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Emily Ich bin zurück in New York - bereit, mein brandneues Leben mit Logan zu beginnen. Die Dinge zwischen uns hängen noch in der Luft und es sind drei Monate vergangen, seit ich auch nur mit ihm gesprochen habe. Aber einer Sache bin ich mir sicher: Ich kann nicht ohne ihn leben. Logan Ich brauche sie wie die Luft zum Atmen. Jetzt ist sie zurück und ihr Vater hat sich mit ihrem Ex-Freund verschworen, um uns voneinander fernzuhalten. Doch das wird uns nicht auseinander bringen. Oder? Wir können es schaffen. Wir müssen es schaffen. Denn ich kann mir ein Leben ohne sie nicht vorstellen. Sie trafen sich aufgrund eines Tattoos. Sie verliebten sich, weil es unvermeidlich war. Sie trennten sich, als Emily alles, was ihr lieb war aufgab, um jemanden, den er liebte, zu retten. Jetzt ist Emily zurück in New York, um an der Julliard zu studieren und um ihren Weg zurück zu Logan zu finden. Doch ihr Vater und ihr Ex-Freund haben andere Pläne. Logans und Emilys Liebe wird auf Schritt und Tritt mit Herausforderungen konfrontiert werden. Können sie die Prüfung bestehen?
‘Inception’ meets ‘The Body Finder’ in this dark thriller from No. 1 New York Times bestselling author Aprilynne Pike – perfect for fans of Kelley Armstrong, Alyson Noel and Kimberly Derting.
"Bull's Balls tells the story of two lovers, Conrad and Paul who after ten years together are beginning to feel the test of time. Throw into the mix Conrad's young piano student and a well-endowed construction worker for Paul, and you end up with scenes that you won't know whether to laugh or cry."--From back cover.
Laurel was mesmerized, staring at the pale things with wide eyes. They were terrifyingly beautiful—too beautiful for words. Laurel turned to the mirror again, her eyes on the hovering petals that floated beside her head. They looked almost like wings. In this extraordinary tale of magic and intrigue, romance and danger, everything you thought you knew about faeries will be changed forever.
The first comprehensive catalog of an important German-Jewish expressionist painter. On the occasion of the one hundredth anniversary of the artist's birth, this catalogue presents for the first time an overview of Marie-Louise von Motesiczky's paintings in an elegant volume of full color reproductions accompanied by illuminating commentary. Born in Vienna, she studied with Max Beckmann, who became a significant influence on the young artist. Later, in exile in London, Motesiczky grew close to Oskar Kokoschka and became acquainted with some of the leading intellectuals of the twentieth century, including Elias Canetti, with whom she shared a long and intimate relationship. The paintings and drawings in this book explore the artist's transition from the edgy realism of her early years to the softer and more poetic paintings of her later work. Her portraits, for which she is most famous, include compelling self-examinations as well as a moving series devoted to her mother. Essays on Motesiczky's youth in Vienna, her friendship with Beckmann, and her time in London provide crucial background to a unique and fascinating artist whose wider recognition is long overdue.
"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values. Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf. "Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune "Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review "These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice
The inspiration for the smash Sundance hit, soon to be a major motion picture, "Blinded by the Light": The acclaimed memoir about the power of Bruce Springsteen's music on a young Pakistani boy growing up in Britain in the 1970s. Sarfraz Manzoor was two years old when, in 1974, he emigrated from Pakistan to Britain with his mother, brother, and sister. Sarfraz spent his teenage years in a constant battle, trying to reconcile being both British and Muslim, trying to fit in at school and at home. But it was when his best friend introduced him to the music of Bruce Springsteen that his life changed completely. From the age of sixteen on, after the moment he heard the harmonica and opening lines to “The River,” Springsteen became his personal muse, a lens through which he was able to view the rest of his life. Both a tribute to Springsteen and a story of personal discovery, Greetings from Bury Park is a warm, irreverent, and exceptionally perceptive memoir about how music transcends religion and race.
The media are ubiquitous and constantly changing, causing social and cultural shifts. This book examines how processes of mediatization affect almost all areas of contemporary social and cultural life, and takes the theoretical debate on mediatization in communication studies and media sociology to a critical edge.
#1 New York Times bestselling author Aprilynne Pike has created a heart-stopping romance built on a love triangle like you’ve never seen before and filled with epic stakes and a centuries-long conspiracy. Give it to fans of Beautiful Creatures and Nightshade. Tavia Michaels is the sole survivor of the plane crash that killed her parents. When she starts to see strange visions of a boy she’s never spoken with in real life, she begins to suspect that there’s much about her past that she isn’t being told. Tavia immediately searches for answers, desperate to determine why she feels so drawn to a boy she hardly knows. But when Tavia discovers that the aunt and uncle who took her in after her parents' death may have actually been responsible for the plane crash that killed them--and that she may have been the true intended victim--she flees for the safety of Camden, Maine, where the boy she sees in her visions instructs her to go. Now, Tavia is on the run with no one to trust. No one, that is, except for her best friend and longtime crush, Benson. Tavia feels torn between the boy who mysteriously comes to her at night and the boy who has been by her side every step of the way. But what Tavia doesn't know is that the world is literally falling apart and that to save it she will have to unite with the boy in her visions. Only problem? To do so would mean rejecting Benson's love. And that's the one thing Tavia Michaels swore she'd never do.
Since Germany became a colonial power relatively late, postcolonial theorists and histories of colonialism have thus far paid little attention to it. Uncovering Germany’s colonial legacy and imagination, Susanne Zantop reveals the significance of colonial fantasies—a kind of colonialism without colonies—in the formation of German national identity. Through readings of historical, anthropological, literary, and popular texts, Zantop explores imaginary colonial encounters of "Germans" with "natives" in late-eighteenth- and early-nineteenth-century literature, and shows how these colonial fantasies acted as a rehearsal for actual colonial ventures in Africa, South America, and the Pacific. From as early as the sixteenth century, Germans preoccupied themselves with an imaginary drive for colonial conquest and possession that eventually grew into a collective obsession. Zantop illustrates the gendered character of Germany’s colonial imagination through critical readings of popular novels, plays, and travel literature that imagine sexual conquest and surrender in colonial territory—or love and blissful domestic relations between colonizer and colonized. She looks at scientific articles, philosophical essays, and political pamphlets that helped create a racist colonial discourse and demonstrates that from its earliest manifestations, the German colonial imagination contained ideas about a specifically German national identity, different from, if not superior to, most others.