate means of settling political disputes. James Whitman argues that pitched battle was essentially a trial with a lawful verdict. And when this contained form of battle ceased to exist, the law of victory gave way to the rule of unbridled force. The Verdict of Battle explains why the ritualized violence of the past was more effective than modern warfare in bringing carnage to an end, and why humanitarian laws that cling to a notion of war as evil have led to longer, more barbaric conflicts. Belief that sovereigns could, by rights, wage war for profit made the eighteenth century battle’s golden age. A pitched battle was understood as a kind of legal proceeding in which both sides agreed to be bound by the result. To the victor went the spoils, including the fate of kingdoms. But with the nineteenth-century decline of monarchical legitimacy and the rise of republican sentiment, the public no longer accepted the verdict of pitched battles. Ideology rather than politics became war’s just cause. And because modern humanitarian law provided no means for declaring a victor or dispensing spoils at the end of battle, the violence of war dragged on. The most dangerous wars, Whitman asserts in this iconoclastic tour de force, are the lawless wars we wage today to remake the world in the name of higher moral imperatives.
This is the first book-length study of masculinity in Imperial Russia. By looking at official and unofficial life at universities across the Russian empire, this project offers a picture of the complex processes through which gender ideologies were forged and negotiated in the Nineteenth Century. Masculinity, Autocracy and the Russian University, 1804-1863 demonstrates how gender was critical to political life in a European monarchy.