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When printmakers Laura Sofie Hantke and Lucas Grassmann graduated from university, they found themselves without the luxury of a professional print studio. In their search for an easy technique they could implement in their own home, they came across French artist émilie Aizier-Brouard's ingenious Kitchen Lithography, which uses aluminum foil, cola, and oil-based crayons as its main materials, and quickly became ardent fans of and experts in the process, which is eco-friendly, inexpensive, and easy to do. In this book, the first on the subject, they share what they've learned through a process of trial and error in an easy-to-follow guide on turning your kitchen into a creative studio. Hand print your own buttons, bags, pillowcases, posters, cards, T-shirts, and labels using simple household ingredients with surprising and bold results.
This is a book for low budgets and high ambition. Read it and you will learn how to put images of things onto other things. You will start by rolling up your sleeves. Your shirt will be stained anyways. At some point, you will harness the power of the sun. Go ahead, look inside. You will see that you do not need a fancy studio to print a T-shirt or a picnic blanket. There is no specialized machine required to print anything you want in any room you want. A mural, a dartboard, a deck of cards, these are all possible. In a week or a month, you will wake up to find you know words like acetate and substrate. You will be comfortable talking about ink and shopping at military supply stores. Perhaps most important of all, you will be printing images of things onto other things.
Waterless Lithography, An Artist's Guide to Professional-Quality Prints using Nik Semenoff's Method is an excellent studio handbook for any printmaking lab. Step by step instructions aided by full color examples this book guides you through basic, intermediate and advanced aspects of Waterless Lithography.
This study surveys a distinctive type of the “Islamic” book which has been largely neglected in previous scholarship: the genre of illustrated lithographed books produced in nineteenth- and early twentieth-century Iran. In addition to introducing the history of printing in Iran and surveying the investigated sources, the study supplies basic data on genres of illustrated books, artists active in lithographic illustration, and aspects germane to this particular field of art. The documentation includes bibliographical references for 116 illustrated books in a total of 351 particular editions and 150 plates with several hundred single illustrations. Lithographic illustration in Iran constitutes the legitimate successor to manuscript illustration, both in content and style. Contrasting with the latter’s refinement, lithographed illustrations were produced in large numbers and served as a powerful medium of popular iconography.
Award-winning cookery writer and anti-poverty campaigner Jack Monroe is back with Cooking on a Bootstrap: a creative and accessible cookbook packed with affordable, delicious recipes, most of which are vegetarian. Winner of the Observer Food Monthly Best Food Personality Readers' Award 2018. Jack Monroe is a campaigner, food writer and activist, her first cookbook A Girl Called Jack, was a runaway bestseller. The sequel Cooking on a Bootstrap makes budget food fun and delicious, with 118 incredible recipes including Fluffy Berry Pancakes, Self-Love Stew, Marmite Mac ‘n’ Cheese and Hot Sardines with Herby Sauce. Chapters include Bread, Breakfasts, A Bag of Pasta and a Packet of Rice, Spuds and Eat More Veg. There are vegan, sweet and what Jack calls ‘contraband’ dishes here, as well as nifty money-saving tips. With her trademark humour and wit, Jack shows us that affordable, authentic and creative recipes aren't just for those with fancy gadgets or premium ingredients. Initially launching this book as a very limited black and white edition on Kickstarter, Jack reached the funding target in just one day. This beautiful edition contains illustrations and original full-colour photographs to really make your mouth water.
Illuminates a wide range of printmaking techniques, featuring short overviews and illustrations of more than 130 works from The Museum of Modern Art's print collection
Ever wondered what the difference is between an engraving and an etching? Or needed precise definitions of more recent printing innovations? Illustrated with both colour and black-and-white images, this indispensable guide explains the full range of printmaking techniques. Based on the collections held at the Victoria & Albert Museum, the guide outlines the development and history of printmaking, past and present. Using examples of work by artists ranging from Hogarth to Warhol, Durer to Gormley, it describes the various methods of producing prints - most of which fall into the four key categories of- - relief - intaglio - planographic - stencil. Enlarged details help to illustrate the differing effects that can be achieved and papermaking is also covered, for its effect on the character of an impression. With its glossary of technical terms and of abbreviations most commonly found in print inscriptions, plus a select bibliography, this invaluable introduction will provide an informed appreciation of printmaking to students and collectors alike.
Explores the many achievements of Britain's greatest living practitioner of the graphic arts. Featuring over 150 works it accompanies an exhibition at Dulwich Picture Gallery. ,
A deep dive into American printmaking from 1960 to the present day The American Dream: pop to the present, published to accompany an exhibition at the British Museum, presents an overview of the development of American printmaking since 1960, paying particular attention to such key figures as Andy Warhol, Jasper Johns, Robert Rauschenberg, and Ed Ruscha as well as Louise Bourgeois, Kara Walker, and Julie Mehretu. With more than 200 key works by nearly seventy artists, this fully illustrated publication traces the creative momentum in American printmaking over the past six decades—from the moment pop art burst onto the New York and West Coast scenes in the early 1960s, the rise of minimalism, conceptual art, and photorealism in the 1970s, to the different responses of artists working today. Using innovative techniques and appealing to a wide audience, American printmaking was the ideal medium to express the USA’s power and influence, and to highlight contentious issues such as race, AIDS, and feminism.