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Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- 1 Youth and Media -- 2 Then and Now -- 3 Themes and Theoretical Perspectives -- 4 Infants, Toddlers, and Preschoolers -- 5 Children -- 6 Adolescents -- 7 Media and Violence -- 8 Media and Emotions -- 9 Advertising and Commercialism -- 10 Media and Sex -- 11 Media and Education -- 12 Digital Games -- 13 Social Media -- 14 Media and Parenting -- 15 The End -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
This beautiful book by Scott Ferry is filled with ghostly plainsongs sung between fathers and daughters and sons (and who isn't one of these) as they evolve toward and eventually away from one another. There is an urgency here to harvest-before it's too late-that love particular to parents that rewrites itself in the palimpsest of a child. This is a book about sacred relationships and the power of tenderness. The poems in These Hands of Myrrh are ricochets from the front line born out of courage in the face of mortality. They have traveled through hard-earned wisdom to get to us. And as readers we can be thankful they arrived. -Gary Lemons, author of The Snake Quartet This collection immerses you gently, gradually, into a world where the mundane and the miraculous live side by side. Ferry shows us life and death, both the big moments (the birth of his son, the death of a neighbor, confronting alcoholism), as well as the small (gardening, a flight of birds, cleaning the fish tank). Before you know it, you are down in the underworld with him. Somehow, reality has shifted: ghosts communicate through streetlights. Trees have auras. The relationships between fathers and sons takes on a mythic quality. These poems are sharp, incisive, yet lyrical, often funny. Like all spiritual journeys, this book feels sometimes elemental and sometimes frightening, but always ends on a note of hope. -Lauren Scharhag, author of Languages, First and Last Don't let Scott Ferry's poems fool you and don't fail to let them captivate you. Their seemingly fragile beauty belies the tensile strength of a healer. They illustrate with precision the perspective of one who faces life and death on a daily basis, not losing either his grief over the inevitability of the former or the wonder and fleeting joy of the latter. Author Christopher Moore writes that children see magic because they never stop seeking it. Neither does Ferry. He illustrates a stippled landscape with flashes of gentle humor and softly graded shadows-repeated small touches, expertly placed, telling in the thought and affect they provoke in the reader. These poems linger long after reading them-for good reason. -Jonathan Yungkans, author of Beneath a Glazed Shadow
A young Russian woman comes into her own in the midst of revolution and civil war in this "brilliant" novel set in "a world of furious beauty" (Los Angeles Review of Books). After the loves and betrayals of The Revolution of Marina M., young poet Marina Makarova finds herself alone amid the devastation of the Russian Civil War -- pregnant and adrift, forced to rely on her own resourcefulness to find a place to wait out the birth of her child and eventually make her way back to her native city, Petrograd. After two years of revolution, the city that was once St. Petersburg is almost unrecognizable, the haunted, half-emptied, starving Capital of Once Had Been, its streets teeming with homeless children. Moved by their plight, though hardly better off herself, she takes on the challenge of caring for these orphans, until they become the tool of tragedy from an unexpected direction. Shaped by her country's ordeals and her own trials -- betrayal and privation and inconceivable loss -- Marina evolves as a poet and a woman of sensibility and substance hardly imaginable at the beginning of her transformative odyssey. Chimes of a Lost Cathedral is the culmination of one woman's s journey through some of the most dramatic events of the last century -- the epic story of an artist who discovers her full power, passion, and creativity just as her revolution reveals its true direction for the future.
Grade level: 1, 2, 3, 4, 5, 6, 7, k, e, p, i, t.
Biography of experiences by an American living in Southeast Turkey and Northern Iraq during and after the first Gulf War.
"[C]areful and sinewy plotting, which reveals in chilling detail who gets to make art, and who gets subsumed in the process."—New York Times Book Review A debut thriller for fans of Lucy Foley and Liz Moore, Dark Things I Adore is a stunning Gone Girl-esque tale of atonement that proves that in the grasp of manipulative men, women may momentarily fall. But in the hands of fierce women, men will be brought to their knees. Three campfire secrets. Two witnesses. One dead in the trees. And the woman, thirty years later, bent on making the guilty finally pay. 1988. A group of outcasts gather at a small, prestigious arts camp nestled in the Maine woods. They're the painters: bright, hopeful, teeming with potential. But secrets and dark ambitions rise like smoke from a campfire, and the truths they tell will come back to haunt them in ways more deadly than they dreamed. 2018. Esteemed art professor Max Durant arrives at his protégé's remote home to view her graduate thesis collection. He knows Audra is beautiful and brilliant. He knows being invited into her private world is a rare gift. But he doesn't know that Audra has engineered every aspect of their weekend together. Every detail, every conversation. Audra has woven the perfect web. Only Audra knows what happened that summer in 1988. Max's secret, and the dark things that followed. And even though it won't be easy, Audra knows someone must pay. A searing psychological thriller of trauma, dark academia, complicity, and revenge, Dark Things I Adore unravels the realities behind campfire legends—the horrors that happen in the dark, the girls who become cautionary tales, and the guilty who go unpunished. Until now. "A smart, nuanced exploration of victims and villains, inspiration and theft, and the intersection of these things, in every artist. Pay attention to Katie Lattari. She's the real deal."—Sarah Langan, author of Good Neighbors
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.