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A critical examination of German expressionism's relationship to the violence of colonialism. Ernst Ludwig Kirchner (1880-1938) and Emil Nolde (1867-1956) were leading figures in the German expressionist movement. Turning away from Western society and the established norms of bourgeois culture, the artists looked to people, lifestyles, and objects from other parts of the world for inspiration, especially Africa and Oceania. Kirchner and Nolde experienced these other parts of the world through ethnographic museums, popular culture, the staging of "exotic" environments in Kirchner's studio, and Nolde's travels to the German colony of New Guinea. This book examines Nolde's and Kirchner's works against the background of their historical and ideological context: colonialism, domination, and the European invention of a racialized Other, an idea that was created by bohemian fetishization of the exotic as much as conservative fear of it. Kirchner and Nolde thus unveils less familiar and more violent aspects of expressionism.
An introduction to the German Expressionist painter, graphic artist and sculptor who, at the turn of the 19th century, was Germany's most influential artist.
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists.
Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.
Emil Nolde (1867-1956) was one of the greatest colourists of the twentieth century. An artist passionate about his north German home near the Danish border, with its immense skies, flat, windswept landscapes and storm-tossed seas, he was equally fascinated by the demi-monde of Berlin's cafes and cabarets, the busy to and fro of tugboats in the port of Hamburg and the myriad of peoples and places he saw on his trip to the South Seas in 1914. Nolde felt strongly about what he painted, identifying with his subjects in every brushstroke he made, heightening his colours and simplifying his shapes, so that we, the viewers, can also experience his emotional response to the world about him. This book features five essays and over 100 illustrations drawn from the incomparable collection of the Emil Nolde Foundation in Seebull (the artist's former home in north Germany). It covers Nolde's complete career, from his early atmospheric paintings of his homeland right through to the intensely coloured, so-called 'unpainted paintings', works done on small pieces of paper during the Third Reich when Nolde was branded 'degenerate' and forbidden to work as an artist. Exhibition: National Gallery of Ireland, Dublin, Ireland (14.02. - 10.06.2018) / Scottish National Gallery of Modern Art, Edinburgh, Scotland (14.07.-21.10.2018).