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According to Ken Tucker, television is where the mass culture action really is. It's where the weasel goes pop. But for such a fluid, of-the-moment, democratic yet "cool" medium, a strangling accretion of false pieties, half-remembered history, and misplaced nostalgia has grown up around it--the prose equivalent of choking vines. In this book, Ken Tucker shares his zealous opinions about the best and worst of television, past and present Everyone has firm beliefs about what he loves and hates about TV. If TV fans think the high point of televised political wit was M*A*S*H, or that Johnny Carson was the true king of late-night, Ken Tucker does his damnedest to convince them that they've been hoodwinked, duped by pixilated mists of memory and bad TV criticism. His dazzling, provocative, and entertaining pieces include LOVES: James Garner as TV's Cary Grant, Pamela Anderson's breasts, David Brinkley--the only anchor who understood that being an anchor was a hollow ego-trip, Heather Locklear as the ultimate TV Personality, Bill O'Reilly--why the biggest asshole on TV is a great TV personality. And from his HATE lists: "The Sopranos" as The Great Saga That Sags, Miss Peggy as media star, Bob Newhart: Human Prozac, Worst Mothers on TV, Star Trek-Sci-Fi suckiness decked out as utopian idealism. His perception and passion about this much maligned medium gives the lie to passive cliché's like "vegging out in front of the boob tube." This book is the TV version of Michael Moore's Stupid White Men or Bill O'Reilly's The No-Spin Zone.
Every 3rd issue is a quarterly cumulation.
"Don't get high on your own supply." Brian de Palma's brash, bloody version of Scarface was trashed by critics when it came out twenty-five years ago and didn't do well at the box office, but has become a spectacular fan favorite and enduring pop culture classic since. "Never underestimate the greed of the other guy." What makes millions of people obsess over this movie? Why has Al Pacino's Tony Montana become the drug kingpin whose pugnacity and philosophy are revered in boardrooms and bedrooms across America? Who were the people that made the movie, influencing hip-hop style and swagger to this day? "The world is yours." Scarface Nation is Ken Tucker's homage to all things Scarface—from the stars that acted in it to the influence it's had on all of us, from facts, figures and stories about the making of the movie to a witty and comprehensive look at Scarface's traces in today's pop and political culture. "Say hello to my li'l fren!" You know you love the line. You know you've seen the movie more than once. Now dive into the ultimate book of Scarface—mounded as high as the pile of cocaine on Tony's desk with delicious details and stimulating observations. "You know what capitalism is? F--- you!"
The 1990s saw a shock wave of dynamic new directing talent that took the Hollywood studio system by storm. At the forefront of that movement were six innovative and daring directors whose films pushed the boundaries of moviemaking and announced to the world that something exciting was happening in Hollywood. Sharon Waxman, editor and chief of The Wrap.com and for Hollywood reporter for the New York Times spent the decade covering these young filmmakers, and in Rebels on the Backlot she weaves together the lives and careers of Quentin Tarantino, Pulp Fiction; Steven Soderbergh, Traffic; David Fincher, Fight Club; Paul Thomas Anderson, Boogie Nights; David O. Russell, Three Kings; and Spike Jonze, Being John Malkovich.
A haunting tribute to the heroic pioneers who shaped the American Midwest This powerful novel by Willa Cather is considered to be one of her finest works and placed Cather in the forefront of women novelists. It tells the stories of several immigrant families who start new lives in America in rural Nebraska. This powerful tribute to the quiet heroism of those whose struggles and triumphs shaped the American Midwest highlights the role of women pioneers, in particular. Written in the style of a memoir penned by Antonia’s tutor and friend, the book depicts one of the most memorable heroines in American literature, the spirited eldest daughter of a Czech immigrant family, whose calm, quite strength and robust spirit helped her survive the hardships and loneliness of life on the Nebraska prairie. The two form an enduring bond and through his chronicle, we watch Antonia shape the land while dealing with poverty, treachery, and tragedy. “No romantic novel ever written in America...is one half so beautiful as My Ántonia.” -H. L. Mencken Willa Cather (1873–1947) was an American writer best known for her novels of the Plains and for One of Ours, a novel set in World War I, for which she was awarded the Pulitzer Prize in 1923. She was elected a fellow of the American Academy of Arts and Sciences in 1943 and received the gold medal for fiction from the National Institute of Arts and Letters in 1944, an award given once a decade for an author's total accomplishments. By the time of her death she had written twelve novels, five books of short stories, and a collection of poetry.
Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).