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There is no book in English about the wartime Berlin 'salon' run by Kitty Schmidt under the secret control of Reinhard Heydrich, one of the architects of the Final Solution Salon Kitty was the most notorious brothel in the decadent Berlin of the Weimar Republic - the city of Cabaret. But after the Nazis took power, it became something more dangerous: a spying centre with every room wired for sound, staffed by women agents specially selected by the SS to coax secrets from their VIP clients. Masterminded by Reinhard Heydrich, the spymaster whom Hitler himself called 'the man with the iron heart', the exclusive establishment turned listening post was patronised by the Nazi leaders themselves, not knowing that hidden ears were listening. One of the last untold stories of the Second World War, Salon Kitty's sensational true history is now revealed by historians Nigel Jones, Urs Brunner and Dr Julia Schrammel. After years of painstaking research and investigation, the story they tell sheds new light on Nazi methods of control and coercion, and the way that they used and abused sex for their own perverse purposes.
A brilliant line-up of international contributors examine the implications of the portrayals of Nazis in low-brow culture and that culture's re-emergence today
Recollections of a small group of actors (8) invited to portray characters from the artist David Wojnarowicz's first book "SOUNDS IN THE DISTANCE" in Berlin in 1984. The ensemble performed in an artist's loft which abutted the Berlin Wall in Kreuzberg & were housed in The Pensione Florian, formerly the most elite bordello ( SALON KITTY) in Berlin whose patrons included the highest echelon of The Third Reich.
This extraordinary story of a high-class Berlin brothel—taken over by the Nazi secret service—is one of the last untold tales of World War II. There is no book in English about the wartime Berlin ‘salon’ run by Kitty Schmidt under the secret control of Reinhard Heydrich, one of the architects of the Final Solution. "Salon Kitty" was the most notorious brothel in the decadent Berlin of the Weimar Republic - the city of "Cabaret." But after the Nazis took power, it became something more dangerous: a spying center with every room wired for sound, staffed by female agents specially selected by the SS to coax secrets from their VIP clients. Masterminded by Reinhard Heydrich, the spymaster whom Hitler himself called "the man with the iron heart," the exclusive establishment turned listening post was patronized by the Nazi leaders themselves, not knowing that hidden ears were listening. The Madam and the Spymaster reveals the sensational true story of this forgotten part of espionage history. The deep research undertaken by Nigel Jones, Urs Brunner and Dr Julia Schrammel sheds new light on Nazi methods of control and coercion, and the way sex was abused for their own perverse purposes.
In the Great Tradition of Herman Wouk, Author of Winds of War and War and Remembrance, Wolf is a Thoroughly Researched Historical Novel about a Man who is Not Yet a Monster . . . but Will Soon Become the Ultimate One: Adolf Hitler. Perhaps no one is more controversial or more hated than Adolf Hitler. Yet questions remain about how this seemingly unremarkable man gained power to become one of the most diabolical dictators of all time. Based on extensive research, the historical novel Wolf lifts the curtain on Hitler’s secret life, revealing truths that have been hidden for one hundred years. The story begins as World War I is ending, when the fictional character Friedrich Richard meets Hitler in the mental ward of Germany’s Pasewalk Hospital. Hitler, a.k.a. Wolf, is an army corporal suffering from hysterical blindness. Unable to see or care for himself, the future Führer relies upon Friedrich for assistance, and the two men form an unbreakable bond. As Wolf progresses, Friedrich becomes history’s eyes and ears. Interacting with real people, places, and events during a fifteen-year time frame, Friedrich watches Hitler evolve step-by-step into a megalomaniacal dictator. A book for history buffs and fiction fans alike, this remarkable thriller presents a fully-realized, flesh-and-blood Hitler that is more realistic and more chilling than any we’ve seen before.
“If you have an appetite for culinary adventure, you’ll devour the feisty and fun memoir” (Elle magazine) by James Beard award-winning chef, restaurateur, and Top Chef judge Barbara Lynch as she recounts her rise from her rough “Southie” childhood to culinary stardom. Celebrated chef Barbara Lynch—named one of Time magazine's 100 Most Influential People in 2017—credits the defiant spirit of her upbringing in tough, poor “Southie,” a neighborhood ruled by the notorious Whitey Bulger gang, with helping her bluff her way into her first professional cooking jobs; develop a distinct culinary style through instinct and sheer moxie; then dare to found an empire of restaurants ranging from a casual but elegant “clam shack” to Boston’s epitome of modern haute cuisine. As award-winning chef Ana Sortun raves, “Her heroic story inspires us to remain true to who we are and honor our dreams with conviction.” One of seven children born to an overworked single mother, Lynch was raised in a housing project. She earned a daredevil reputation for boosting vehicles (even a city bus), petty theft, drinking and doing drugs, and narrowly escaping arrest—haunted all the while by a painful buried trauma. Out of Line describes Lynch’s remarkable process of self-invention, including her encounters with colorful characters of the food world, and vividly evokes the magic of creation in the kitchen. It is also a love letter to South Boston and its vanishing culture, governed by Irish Catholic mothers and its own code of honor. “Foodies will enjoy the vivid language used to describe Lynch’s food exploits, and old neighbors will be treated to a trip around south Boston through the eyes of a local” (Library Journal). Through her story, Lynch explores how the past—both what we strive to escape from and what we remain true to—can strengthen and expand who we are.
