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Kit McBride is as rugged as they come, but the bookish cowboy is about to embark on the adventure of a lifetime when he’s saddled with a surprise mail-order bride. A hilarious historical romance for fans of Bridgerton and Calamity Jane. Kit McBride knows that Buck’s Creek, Montana, is no place to find a wife. Good thing he’s not looking for one – between him and his brothers, and little sister Junebug, they manage all right on their own, thank you very much. Unbeknownst to Kit, though, Junebug is sick to death of cleaning and cooking for her big brothers, so she places an ad in The Matrimonial News to get him hitched. Maddy Mooney, recently arrived from Ireland, has found employment with an eccentric young widow determined to regain her wealth. And when her mistress decides to answer an ad for a mail-order bride, Madd​y is dragged along for the ride. But as soon as they arrive out West, Maddy’s mistress abandons her to chase fortune further afield, and she is left to assume the widow’s name, position, and matrimonial prospects. Penniless, and with no other recourse in the wilderness, Maddy must convince Kit she’s the wife he never knew he needed.
The four McBride brothers have their worlds turned upside down when their precocious younger sister secretly places an advertisement for a mail-order bride. Kit McBride knows that Buck's Creek, Montana, is no place to find a wife. Between him and his three brothers—plus little Junebug—they manage all right on their own, thank you very much. But unbeknownst to Kit, his sister is sick to death of cleaning, cooking, and mending for her big brothers, so she places an ad in The Matrimonial News to get them hitched. After Maddy Mooney emigrated from Ireland, she found employment with an eccentric but poor widow. When her mistress decides to answer an ad for a mail-order bride, Madd​y is dragged along for the ride to Montana. But en route to the West, Maddy is suddenly abandoned and left to assume the widow's name, position, and matrimonial prospects…. With no other recourse in the wilderness, Maddy must convince Kit she’s the wife he never knew he needed.
Morgan McBride is tough as nails – but a surprise mail-order bride is enough to have him quaking in his cowboy boots in this laugh-out-loud historical romance. The oldest of the McBride siblings, Morgan has had to look after his siblings since Ma died and Pa ran off. It hasn’t always been easy, especially when his heart longs for the solitude of the wide open road. But now that his brother Kit is married and settled, the time is right for Morgan to leave in search of adventure. Little does he know that Junebug, his hellcat of a little sister, is dead set on keeping him at home – all with one honest advertisement in The Matrimonial News. Epiphany Hopgood has always been good at doing the wrong thing. She’s too tall, too loud, too opinionated, and too contrary for polite society. Staring down the barrel of spinsterhood, she decides to answer a seemingly straightforward ad for a bride. But when Pip shows up to meet her betrothed, she finds that Morgan McBride is not the husband she expected. In fact, he doesn’t even want to be a husband. Unwilling to return to her unsupportive family, Pip is determined to take control of her own future – with or without Morgan McBride ...
Mr. Darcy Takes a Wife: The sexiest Austen-inspired novel that has readers talking You thought Bridgerton was steamy? Well hold on to your bonnets! This sexy, epic, hilarious, and romantic sequel to Pride and Prejudice goes far beyond Jane Austen fanfiction to give the curious reader a titillating taste of how it would feel to be Mrs. Darcy. Every woman wants to be Elizabeth Bennet Darcy—beautiful, gracious, universally admired, strong, daring, and outspoken—a thoroughly modern woman in crinolines. And every woman will fall madly in love with Mr. Darcy—tall, dark, and handsome, a nobleman and a heartthrob whose virility is matched only by his utter devotion to his wife. Their passion is consuming and idyllic—essentially, they can't keep their hands off each other—through a sweeping tale of adventure and misadventure, human folly, and numerous mysteries of parentage. Keep your smelling salts handy: this steamy bonnet-ripper is Austen like never before. What Readers Are Saying: "I found myself up until 3AM because I couldn't stop and have read it again and again." "Who says Jane Austen can't be literate AND sexy... I just kept envisioning Colin Firth all hot and sweaty." "A lady needs to have a fan and her smelling salts at hand to read this modern day sequel to Pride and Prejudice." "This is probably my favorite feel-good book; I end up giggling in almost every chapter" "I am reading it for the 8th time since I bought it four years ago." "I laughed, I cried, and I blushed!" "It's the love story we hoped for Lizzy and Darcy. The writing is witty, the language superb and I have gone back to this book many times when I simply didn't have anything else on hand!" "If you want to know what happens to Darcy and Elizabeth after they are married and uncensored, this is the book for you!"
Winner of the Anisfield-Wolf Book Award for Fiction Winner of the Gotham Book Prize One of Barack Obama's "Favorite Books of the Year" Oprah's Book Club Pick Named one of the Top Ten Books of the Year by the New York Times, Entertainment Weekly and TIME Magazine A Washington Post Notable Novel From the author of The Heaven & Earth Grocery Store, the National Book Award–winning The Good Lord Bird, and the bestselling modern classic The Color of Water, comes one of the most celebrated novels of the year. In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself. As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion. Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.
FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR YOUNG PEOPLE'S LITERATURE A debut YA novel-in-verse by Amber McBride, Me (Moth) is about a teen girl who is grieving the deaths of her family, and a teen boy who crosses her path. Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted. Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones. Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable. Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.
“You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, black and white, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history, illuminating not only our understanding of the immensely troubled, misunderstood, and complicated Godfather of Soul, but the ways in which our cultural heritage has been shaped by Brown’s enduring legacy. Praise for Kill ’Em and Leave “A tour de force of cultural reportage.”—The Seattle Times “Thoughtful and probing.”—The New York Times Book Review “Masterly . . . powerful.”—Los Angeles Review of Books “McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to ‘the real James Brown’] as we’ll ever get.”—David Hajdu, The Nation “A feat of intrepid journalistic fortitude.”—USA Today “[McBride is] the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York “Illuminating . . . engaging.”—The Washington Post “A gorgeously written piece of reportage that gives us glimpses of Brown’s genius and contradictions.”—O: The Oprah Magazine
Independent filmmaking is often regarded as a relatively recent phenomenon, yet the so-called movement has actually existed as long as movies themselves. In this indispensable single-volume reference work, LoBrutto surveys the subject from cinema's inception through the 21st century. Written in an accessible style and including biographical, critical, factual, and bibliographical information, this remarkable source encompasses films and filmmakers operating independently from the studio system in concept, financing, production, and distribution. Such a broad interpretation of independent filmmaking separates it from that of commercial Hollywood, a conglomerate existing to create product rather than support personal artistic vision. Many of the entries' subjects have rarely been investigated and studied—yet knowledge of independent filmmaking is vital to any understanding the cinematic medium, making this an essential book for any library's film shelves.