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A New York Times Book Review Editors' Choice A Best Book of Fall at The Washington Post, BuzzFeed, BUST, and more "Dark yet sensitive explorations of family and love—of all kinds—from a masterful writer. The women at the centers of these stories are sharp-edged and complicated and irresistible; you won’t be able to look away." —Celeste Ng Bold and unapologetic, Karen Shepard’s Kiss Me Someone is inhabited by women who walk the line between various states: adolescence and adulthood, stability and uncertainty, selfishness and compassion. They navigate the obstacles that come with mixed-race identity and instabilities in social class, and they use their liminal positions to leverage power. They employ rage and tenderness and logic and sex, but for all of their rationality they're drawn to self-destructive behavior. Shepard’s stories explore what we do to lessen our burdens of sadness and isolation; her characters, fiercely true to themselves, are caught between their desire to move beyond their isolation and a fear that it’s exactly where they belong.
Bold and unapologetic, Karen Shepard’s Kiss Me Someone is inhabited by women who walk the line between various states: adolescence and adulthood, stability and uncertainty, selfishness and compassion. They navigate the obstacles that come with mixed-race identity and instabilities in social class, and they use their liminal positions to leverage power. They employ rage and tenderness and logic and sex, but for all of their rationality they're drawn to self-destructive behavior. Shepard’s stories explore what we do to lessen our burdens of sadness and isolation; her characters, fiercely true to themselves, are caught between their desire to move beyond their isolation and a fear that it’s exactly where they belong.
Here you'll meet Peggy Paula, who works the late shift at Perkins and envies the popular girls who come in to eat French fries and brag about how far they let the boys get with them. You'll meet a woman in her midthirties pining for her mean-spirited, abusive boyfriend, Del, a nine-year-old who is in no way her actual boyfriend. And just try to resist the noir story of a reluctant, Afrin-addled detective. Self-loathing, self-loving, and otherwise trapped by their own dumb selves, these characters make one cringe-worthy mistake after another.
When 16-year-old Scarlett Wakefield transfers from St. Tabby’s to Wakefield Hall Collegiate, she is relieved that no one knows her dark, haunting secret. A few months ago, Scarlett was invited to an elite party with a guest list full of the hottest names in British society, including Dan McAndrew. Before the party, Scarlett had only imagined what it would be like to have her first kiss with Dan, but on the penthouse terrace, Dan leaned in close and she no longer had to wonder. Their kiss was beautiful and perfect and magical, and then . . . Dan McAndrew took his last breath as she held him in her arms. No one knows how or why Dan died, and everyone at St. Tabby’s believes Scarlett had something to do with it. But now that she’s safely hidden away at Wakefield Hall, Scarlett would rather forget that it ever happened. Only she can’t. Especially when she receives an anonymous note that will set her on the path to clearing her name and finding out what really happened to the first and last boy she kissed.
When recently-dumped Charlotte and Anthony cross paths at the airport in New York City and get caught there by a blizzard, the two set out into the city with a self-help book from the gift shop with the intention of getting over their heartbreaks.
A chilling and intense first novel, this is the story of a solitary young woman drawn into an online world run by a charismatic web guru who entices her into impersonating a glamorous but desperate woman. When Leila discovers the website Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her own, impressing the website's founder, a brilliant and elusive man named Adrian. Leila is thrilled when Adrian asks to meet her, and is flattered when he invites her to be part of "Project Tess." Tess is a woman Leila might never have met in real life. She is beautiful, urbane, witty, and damaged. As they email, chat, and Skype, Leila becomes enveloped in the world of Tess, learning every single thing she can about this other woman--because soon, Leila will have to become her. An ingeniously plotted novel of stolen identity, Kiss Me First is brilliantly frightening about the lies we tell--to ourselves, and to others, for good, and for ill.
The first installment of the Phineas Poe trilogy. An unwitting police officer fsalls in love with a beautiful but deadly tremptress who steals his kidney and leaves him alone and empty.
Losing your mother when very young is a devastating experience. The authors featured in Kiss Me Goodnight recall the lost moments they shared with their mothers, exploring their feelings, longings, and how they have learned to cope with the loss through their adult lives. Unlike other books on motherlessness, Kiss Me Goodnight reveals the experience through stories, poems, and essays givien an intimate and highly personal view of mother loss.
In this personal book from the star of many beloved and classic film comedies -- from The Producers to Young Frankenstein, Blazing saddles to Willy Wonka and the Chocolate Factory -- Gene Wilder writes about a side of his life the public hasn't seen on the screen. Kiss Me Like a Stranger is not an autobiography in the usual sense of the word, and it's certainly not another celebrity "tell-all." Instead, Wilder has chosen to write about resonant moments in his life, events that led him to an understanding of the art of acting, and -- more important -- to an understanding of how to give love to and receive love from a woman. Wilder writes compellingly about the creative process on stage and screen, and divulges moments from life on the sets of some of the most iconic movies of our time. In this book, he talks about everything from his experiences in psychoanalysis to why he got into acting and later comedy (his first goal was to be a Shakespearean actor), and how a Midwestern childhood with a sick mother changed him. Wilder explains why he became an actor and writer, and about the funny, wonderful movies he made with Mel Brooks, Woody Allen, Richard Pryor, and Harrison Ford, among many others. He candidly reveals his failures in love, and writes about the overwhelming experience of marrying comedienne Gilda Radner, as well as what finally had to happen for him to make a true and lasting commitment to another woman. A thoughtful, revealing, and winsome book about life, love, and the creative process, the New York Times bestseller Kiss Me Like A Stranger is one actor's life in his own words.
Before Jack Reacher . . . there was Mike Hammer One night, a blonde jumps out in front of PI Mike Hammer's car. She's so scared he doesn't have much choice but to give her a ride. At a police roadblock, he discovers she's on the run from a sanatorium, but he passes her off as his wife. Other people besides the police are after the blonde, and these people play rough. Real rough. The blonde turns out to be the star witness against some big-time mobsters. Mike has blundered into something unimaginably big, but the Feds don't want him involved - and take his PI licence and gun. For Mike, it's a chance to strike a blow against evil on a grand scale. He discovers that something representing a great deal of money, and a lot of power, has gone missing, and that some people will go to any lengths to get it back . . .