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BEWARE OF. . . KNIFE-WIELDING DEMONS AND MURDEROUS GHOSTS - UNCOVERING THE TRUTH ABOUT TERRIFYING HOMICIDAL POLTERGEISTS. Warning! - They Can Kill - Mutilate - Cause An Individual To Go Insane - Or Lead A PersonTo Jump Out A Window! Yes! They are much more dangerous than the slime-throwing spirits in"Ghostbusters," or the foul-mouthed hellion portrayed in "The Exorcist." Poltergeists come in all shapes and sizes and inspire varying degrees of horror. What might besurprising is that poltergeists are NOT necessarily the spirits of the dead nor the overworked, disordered personalities of the living, often thought to have become possessed by demonicforces. That which we call a "poltergeist" could just as easily include a wide range of otherunearthly phenomena, such as random denizens of the dark moving through time and space andother dimensions, as well as a manifestation of cryptids, known collectively as shape-shifters and"bedroom invaders," and possibly even representatives of numerous alien races. These are the stories other researchers refuse to reveal because they are nasty, vicious and utterlyvulgar. But you have the right to know the truth - come hell or high water. "Knife-Wielding Demons and Murderous Ghosts" is a thick, large format book with photos andart to light up the way. The contributors to this volume are seasoned researchers who haveprobed the unknown and are anxious to share their findings - no matter how ugly those findingsmight be. Indeed, ghosts do more than go bump in the night! The reader has been warned! P.S. - It's also good to read around the campfire, if you are looking to scare the devil out ofsomeone.
HPI (Halo Paranormal Investigations)Deanna Jaxine Stinson hooks up with Celebrity Psychic Medium Patti Negri at haunted Nevada City, CA
Blaise lost all other than seven angelic statues in the family crypt, which according to legend are the demonic patrons of her family. Contrary to myths, they do not come to life to help her avenge the death of her family. But a beautiful crazy guy arises from nowhere and promises to help her in the planes of revenge. She must pay with her soul.
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
Two hardheaded investigators chase danger—and each other—in New York Times bestselling author Carla Cassidy's newest Scene of the Crime case Gabriel Walters didn't need some know-it-all FBI agent charging in on his territory. But Jordon James wasn't about to let some local police chief derail her, not with three unsolved murders over at the Diamond Cove B and B. If she just immersed herself in the investigation, she could avoid the troubles she'd left back home…and run head-on into some new ones with Gabriel. He didn't want to discover a fourth victim, which, if the note slid under Jordon's bedroom door was to be believed, would be her. Now it will take their full cooperation to catch a killer—before he strikes again.
In this collection of the second major arc of the popular webcomic KILL SIX BILLION DEMONS, woefully out-of-place sorority sister Allison Ruth and angelic lawman ñ82 White Chainî must struggle against their own fears in a fateful clash with one of the seven evil masters of creation.
A grisly crime on a Caribbean film set leaves one survivor haunted in a novel by the New York Times–bestselling “incredible storyteller” (Los Angeles Daily News). A slasher movie turns all too real when two young actors are brutally murdered on a remote island film set. Their severed heads and arms are posed in macabre homage to a nineteenth-century pirate massacre. Two years later, survivor Vanessa Loren is drawn back to South Bimini by a documentary being made about the storied region. Filmmaker Sean O’Hara aches to see how the unsolved crime haunts her . . . and Sean knows more than a little about ghosts. Lured by visions of a spectral figurehead, Vanessa discovers authentic pirate treasures that only deepen the mystery. Are the murders the work of modern-day marauders, the Bermuda Triangle, or a deadly paranormal echo of the island’s violent history? As Vanessa and Sean grow closer, the killer prepares to resume the slaughter . . . unless the dead can intervene. “Graham stands at the top of the romantic suspense category.” —Publishers Weekly
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. Here fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called Gothic story ) to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between high and popular culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
An adventure ride into the lives Matthew Lee Stuart and his son Mason Cole Stuart. Although forty years separate the tragedies, they discover sharing the same type of deadly life-changing event. This story delves into the complicated, funny, adventurous, exciting, often deadly lives of both these men as they discover the truth of their being led to do the holy will of God the Father. Enjoy this visit to another time and place with two extraordinary men! You will understand that their special lives of hazards, heartaches, adventures, death, love, war, and action made it true for both: a life becomes a better life through living!