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The character of Saul and his place within the history, theology, and ideology of ancient Israel have fascinated interpreters for centuries. This book surveys the field of Saul studies. It includes in the first instance essays detailing Saul's place within the biblical narrative and its constituent parts (such as the Deuteronomistic History and the Chronicler's work). The possibility of identifying a Saulide period in the archaeological record is also discussed. A number of essays look at more specific themes and passages within the Saul cycle, such as his heroic nature, kingship, war, and literary balance. The final section of the book looks at the place of Saul within the post-biblical interpretative traditions, with essays devoted to Saul in the works of Josephus, in midrashic literature, in the Qur'an, in selected European literary texts, in the western artistic tradition, and in Handel's oratorio Saul. Contents: Carl S. Ehrlich: Introduction Avraham Faust: Settlement Patterns and State Formation in Southern Samaria and the Archaeology of (a) Saul Siegfried Kreuzer: Saul - not always - at War. A New Perspective on the Rise of Kingship in Israel Steven L. McKenzie: Saul in the Deuteronomistic History Yairah Amit: The Delicate Balance in the Image of Saul and Its Place in the Deuteronomistic History Gregory Mobley: Glimpses of the Heroic Saul Christophe Nihan: Saul among the Prophets (1 Sam 10:10-12 and 19:18-24). The Reworking of Saul's Figure in the Context of the Debate on Charismatic Prophecy in the Persian Era Mark W. Hamilton: The Creation of Saul's Royal Body. Reflections on 1 Samuel 8-10 Marsha C. White: Saul and Jonathan in 1 Samuel 1 and 14 Samuel A. Meier: The Sword. From Saul to David C. Mark McCormick: From Box to Throne. The Development of the Ark in DtrH and P Gary N. Knoppers: Israel's First King and the Kingdom of YHWH in the hands of the sons of David. The Place of the Saulide Monarchy in the Chronicler's Historiography Louis H. Feldman: Josephus' View of Saul Hanna Liss: The Innocent King. Saul in Rabbinic Exegesis Walid A. Saleh: What if you refuse, when ordered to fight? King Saul (Talut) in the Qur'an and Post-Quranic Literature Rudiger Bartelmus: Handel and Jennens' Oratorio Saul. A Late Musical and Dramatic Rehabilitation of the Figure of Saul, Misrepresented in theOld Testament as the Diametrical Opposite of David Sarah Nicholson: Catching the Poetic Eye. Saul Reconceived in Modern Literature Marc Michael Epstein: Seeing Saul
The following pages, begun several years ago, and now, in the mercy of God, completed, are an effort to give a brief series of notes upon the first book of Samuel. The title, "King Saul: the man after the flesh," shows us the central figure of the book, a type too of the fleshly condition of the nation as a whole. The lessons connected with the rise, reign and end of King Saul are many, and all point to the utter unprofitableness of the flesh in its greatest excellence to be aught that is acceptable to God. The subject in one sense is a depressing one, and the proper effect should be to turn us from the contemplation of the man after the flesh to the man after God's own heart, David, who comes upon the scene in the latter part of the book and shows the contrast between faith and nature. As a type of Christ, he is the antidote to the baleful example and influence of poor Saul, and thus shows how God would ever lead, even through the knowledge of sin in ourselves and of the evil about us, not to occupation with that, but with Him who is the Deliverer of His people. May the Lord use this effort to trace the workings of the flesh and the triumphs of His grace to the blessing of His people! A word of explanation may not be out of place as to the character of Jonathan spoken of in the body of the book. The matter is one of great delicacy, and the writer shrinks from taking the edge off any wholesome lessons that have been connected with the character and position of Jonathan, but would only call attention to what is said in the body of the book and leave each reader free to draw his own conclusions.
Saul (Edomite king) in the Bible.
David M. Gunn wrote The Fate of King Saul to inspire a renewed interest in the study of the Old Testament as well as the study of Saul. He explores the study of Saul and researches the narrative aspect of the books of Samuel. Additionally, he also researches the narrative that is a part of the Old Testament since the content can be complicated and difficult to understand.
"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.
Upon initial publication in 1956, this book was an attempt to re-state certain problems concerning the aesthetics and ethics of the tragic form; to examine these in relation to contemporary work in psychology and anthropology; to enquire into the significance of 'the fact or experience called tragedy' in the modern world; and to suggest a synthesis in terms of the Christian tradition. This is a reissue of the corrected second edition of the work, first published in 1966.
This study presses beyond the pervasive early Christian aversion to pagan theatrical art in all its forms and investigates the growing critical engagement with the genre of tragedy by Christian authors, especially in the post-Constantinian era.
This study of the book of 1 Samuel espouses a "critical narratology: informed by such cultural practices as feminism and psychoanalysis, following a tradition which finds meaning more in the text's mythic patterns than in the text itself.