Since the beginning, much of Italian cinema has been sustained by transforming literature into moving images. This tradition of literary adaptation continues today, challenging artistic form and practice by pressuring the boundaries that traditionally separate film from its sister arts. In the twentieth century, director Luchino Visconti is a keystone figure in Italy's evolving art of adaptation. From the tumultuous years of Fascism and postwar Neorealism, through the blockbuster decade of the 1960s, into the arthouse masterpieces of the 1970s, Visconti's adaptations marked a distinct pathway of the Italian cinematic imagination. Luchino Visconti and the Alchemy of Adaptation examines these films together with their literary antecedents. Moving past strict book-to-film comparisons, it ponders how literary texts encounter and interact with a history of cultural and cinematic forms, genres, and traditions. Matching the major critical concerns of the postwar period (realism, political filmmaking, cinematic modernism) with more recent notions of adaptation and intermediality, this book reviews how one of Italy's greatest directors mined literary ore for cinematic inspiration.
Novelist Fiona McGregor'snew book, Buried Not Dead, is a collection of essays on art, literature and performance, sexuality, activism and the life of the city. It features performance artists, writers, dancers, tattooists and DJs, some of them famous, like Marina Abramović and Mike Parr, while others, like Latai Taumoepeau, Lanny K and Kathleen Mary Fallon, are important figures but less well known. In her portraits of these performers and artists and the scenes they inhabit, McGregor creates an intimate and expansive archive of a kind rarely recorded in our histories. Fiona McGregor has a deep and enduring involvement in the worlds she represents. She came of age as an artist during an outpouring of performative queer creativity, in a community that celebrated subversion, dissent and uninhibited partygoing, and in her writing she observes the shift from that moment to new forms of cultural repression. McGregor is a participant in her essays as well as a witness — she sees through an artist's eyes and records what she perceives with a novelist's insight. In excavating the lives of others, she reveals her own, and shows the possibilities that exist beneath the surface of our culture. 'Compromise-averse, dangerous, this book is also a precious archive of radical art-making witnessed firsthand.' — Maria Tumarkin 'MacGregor has a fine eye for the moment, in a text or performance, when the marvellous happens. Cutting across the boring divides between high art and low dives, Buried Not Dead is alive to what's alive.' — McKenzie Wark 'In a world that bludgeons you into numbness Buried Not Dead will startle you back to life. McGregor's book is a shriek of rage and a cry of pleasure, and sometimes it is hard to tell one from the other.' — Krissy Kneen
“Captivating . . . [HHhH] has a vitality very different from that of most historical fiction.” —James Wood, The New Yorker The basis for the major motion picture, "The Man with the Iron Heart " available on streaming and home video. HHhH: "Himmlers Hirn heisst Heydrich," or "Himmler's brain is called Heydrich." The most lethal man in Hitler's cabinet, Reinhard Heydrich seemed indestructible—until two exiled operatives, a Slovak and a Czech, killed him and changed the course of history. In Laurent Binet's mesmerizing debut, we follow Jozef Gabcík and Jan Kubiš from their dramatic escape from Nazi-occupied Czechoslovakia to their fatal attack on Heydrich and their own brutal deaths in the basement of a Prague church. A seamless blend of memory, actuality, and Binet's own remarkable imagination, HHhH is at once thrilling and intellectually engrossing—a fast-paced novel of the Second World War that is also a profound meditation on the debt we owe to history. A Finalist for the National Book Critics Circle Award for Fiction A Financial Times Best Book of the Year A New York Times Book Review Editors' Choice
'It's a treat!' JANE DUNN 'The perfect mix of dramatic, sexy, emotional and deliciously romantic' CRESSIDA MCLAUGHLIN 'A scorching romance combined with a very satisfying mystery. Readers are in for a treat' JESSICA BULL 'An enthralling, emotionally satisfying story with an unforgettable heroine who has the courage to fight for what she believes in - even if it breaks her heart' EMMA ORCHARD John might be a catch for any debutante, but Georgiana is no ordinary lady . . . Georgiana Bailey is making her debut, but she's not looking for a husband. Her heart is finally on the mend and she's on the search for a wealthy benefactor to fund her charity home instead. John Tyrold has made a fortune, but he's not in the business of charity. Until his young ward, Flora, runs away, forcing him to seek help from the ravishing and secretive debutante, Georgiana. In return, he'll help save her from her money troubles. But being so close to the insufferable - and infrustratingly handsome - John isn't as easy as Georgiana would like. Especially once feelings - that certainly weren't a part of their negotiations - begin to arise. And for all his expertise, John's never quite understood matters of the heart . . .