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Winner of the 2012 Luminis Prize! "Once I started reading, I could not put it down. The story is thrilling and magical." "Twisty! Turny! Magical! Wonderful!" "...I figured I knew exactly how it was going to end. I was completely wrong." "I finished it and immediate starting reading again, looking for the clues." How does one find a shapeshifter who may not even exist? The onmyouji Tsurugu no Kiyomori, a practitioner of the mystic arts, has been engaged to protect the warlord's new bride from the fox spirit rumored to be near. Tsurugu and the shadow-warrior Shishio Hitoshi face an impossible challenge in teasing out a kitsune shapeshifter from the samurai and servants –- if such a creature is even present at all. The handsome mute twin servants belonging to Lady Kaede are certainly suspicious, but it is the beautiful and strong-willed lady herself who draws Shishio's mistrust. Tsurugu and Shishio must move carefully, for accusing the warlord's bride falsely would be death. But failing to identify the kitsune to the warlord is equally perilous, and there is more to discover. For an onmyouji knows secrets even the shadows do not.... Kitsune-Tsuki is a historical fiction novelette, the introduction to the series KITSUNE TALES. Includes a full glossary as well. Categories: Historical fiction Japan Historical mysteries Fantasy mythology Asian Fantasy magic
Andre sees things in his dreams and his heart yearns for more, but he doesn�t know it yet. Bent on gathering data for his doctoral thesis on Japanese folklore, Andre finds more than he ever hoped for. When an informant suggests that Abe no Seimei, an Onmyoji, or yin yang magician of the Heian Period, is still alive as myth claims, Andre is intrigued. Legend claims that Seimei was the son of a magical fox, and that he cannot die. Andre is not so gullible as to believe such nonsense, but he checks it out anyway. When he meets the man who calls himself Seimei, the very foundation of his belief system crumbles under his power. His world changed forever, Andre finds that he cannot be satisfied until he knows it all. He must know Seimei, and he gets what he wants, but the cost of it was not what he expected.
Sequel to the award-winning Kitsune-Tsuki Following the search for the shape-shifting kitsune, onmyōji Tsurugu no Kiyomori serves Naka no Yoritomo and his new wife Kaede, protecting their household from the supernatural and warning of more mundane threats. Elsewhere, a murder is committed in Naka's name, and an exiled onmyōji determines to wreak his own justice by destroying Naka no Yoritomo and his bride. just as word comes that an immensely powerful yōkai is moving, coming to Kaede. Now Tsurugu and his allies must protect his shugo's house from a dangerous rival without revealing their own treacherous secrets — or they die by the hands of their friends instead of their enemies.
For more than a millennium, the fox has been a ubiquitous figure at the margins of the Japanese collective imagination. In the writings of the nobility and the motifs of popular literature, the fox is known as a shapeshifter, able to assume various forms in order to deceive others. Focusing on recurring themes of transformation and duplicity in folklore, theology, and court and village practice, The Fox's Craft explores the meanings and uses of shapeshifter fox imagery in Japanese history. Michael Bathgate finds that the shapeshifting powers of the fox make it a surprisingly fundamental symbol in the discourse of elite and folk alike, and a key component in formulations of marriage and human identity, religious knowledge, and the power of money. The symbol of the shapeshifter fox thus provides a vantage point from which to understand the social practice of signification.
This book is the first to fully explore the fox as the object of both derision and fascination, from the forests of North America to the deserts of Africa to the Arctic tundra.
Originally published: New York: Arcade Pub.: Distributed by Little, Brown and Company, c1998.
"Revised and expanded, this second edition of The Book of Yōkai features an all new yōkai picture gallery-with dozens of stunning color images-tracing the visual history of yōkai across centuries. With additional entries and fifty new illustrations, Michael Dylan Foster unpacks the history and cultural context of an even larger cast of yōkai, interpreting their varied meanings and introducing people who have pursued them through the ages. Monsters, spirits, fantastic beings, and supernatural creatures haunt the folklore and popular culture of Japan. Broadly labeled yōkai, they appear in many forms, from tengu mountain goblins and kappa water sprites, to shape-shifting kitsune foxes and long-tongued ceiling-lickers. Popular today in anime, manga, film, and video games, many yōkai originated in local legends, folktales, and regional ghost stories. The Book of Yōkai invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them"--
This book offers something new in the history of psychiatry. Within a transnational research framework, it presents original historical case studies and conceptual reflections on comparative and related methodologies. Systematic comparison and transfer studies as well as aspects of entangled history are employed in relation to themes such as different cultural meanings pertaining to the same term; transfer of treatment practices and institutional regimes; localised practices and (re)-emerging forms of patient care; circulation of early anti-psychiatrists’ views; impact of war and politics on patients’ welfare and on psychiatric discourse; and diversification of psychotherapeutic and physical practices. The book includes chapters on the history and historiography of psychiatry and psychotherapy in different geo-cultural regions in South America, Asia, the Pacific and Europe. The contributors present multilayered interpretations, emphasising commonalities and interconnections as well as contrasts and discontinuities. With its wide-ranging geographical focus and attention to conceptual issues, this collection will assist to integrate and reconfigure the historiography of psychiatry.
This book provides a definitive account of koro, a topic of long-standing interest in the field of cultural psychiatry in which the patient displays a fear of the genitals shrinking and retracting. Written by Professor A.N. Chowdhury, a leading expert in the field, it provides a comprehensive overview of the cultural, historical and clinical significance of the condition that includes both cutting-edge critique and an analysis of research and accounts from the previous 120 years published literature. The book begins by outlining the definition, etymology of the term, and clinical features of koro as a culture-bound syndrome, and contextualizes the concept with reference to its historical origins and local experience in Southeast Asia, and its subsequent widespread occurrence in South Asia. It also critically examines the concept of culture-bound disorder and the development of the terminology, such as cultural concepts of distress, which is the term that is currently used in the DSM-5. Subsequent chapters elaborate the cultural context of koro in Chinese and South Asian cultures, including cultural symbolic analysis of associations with animals (fox and turtle) and phallic imagery based on troubling self-perceived aspects of body image that is central to the concept. The second section of the book offers a comprehensive, global literature review, before addressing the current status and relevance of koro, clinically relevant questions of risk assessment and forensic issues, and research methodology. This landmark work will provide a unique resource for clinicians and researchers working in cultural psychiatry, cultural psychology, anthropology, medical sociology, social work and psychosexual medicine.
A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche. Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises. Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.