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Jim discovers he has two heart problems--a wonky mitral valve and a serious attraction to his doctor. But Ken Tanaka is a major player.
'Twas Time To Take A Wife—Whether He Wanted To Or Not! Stephen of Wilmont little desired a life bound to castle keep and crops, but, knowing his duty, marry he would. Yet when Fate reunited him with the proud and peerless Marian de Lacy, his first and fiercest love, he suspected his wandering days just might be over…! Her Daughters Were Her Joy, Their Heritage Her Secret But, Marian de Lacy realized, honor demanded the truth be told, for Stephen, knight errant of Wilmont and mirror of her soul, had returned to reignite their passion's flame…!
#1 NEW YORK TIMES BESTSELLER! ONCE UPON A BROKEN HEART marks the launch of a new series from Stephanie Garber about love, curses, and the lengths that people will go to for happily ever after For as long as she can remember, Evangeline Fox has believed in true love and happy endings . . . until she learns that the love of her life will marry another. Desperate to stop the wedding and to heal her wounded heart, Evangeline strikes a deal with the charismatic, but wicked, Prince of Hearts. In exchange for his help, he asks for three kisses, to be given at the time and place of his choosing. But after Evangeline’s first promised kiss, she learns that bargaining with an immortal is a dangerous game — and that the Prince of Hearts wants far more from her than she’d pledged. He has plans for Evangeline, plans that will either end in the greatest happily ever after, or the most exquisite tragedy.
Times are changing in Rendelsham. The old King is dead, and the foolish Prince Florian has assumed the throne. Florian's mother, Queen Ysa of the House of Oak, still controls the land from behind the scences, but her job grows more difficult every day. Her unworthy, headstrong son is harder to control than her husband was, and she must spend more time than ever masking her own movements. Her husband's illegitimate daughter Ashen, heir to the nearly dead House of Ash, still causes trouble by her very existence, and must never be given an opening to the throne. The barbarian Sea-Rover clan presents problems from the edge of the Bog, Ysa's newest magical ally has been exposed as a traitor, and nothing is going as Ysa had planned. And still the unknown yet encroaching threat from the North continues to grow. Through births and deaths, marriages and duels, love and betrayal, magic and force, the four Houses of Rendelsham can only survive by the strength of their unity--but is unity possible in such a court of intrigue as this one?
In this welcome addition to his Crime History Series, Gregory Durston points to the lack of design and short-term expediency that typified Tudor law and order. But he also detects an emergent criminal justice system amidst royal patronage, protection, and the influence of wealthy magnates. Students of English history will have heard how benefit of clergy and the ‘neck verse’ might avoid a hanging, but what of other stratagems such as down-valuing stolen goods, cruentation, chance medley, pious perjury or John at Death (a non-existent culprit blamed by the accused and treated by juries as real); all devices used to mitigate the all-pervading death-for-felony rule. Together with other artifices deployed by courts to circumvent black-letter law the author also describes how poor, marginalised and illiterate citizens were those most likely to suffer unfairness, injustice and draconian punishment. He also describes the political intrigue and widescale corruption that were symptomatic of the era, alongside such diverse aspects as forfeiture of property, evidential ploys, the rise of the highwayman, religious persecution, witchcraft and infanticide crazes. At a time of shifting allegiances?—?and as Crown, church, judges, magistrates and officials wrestled over jurisdiction, central or local control, ‘ungodly customs’, laws of convenience or malleable definitions?—?never perhaps were facts or law so expertly engineered to justify or defend often curious outcomes. Part of Durston’s Crime History Series. Covers the entire Tudor era. Based on first-hand historical research. Fully referenced to hundreds of sources.