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A People Magazine Best Book Fall 2021 From celebrated Indigenous author Thomas King and award-winning Métis artist Natasha Donovan comes a powerful graphic novel about a family caught between nations. Borders is a masterfully told story of a boy and his mother whose road trip is thwarted at the border when they identify their citizenship as Blackfoot. Refusing to identify as either American or Canadian first bars their entry into the US, and then their return into Canada. In the limbo between countries, they find power in their connection to their identity and to each other. Borders explores nationhood from an Indigenous perspective and resonates deeply with themes of identity, justice, and belonging.
Conan, the former barbarian king of Aquilonia, is on the run from a traitorous alliance of usurpers backed by the resurrected sorcerer Xaltotun. Conan must fight his way across battle-ravaged countries and bandit-filled seas, through dark tombs, and back again to regain his throne.
South of the Border, West of the Sun is the beguiling story of a past rekindled, and one of Haruki Murakami’s most touching novels. Hajime has arrived at middle age with a loving family and an enviable career, yet he feels incomplete. When a childhood friend, now a beautiful woman, shows up with a secret from which she is unable to escape, the fault lines of doubt in Hajime’s quotidian existence begin to give way. Rich, mysterious, and quietly dazzling, in South of the Border, West of the Sun the simple arc of one man’s life becomes the exquisite literary terrain of Murakami’s remarkable genius.
Word in the Royal Court has spread that the wild Scottish borders are too unruly. Upon the King's command, John Brunson must return home… Once part of a powerful border clan, John has not set eyes on the Brunson stone tower in years. With failure never an option, he must persuade his family to honor the king's call for peace. To succeed, John knows winning over Cate Gilnock, the daughter of an allied family, holds the key. But this intriguing beauty is beyond the powers of flattery and seduction. Instead, the painful vulnerability hidden behind her spirited eyes calls out to John as he is inexorably drawn back into the warrior Brunson clan….
NEW YORK TIMES BESTSELLER AND NATIONAL BOOK AWARD FINALIST A lyrical and authentic book that recounts the story of a border-town family in Brownsville, Texas in the 1980's, as each member of the family desperately tries to assimilate and escape life on the border to become "real" Americans, even at the expense of their shared family history. This is really un-mined territory in the memoir genre that gives in-depth insight into a previously unexplored corner of America.
ONE OF THE MOST ACCLAIMED BOOKS OF THE YEAR Contains an excerpt from Don Winslow’s explosive new novel, City on Fire! NAMED A BEST BOOK OF THE YEAR BY Washington Post • NPR • Financial Times • The Guardian • Booklist • New Statesman • Daily Telegraph • Irish Times • Dallas Morning News • Sunday Times • New York Post "A big, sprawling, ultimately stunning crime tableau." – Janet Maslin, New York Times "You can't ask for more emotionally moving entertainment." – Stephen King "One of the best thriller writers on the planet." – Esquire The explosive, highly anticipated conclusion to the epic Cartel trilogy from the New York Times bestselling author of The Force What do you do when there are no borders? When the lines you thought existed simply vanish? How do you plant your feet to make a stand when you no longer know what side you’re on? The war has come home. For over forty years, Art Keller has been on the front lines of America’s longest conflict: The War on Drugs. His obsession to defeat the world’s most powerful, wealthy, and lethal kingpin?the godfather of the Sinaloa Cartel, Adán Barrera?has left him bloody and scarred, cost him the people he loves, even taken a piece of his soul. Now Keller is elevated to the highest ranks of the DEA, only to find that in destroying one monster he has created thirty more that are wreaking even more chaos and suffering in his beloved Mexico. But not just there. Barrera’s final legacy is the heroin epidemic scourging America. Throwing himself into the gap to stem the deadly flow, Keller finds himself surrounded by enemies?men who want to kill him, politicians who want to destroy him, and worse, the unimaginable?an incoming administration that’s in bed with the very drug traffickers that Keller is trying to bring down. Art Keller is at war with not only the cartels, but with his own government. And the long fight has taught him more than he ever imagined. Now, he learns the final lesson?there are no borders. In a story that moves from deserts of Mexico to Wall Street, from the slums of Guatemala to the marbled corridors of Washington, D.C., Winslow follows a new generation of narcos, the cops who fight them, street traffickers, addicts, politicians, money-launderers, real-estate moguls, and mere children fleeing the violence for the chance of a life in a new country. A shattering tale of vengeance, violence, corruption and justice, this last novel in Don Winslow’s magnificent, award-winning, internationally bestselling trilogy is packed with unforgettable, drawn-from-the-headlines scenes. Shocking in its brutality, raw in its humanity, The Border is an unflinching portrait of modern America, a story of—and for—our time.
Historical romance retelling the story of the adventures of the Earl of Bothwell.
From the refugee crisis to the 'hostile environment', what do borders look and feel like in Brexit Britain?
Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies.