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The classic account of the abandonment of American POWs in Vietnam by the US government. For many Americans, the recent conflicts in Iraq and Afghanistan bring back painful memories of one issue in particular: American policy on the rescue of and negotiation for American prisoners. One current American POW of the Taliban, Sergeant Bowe Bergdahl, stands as their symbol. Thousands of Vietnam veteran POW activists worry that Bergdahl will suffer the fate of so many of their POW/MIA comrades—abandonment once the US leaves that theater of war. Kiss the Boys Goodbye convincingly shows that a legacy of shame remains from America’s ill-fated involvement in Vietnam. Until US government policy on POW/MIAs changes, it remains one of the most crucial issues for any American soldier who fights for home and country, particularly when we are engaged with an enemy that doesn’t adhere to the international standards for the treatment of prisoners—or any American hostage—as the graphic video of Daniel Pearl’s decapitation on various Jihad websites bears out. In this explosive book, Monika Jensen-Stevenson and William Stevenson provide startling evidence that American troops were left in captivity in Indochina, victims of their government’s abuse of secrecy and power. The book not only delves into the world of official obstruction, missing files, censored testimony, and the pressures brought to bear on witnesses ready to tell the truth, but also reveals the trauma on patriotic families torn apart by a policy that, at first, seemed unbelievable to them. First published in 1990, Kiss the Boys Goodbye has become a classic on the subject. This new edition features an afterword, which fills in the news on the latest verifiable scandal produced by the Senate Select Committee on POWs. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Fearful yet determined, Ivy Stanton returns to the small Appalachian town she left fifteen years ago…the night her parents were murdered. But in coming home to Kudzu Hollow, she discovers she is not alone in her search for the truth: Matt Mahoney, the man who saved her life, who haunts her dreams, who was wrongfully accused of the crime, has come back, too, demanding answers — and justice. When Matt looks into Ivy's eyes, he sees a woman whose pain mirrors his own. The feelings she stirs within him promise a life he never thought he'd have. But evil still resides in this sleepy mountain town, as do secrets worth killing for. Now danger stalks them both, and Matt is fighting for more than vengeance…he's fighting for their future.
Joshua Harris's first book, written when he was only 21, turned the Christian singles scene upside down...and people are still talking. More than 800,000 copies later, I Kissed Dating Goodbye, with its inspiring call to sincere love, real purity, and purposeful singleness, remains the benchmark for books on Christian dating. Now, for the first time since its release, the national #1 bestseller has been expanded with new content and updated for new readers. Honest and practical, it challenges cultural assumptions about relationships and provides solid, biblical alternatives to society's norm.Clear, stylish typeset, with user-friendly links to referenced Scripture.
"Offers a sophisticated synthesis of literary, psychological, and theological insights, challenging women to grow to their full potential as Christians"- Prové de l'editor.
National Theatre, direction Rapley Theatre Company, Edmund Plohn, manager, Brock Pemberton presents "Kiss the Boys Goodbye," a new comedy by Clare Boothe, directed by Antoinette Perry, settings by John Root, stage manager Paul Foley.