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Destination is a state of mind, as Kino and her bike take on the long and winding road. They never lose their sense of freedom on this journey littered with imperfections in this pop-fiction novel.
Inept with a sword, unable to ride a horse, and apathetic toward the empire he serves, Regis Aurick is a hopeless soldier who spends his days buried in books. Banished to the borderlands, he encounters a stirring young woman with red hair and ruby eyes. She is Fourth Princess Marie Quatre Argentina de Belgaria, known simply to Regis as Altina. “…Do you want to become my tactician or not?” Having sought him for his rumored strategic prowess, she aspires to reform an empire led by self-seeking nobles and driven to pointless wars, the legendary blade of an emperor, the Grand Tonnerre Quatre, at her hip. Continuously underestimated by her regiment, including her would-be tactician, the princess resolves to prove her worth beyond a shadow of a doubt—no matter the risk. Here is a tale of war, love, and politics, woven by the bookworm and the sword princess.
Kino’s Journey is about a character named Kino who travels around the world with a talking motorcycle named Hermes. Kino travels to many mystical worlds, each with its unique customs and people. Kino’s policy is to only stay three days in every town without exception, saying it’s enough time to learn about the each place and moving on to explore the next new place.
The world he woke up in is long dead, dusted in ashen powder, and yet Keisuke still sees splashes of color as he travels through it. For the longest time, he’s wandered alone across the deserted landscape, clinging to the hope that something—or someone—might be out there in the emptiness. When he finally stumbles across that someone, even more threads of color start to seep into the ashen world around them. This time, when Keisuke sets off down the road, someone sits beside him in the passenger seat. The first acquaintance he’s ever made here, his first companion in this barren world. They’re both traveling in search of something, and after searching alone for so long, maybe they’ll have better luck working together? Their only lead is a witch who can answer any question—for a price. What will the two ask her, and what will she be able to tell them? More importantly, what will it cost them, and will they be willing to pay the price?
Kaito Sena's life hasn't exactly been easy. Unfortunately for him, death isn't about to get any better. Summoned by none other than Elisabeth Le Fanu, the "Torture Princess," Kaito has to choose what he wants for his second life-be her butler, or die a long, painful death by torture. What is he to do but become her servant...and help her eliminate the fourteen ranked demons wreaking havoc in the world! See the original light novel come to life in this gritty manga adaptation!
Civilization is dead, but not Chito and Yuuri. Time to hop aboard their beloved Kettenkrad motorbike and wander what's left of the world! Sharing a can of soup or scouting for spare parts might not be the experience they were hoping for, but all in all, life isn't too bad...
The bestselling series from author Tappei Nagatsuki continues in this spin-off where some of your favorite characters capture the spotlight!
"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
It's not about the destination...What’s your favorite story? Does it have a hero who slays a dragon and saves a princess? Or a child of prophecy destined for greatness? Well, my favorite story is a little different. It’s the tale of a witch who travels the world, seeking nothing in particular. With no quest of her own, she’s free to wander wherever the wind takes her, adding a few pages to the story of whomever she meets before setting off on her next adventure. At the end of her travels, the witch takes on an apprentice who will one day begin her own journey. And so the cycle continues, or so the story goes. Now, the witch who starts the story anew...who could she be?
2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.