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Seeking to regain the sword Excalibur from Mordred, who has traveled into a time of war and demons using Merlin's book of spells, King Arthur must pursue his bastard son in a future world where he is not recognized. Original.
An investigation of the evidence for King Arthur based on the earliest written sources rather than later myths and legends. This book differs from the usual Arthur theories in that it favors no particular conjecture simply analyses and clarifies the evidence presenting it all in chronological order. Starting from Roman Britain, the evidence shows how the legend evolved and at what point concepts such as Camelot, Excalibur and Merlin were added. It covers the historical records from the end of Roman Britain using contemporary sources such as they are, from 400-800, including Gallic Chronicles, Gildas and Bede. It details the first written reference to Arthur in the Historia Brittonum c.800 and the later Annales Cambriae in the tenth century showing the evolution of the legend in later Welsh and French stories. While not starting from or aiming at a specific person, the book compares the possibility of Arthur being purely fictional with a historical figure alongside a list of possible suspects. The evidence is presented and the reader is invited to make up their own mind before a discussion of the author’s own assessment. “What impressed me about this book is Sullivan’s passion for this subject and his willingness to go the extra mile to show both sides of the argument . . . It was extremely fascinating to see how he treated this book like a criminal investigation, using different fields of study to figure out the origins of the legend, how it evolved, and whether or not there was a king named Arthur.” —Adventures of a Tudor Nerd
On his sixth birthday, Henry Alfred Grummorson, a descendant of King Arthur and would-be knight, sets out for adventure but neither dragon, nor cyclops, nor griffin, nor leviathan is willing to engage in a real battle.
When he pulls a sword from a stone, Arthur fulfills his destiny to become king of England and together with his knights of the Round Table ushers in a golden age of chivalry.
Foreword by Neil Gaiman The world’s leading Arthurian authority reimagines one of the most beloved and influential legends—the story of King Arthur and his Knights—for a new century in this gorgeous keepsake edition, illustrated with luminous full-color paintings and drawings by internationally acclaimed Tolkien artist John Howe. The stories of King Arthur and Merlin, Lancelot and Guinevere, Galahad, Gawain, Tristan and the rest of the Knights of the Roundtable, and the search for the Holy Grail have been beloved for centuries and are the inspiration of many modern fantasy novels, films, and shows. These legends began when an obscure Celtic hero named Arthur stepped on to the stage of history sometime in the sixth century, generating a host of oral tales that would be inscribed some 900 years later by Thomas Malory in his classic Morte D’Arthur (The Death of Arthur). The Great Book of King Arthur brings these legends into the modern age, using accessible prose for contemporary readers for the first time. In addition to the stories in Morte D’Arthur, John Matthews includes many tales of Arthur and his knights either unknown to Malory or written in other languages, such as the story of Avenable, the girl brought up as a boy who becomes a famous knight; Morien, whose adventures are as fantastic and exciting as any found in Malory’s work; and a retelling of the life of Round Table favorite Gawain, from his strange birth to his upbringing among the poor to his ascension to the highest position—Emperor of Rome. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. The epic hero is represented in such powerful stories as “The Adventures of Eagle-boy” and “The Coming of Merlin,” which is based on the early medieval text Vita Merlini and tells a completely new version of the great enchanter’s story. The Great Book of King Arthur includes 15 full-color paintings and 25 pencil drawings.
Inventively retold and vividly illustrated, these stories describe the perilous and thrilling adventures of King Arthur and his knights in that glorious age of chivalry and honor. 41 illustrations.
From his court at Camelot, King Arthur ruled over a unified Britain in a mythical age of peace and prosperity. His glory, however, would be short-lived. For even as he drew the sword from the stone, a doom settled over Arthur that would see his kingdom fall to betrayal and war. In this book, Daniel Mersey retells the great stories of Arthur, from his winning of Excalibur and his marriage to Guinevere, through his battle with the giant in France and his war against the army of Rome to the treachery of Mordred and his death at Camlann. Supporting this narrative is an exploration of the different facets of Arthurian myth, including the numerous conflicting theories of his historical origin, the tales of Welsh folklore and Medieval romance, and even his various portrayals in the modern media. Presented with both classic and newly commissioned artwork this book is an easy-to-read, yet highly detailed introduction to the complex body of myth and legend that surrounds Britain's greatest hero.
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In Chronicles of King Arthur, Andrea Hopkins brings to life the great medeval story-cycle known as the Matter of Britain, drawing on the romance masterpieces of such writers as Geoffrey of Monmouth, Sir Thomas Malory, and Chretien de Troyes. She recounts the myths of Arthur and his knights in the authentic voices of the medieval authors.
For 1500 years King Arthur has remained a mystery. For the first time, this title discovers the historical King Arthur, his Camelot and his final resting place.