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The saddle has become an American icon. One of the most famous saddle makers is Donald L. King of Sheridan, Wyoming. This fascinating study of the Sheridan saddle and its creator not only highlights King's contributions but also traces the origins of the western saddle to its roots in Mexico and Spain. 24 color plates. 38 b&w illustrations.
And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike."--Jacket.
"Covering 825,000 acres in the Coastal Plain and Brush Country of South Texas, King Ranch, established in 1853, looms large in Texas and American history. Since its founding by the energetic and visionary Richard King, it has indelibly captured for generations the essence of the American West. As Tom Lea asserted in his epic 1953 history, the spirit of the place "is alive in the land itself, in the far quietness of growing grass and grazing herds." In King Ranch: A Legacy in Art, editors Bob Kinnan, William E. Reaves, and Linda J. Reaves have assembled a team of collaborators to present a beautiful, informative account of the ranch and its place in the artistic heritage of the region. Pairing original paintings by artist Noe Perez with insightful essays from curators Bruce Shackelford and Ron Tyler, this book celebrates the many ways 'King Ranch culture' has enriched appreciation for the decorative, practical, and fine arts in Texas and the greater American West. Opening with a foreword by Jamey Clement, current chair of the board for King Ranch, Inc., and continuing with a brief introduction to the ranch's history by Bob Kinnan, King Ranch: A Legacy in Art will heighten appreciation of the natural beauty and artistic influence of this legendary place. BOB KINNAN previously managed the Santa Gertrudis Heritage Society and King Ranch Archives and has been King Ranch Historian since 2016. WILLIAM E. REAVES is the author of Texas Art and a Wildcatter's Dream, coauthor for Of Texas Rivers and Texas Art, and coeditor of Sense of Home: The Art of Richard Stout. LINDA J. REAVES is coeditor of Sense of Home: The Art of Richard Stout and coauthor of A Book Maker's Art: The Bond of Arts and Letters at Texas A&M University Press"--
Pierrot Barra and his wife Marie Cassaise are the most astonishing artists that the author of this fascinating book has encountered in more than a decade of researching Vodou in Haiti. Inspired by dreams and psychic visions of Vodoun divinities, the couples' sculptures combine distant memories of Africa, the imagery of Catholic saints, Masonic regalia, and Hollywood Kitsch. 48 full-color photos.
Lisa love being a member of the Saddle Club. But lately, Stevie and Carole haven't had time for her or their friendship. And if she can'tconvince her friends that their club is just as important, she may have to find new members to replace them. . . .
This is a sampling of recipes from the many families and friends associated with King Ranch.
A book featuring miniature dioramas that translate the Vietnam war into art and self-therapy for the artist
As the United States expanded west in the 1800s, and cattle became big business, the figure of the young brash cattleman who rode with the herds quickly emerged as a cultural icon. Victorian Americans went crazy for cowboys, snapping up dime-store novels and sheet music, and turning out in droves for Buffalo Bill Cody's Wild West Show. It was only a matter of time before someone brought together these three facets-entertainer, singer, and cowboy. And when Carl T. Sprague recorded the first hit cowboy record ("When the Work's All Done This Fall") in 1925, the singing cowboy as we know him was born. A singing cowboy himself, Douglas B. Green (better known as Ranger Doug from the Grammy-award-winning group Riders In The Sky) is uniquely suited to write the story of the singing cowboy. He has been collecting information and interviews on western music, films, and performers for nearly thirty years. In this volume, he traces this history from the early days of vaudeville and radio, through the heyday of movie westerns before World War II, to the current revival. He provides rich and careful analysis of the studio system that made men such as Gene Autry and Roy Rogers famous, and he documents the role that country music and regional television stations played in carrying on the singing cowboy tradition after World War II. This book, lavishly illustrated with over 140 photos, is a wealth of information that comes out of decades of research. Green has unearthed never-before-published photos and rare movie posters-including one from an all-Black western, Harlem on the Prairie (1938). Through his close friendships with other singing cowboys and their families, Green is able to provide rare insights into the ways that some like Autry became stars and others like Raoul Walsh (who lost his eye in a shooting accident and later became a famous director) did not. Green also traces the history of cowboy music, from popular songs such as "Sweet Betsy from Pike" to the instantly recognizable harmonies of the Sons of the Pioneers. Green even speculates about just when the famous yodel became a ubiquitous part of the singing cowboy's repertoire. More important, Green reveals how the imagery of the singing cowboy has become such a potent force that even now country musicians don cowboy hats so as to symbolically take part in the legend. Nowhere has the recorded history of the singing cowboy and the film history been collected in one volume, and this book is sure to become the resource for students of the style. Co-published with the Country Music Foundation Press
Mystic meanings behind the flourishing art of modern-day pagans and witches
Thoroughbred racing was one of the first major sports in early America. Horse racing thrived because it was a high-status sport that attracted the interest of both old and new money. It grew because spectators enjoyed the pageantry, the exciting races, and, most of all, the gambling. As the sport became a national industry, the New York metropolitan area, along with the resort towns of Saratoga Springs (New York) and Long Branch (New Jersey), remained at the center of horse racing with the most outstanding race courses, the largest purses, and the finest thoroughbreds. Riess narrates the history of horse racing, detailing how and why New York became the national capital of the sport from the mid-1860s until the early twentieth century. The sport’s survival depended upon the racetrack being the nexus between politicians and organized crime. The powerful alliance between urban machine politics and track owners enabled racing in New York to flourish. Gambling, the heart of racing’s appeal, made the sport morally suspect. Yet democratic politicians protected the sport, helping to establish the State Racing Commission, the first state agency to regulate sport in the United States. At the same time, racetracks became a key connection between the underworld and Tammany Hall, enabling illegal poolrooms and off-course bookies to operate. Organized crime worked in close cooperation with machine politicians and local police officers to protect these illegal operations. In The Sport of Kings and the Kings of Crime, Riess fills a long-neglected gap in sports history, offering a richly detailed and fascinating chronicle of thoroughbred racing’s heyday.