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British born RICHARD STEIN reveals his KINKY ROOTS as he craftily cuts his way out of a corrupt class system into the glamorous world of high fashion hairstyling. We join him Twisting and Frug-ing through London's Swinging Sixties Sexual Revolution into a world of celebrities, models and weirdoes that inhabit the emerging disco underworld. The memoir draws an insider portrait of an outsider's position in the murky business of smoke and mirrors, also known as Style. STEIN exposes the reader to the manners and mores of Mayfair's influence on an East End boy, chronicling an ascent that's Phoenix-like in its heat and passion. Arriving in New York in 1965 with mentors Vidal Sassoon and Paul Mitchell, STEIN soon joins the party scene in Manhattan meeting a new group of hipsters. KINKY ROOTS are soon shared as he embarks on a new path, dancing alongside New York's Warhol Factory's emerging superstars. RICHARD STEIN is the author of "Set Free;The Book About Hair" {Simon and Schuster} He is a pioneer of "wash and wear haircutting and the Shag haircut. He lives in Manhattan. You can find him online at [email protected].
Kinky Roots: A Memoir - The memories, ruminations and vignettes of growing up in Southern Africa. Written from the life, wisdom and experiences of Ingrid Arlington, 'Kinky Roots' is an uplifting, poignant and reflective journey alongside the author. From a tumultuous upbringing in Zimbabwe, where violence and sexual assault was rife - to Ingrid meeting her husband in South Africa before starting an arduous new life in the UK. It's a story that explores how identity, excuses, religion, relationships, self-worth and family heritage all ultimately lay life's crazy pathway. United Kingdom - When Ingrid Arlington looks back on her life, it's been a rollercoaster defined by adversity, poor relationships with men, a move to the other side of the world - and some bold life lessons that have ultimately made Arlington a fearlessly strong woman. 'Kinky Roots' invites readers to step alongside her as they rise from the ashes of loss and harassment in Zimbabwe, to a new life in the UK. No step has been without its challenges, yet Arlington steadfastly defines each as a vital part of her story. From the introduction: That day, I felt lost, aimless, purposeless. I had received a rejection from an employment agent saying I didn't get the 33rd job that I'd applied for, whilst sitting on the couch watching NCIS reruns and stuffing my face with all sorts of snacks. I felt like a black Bridget Jones - except I wasn't trying to quit smoking and I already had the man. Now, you might ask how I got myself into this unemployed situation, feeling all sorry for myself. The easy answer is that I moved from South Africa to the UK with Alex (my husband of nine years), to pursue happiness and the European dream but without a plan of how to do this. The difficult answer, I guess, starts a year after arriving. "I started re-evaluating my life when I hit unemployment rock bottom in the UK," explains the author. "It was a very raw process of questioning myself and my identity, and reliving my tough upbringing in Zimbabwe - a place where my mother chose her new husband over me, and where I'd been sexually harassed by the age of fourteen. I took a long, hard look at how I'd always chosen controlling men, and felt powerless in every relationship I'd gotten into. As I unraveled things, I began to figure out who I really am." Continuing, "My biggest life change was meeting my husband in South Africa, only to find him relapsing on a drug habit - fiercely challenging my Christian upbringing. After our separation, I began to mull over everything from excuses, my beliefs, biases around religion, the LGBTQ community, my emotions and how music connects it all - and the definitions I devised are now all shared in this volume". It's going to leave people with plenty to think about.
That day, I felt lost, aimless, purposeless. I had received a rejection from an employment agent saying I didn't get the 33rd job that I'd applied for, whilst sitting on the couch watching NCIS reruns and stuffing my face with all sorts of snacks. I felt like a black Bridget Jones - except I wasn't trying to quit smoking and I already had the man. Now, you might ask how I got myself into this unemployed situation, feeling all sorry for myself. The easy answer is that I moved from South Africa to the UK with Alex (my husband of nine years), to pursue happiness and the European dream but without a plan of how to do this. The difficult answer, I guess, starts a year after arriving. - From the Introduction
Told in alternating voices, the debut novel Choose Me is the tumultuous story of a Latina woman and an African American man whose search for true romance takes a detour through the perfect love of God. Eva has no desire for romance. She's a self-reliant, celibate Christian who, despite a truly bad marriage, has successfully raised two college-aged sons. Adam wouldn't mind being in love, but women seem to be too much trouble-they just have too many expectations. As a recent cancer survivor, he just wants time to heal, write his books and poetry, and work on his spirituality. But when Eva and Adam unexpectedly meet, their attraction to each other is immediate and undeniable. Struggling with their doubts and seemingly insurmountable pain, they will start to let down their guard-and share a love that only God would understand.
