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Drawing is perhaps the most immediate medium through which an idea can be articulated. Illustration takes drawing into the narrative realm. The illustrations that we see as children stay with us forever; they play a seminal role in the development of our imagination. On Illustration argues that this unassuming artistic discipline can enrich a person's experience of cultural life provided the illustrator's talent is matched by the courage and intelligence of the client. The book is an insight into Andrzej Klimowski's practice, and will help define the role and status of the illustrator in today's creative industries.
Preparing to deliver a lecture in Pisa, Professor Horace Dorlan plans to incorporate music and performance into his scientific presentation. On the eve of his big event, however, strange things start to happen. Consciousness and reality start to shift, divergent voices speak of confusing things and questions start to mount up. Where, for instance, is his wife, and why is there a miniature musical quintet in his room, and what of the accident that afflicted him?
Immanuel Kant laid the foundations of modern Western thought. Every subsequent major philosopher owes a profound debt to Kant's attempts to delimit human reason as an appropriate object of philosophical enquiry. And yet, Kant's relentless systematic formalism made him a controversial figure in the history of the philosophy that he helped to shape. Introducing Kant focuses on the three critiques of Pure Reason, Practical Reason and Judgement. It describes Kant's main formal concepts: the relation of mind to sensory experience, the question of freedom and the law and, above all, the revaluation of metaphysics. Kant emerges as a diehard rationalist yet also a Romantic, deeply committed to the power of the sublime to transform experience. The illustrated guide explores the paradoxical nature of the pre-eminent philosopher of the Enlightenment, his ideas and explains the reasons for his undiminished importance in contemporary philosophical debates.
Tillie Walden's Eisner Award winning graphic memoir Spinning captures what it’s like to come of age, come out, and come to terms with leaving behind everything you used to know. It was the same every morning. Wake up, grab the ice skates, and head to the rink while the world was still dark. Weekends were spent in glitter and tights at competitions. Perform. Smile. And do it again. She was good. She won. And she hated it. For ten years, figure skating was Tillie Walden’s life. She woke before dawn for morning lessons, went straight to group practice after school, and spent weekends competing at ice rinks across the state. Skating was a central piece of her identity, her safe haven from the stress of school, bullies, and family. But as she switched schools, got into art, and fell in love with her first girlfriend, she began to question how the close-minded world of figure skating fit in with the rest of her life, and whether all the work was worth it given the reality: that she, and her friends on the team, were nowhere close to Olympic hopefuls. The more Tillie thought about it, the more Tillie realized she’d outgrown her passion—and she finally needed to find her own voice. This title has Common Core connections. A New York City Public Library Notable Best Book for Teens A Chicago Public Library Best Book of 2017 A 2018 YALSA Great Graphic Novel A 2017 Booklist Youth Editors' Choice
Disappearances, destruction and death spread throughout Moscow like wildfire, and Margarita has discovered that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves.
After adventures in mainland Europe and the lands of the rising sun, LE GUN#5 is set to grace lavatories, poodle-parlours, bars and bookshelves far and wide. Somewhere between art object and pulp fiction, LE GUN #5 is a collage of art by disparate individuals, a free wheeling visual poem punctuated with literary, profound and absurd quotes, always sailing on the side of the surreal and exposing the darker recesses of its warped contributors minds, a rich celebration of drawing and story telling. LE GUN #5 has taken the great George Melly (trout-tickling-dada-loving jazz pirate, and past contributor to LE GUN) as muse for this issue. Works include the intense outsider art of Nick Blinko, artist, writer and frontman of anarcho punk/Deathrock band Rudimentary Peni. Emma Rendel, the spearhead of Swedish surrealism, provides a special insert: Aquiring Success in Your Professional Career Through the Science of Personal Achievement, James Unsworth presents his Ninja Turtle Sex Museum, camp taxidermy comes from Hernan Bas, Charles Averys imaginary Island makes an appearance, the macabre tableaux of Laurie Lipton appear for the first time in LE GUN, while words from the Hunter S. Thompson of Hartlepool, Michael Smith help complete the assemblage...
Baguette, a seemingly ordinary house cat, is a descendant of the magic Catlanteans who lived long ago in peace and happiness on the island of Catlantis. When he falls in love with the seductive alley cat Purriana, she insists Baguette accomplish a heroic feat before she’ll agree to marriage. They pay a visit to the oracle, Purriana’s great-great grandmother, who reveals to the surprised Baguette the secret of his bloodline and the special inheritance of all ginger descendants of the Catlanteans: the ability to time travel. She relates the cat-astrophe that befell Baguette’s ancestors when Catlantis was struck by storms and sank to the bottom of the Catlantic Ocean. Now Baguette must travel into the past in order to bring back the Catlantic flowers that will grant every cat nine lives. All the cats of the world have been awaiting his deed, but can Baguette, a lovesick tabby, fulfill the prophecy?
Adapted from the story of the same title from the author's short story collection Black Vodka, which was published in 2013 by And Other Stories.
Twenty-first-century Kandinsky: a reappraisal of the Russian abstractionist's art, life and thought through the extraordinary collection of the iconic museum One of the foremost artistic innovators of abstraction in the 20th century, Vasily Kandinsky sought to liberate painting from its ties to the natural world and promote the spiritual in art. This richly illustrated publication looks at Kandinsky anew, through a critical lens, reframing our understanding of this vital figure of European modernism, who was also a prolific aesthetic theorist and writer. A series of thematic essays considers his engagement with avant-garde artistic communities including the Bauhaus, his relationship to improvisation and music, his travels in Europe and Russia, and the influences behind his self-declared anarchist mode of abstraction, among other topics. Tracing Kandinsky's life and work through his years in Moscow, several cities in Germany, and Paris, the texts offer striking new insights into an artist whose creative production and style were intimately tied to a sense of place--and displacement--and evolved amid the political and social upheavals catalyzed by the Russian Revolution and World Wars I and II. Kandinsky's history is closely linked to that of the Guggenheim Museum. Solomon R. Guggenheim began collecting the artist's work in 1929; a year later, they met at the Bauhaus, in Dessau. This book features more than half of the museum's deep holdings of works by Kandinsky, presenting the full arc of his artistic development and career. Included are paintings in oil and oil with sand, reverse-glass paintings, as well as woodcuts, watercolors and drawings on paper. An illustrated chronicle of Kandinsky's life and career, including selected exhibitions and publications, rounds out the volume.
One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda--vehicles of coercion, instruction, censure and debate--in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature, posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction--Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.