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A poor man tries to find someone wiser, stronger, and more clever than himself to persuade the king not to build a fountain that will cut off the city's water supply.
This is the long-awaited sequel to Arthur Eedle's former volumes on the subject of "King's Fountain," namely "Adventures in King's Fountain", and "Susan's Journal." The action now takes place in Devon, Somerset, and Cornwall.
This series of one hundred readings was produced by Arthur Eedle in 2014, following the death of his wife, and is dedicated to her. All the entries contain subject matter that they had shared together over the years. Topics include expository items, such as Resurrection, The Bride, Manna, Prayer, Worship, Repentance, and the Coming of the Lord.
The first book in the million-copy, Wall Street Journal bestselling Kingfountain series from Jeff Wheeler. King Severn Argentine's fearsome reputation precedes him: usurper of the throne, killer of rightful heirs, ruthless punisher of traitors. Attempting to depose him, the Duke of Kiskaddon gambles...and loses. Now the duke must atone by handing over his young son, Owen, as the king's hostage. And should his loyalty falter again, the boy will pay with his life. Seeking allies and eluding Severn's spies, Owen learns to survive in the court of Kingfountain. But when new evidence of his father's betrayal threatens to seal his fate, Owen must win the vengeful king's favor by proving his worth--through extraordinary means. And only one person can aid his desperate cause: a mysterious woman, dwelling in secrecy, who truly wields power over life, death, and destiny.
"Owen Kiskaddon first came to the court of the formidable King Severn as a prisoner, winning favor with the stormy monarch by masquerading as a boy truly blessed by the Fountain. Nine years hence, the once-fearful Owen has grown into a confident young man, mentored in battle and politics by Duke Horwath and deeply in love with his childhood friend, the duke's granddaughter. But the blissful future Owen and Elysabeth Mortimer anticipate seems doomed by the king's machinations"--Page 4 of cover.
The long-awaited, revised, and illustrated edition of Simon Simonse’s study of the Rainmakers of the Nilotic Sudan marks a breakthrough in anthropological thinking on African political systems. Taking his inspiration from René Girard’s theory of consensual scapegoating, the author shows that the longstanding distinction of states and stateless societies as two fundamentally different political types does not hold. Centralized and segmentary systems only differ in the relative emphasis put on the victimary role of the king as compared with that of enemy. Kings of Disaster proposes an elegant and powerful solution to the vexed problem of regicide.
The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.