Husbands, love your wives, just as Christ also loved the church… ~Ephesians 5:25 Joshua and Gayle were the model couple. After years of dating, Joshua romantically popped the big question to his college sweetheart. It was the proposal Gayle had always dreamed of. It didn’t matter that Joshua had been drafted by the NFL and was a part of the prominent Maxwell family of Lewiston Springs; Gayle desired to be his wife simply because she loved him. Their relationship was a solid rock, storybook romance … that was until Joshua's trust for his wife turned to suspicion. As Gayle struggles to piece together the broken fragments of her life, she tries to maintain her dignity around the high-class people she once called friends. The vows she made to Joshua before God on their wedding day were true, but is love enough to keep their marriage out of divorce court? A Test of Faith is the third book in The True Love Novellas series.
“As far as neatly and efficiently chronicling African Americans and the importance of their hair, Hair Story gets to the root of things.” —Philadelphiaweekly.com Hair Story is a historical and anecdotal exploration of Black Americans’ tangled hair roots. A chronological look at the culture and politics behind the ever-changing state of Black hair from fifteenth-century Africa to the present-day United States, it ties the personal to the political and the popular. Read about: Why Black American slaves used items like axle grease and eel skin to straighten their hair. How a Mexican chemist straightened Black hair using his formula for turning sheep’s wool into a minklike fur. How the Afro evolved from militant style to mainstream fashion trend. What prompted the creation of the Jheri curl and the popular style’s fall from grace. The story behind Bo Derek’s controversial cornrows and the range of reactions they garnered. Major figures in the history of Black hair are presented, from early hair-care entrepreneurs Annie Turnbo Malone and Madam C. J. Walker to unintended hair heroes like Angela Davis and Bob Marley. Celebrities, stylists, and cultural critics weigh in on the burgeoning sociopolitical issues surrounding Black hair, from the historically loaded terms “good” and “bad” hair, to Black hair in the workplace, to mainstream society’s misrepresentation and misunderstanding of kinky locks. Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history, and it’s a book that people of all races will celebrate as the reference guide for understanding Black hair. “A comprehensive and colorful look at a very touchy subject.” —Essence
A cat burglar and an assassin run for their lives across Paris—and try not to get distracted by the sizzling attraction between them. Assistant antique dealer by day, cat burglar by night, Sable Devereaux has lived in the shadows for years. With one final heist, she can walk away from a life of crime and open her own antique store, retiring to the quiet existence she has always dreamed of. But during her last theft, she witnesses a murder and goes on the run to escape the cross-hairs of some very powerful people. Agent and master-of-disguise, Hunter Miller is intrigued when he has to subdue the sexy thief after she breaks into his Parisian apartment. Then he quickly learns he must protect her—and himself—from an organization hiding much more than a murder. The couple races across Paris in a fight to stay alive and stop one of the most powerful organizations in the world—and discover what they’ve been looking for all along… is each other.
This classic text by Geneva Smitherman, pioneering scholar of Black Talk, is a definitive statement on African American Language (AAL). Enriched by her inimitable writing style, the book outlines past debates on the speech of African Americans and provides a vision for the future. As global manifestations of AAL increase, she argues that we must broaden our conception of the language and its speakers, and further examine the implications of gender, age and class on AAL. Perhaps most of all we must appreciate the "artistic and linguistic genius" of AAL, from Hip Hop lyrics to the rhyme and rhetoric of the broader Black speech community. Smitherman explores AAL's contribution to American English, includes a summary of expressions as a suggested linguistic core of AAL, and features cartoons that educate readers on the broader relationship between language, race, and racism. This classic edition features a new foreword by H. Samy Alim, celebrating Smitherman's continuing impact on Black Language scholarship and her influence on the future of the field. Word from the Mother is an essential read for students of African American speech, language, culture and sociolinguistics, as well as the general reader interested in the worldwide "crossover" of Black popular culture.