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The Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory's prose Morte D'Arthur. The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain's relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.
Chrysanthemum loves her name, until she starts going to school and the other children make fun of it.
This gripping addition to the Camelot canon -- written in beautiful verse -- has received glowing praise, and is an empowering story of rebellion and courage. Since the days of King Arthur, there have been poems and paintings created in her name. She is Elaine of Ascolat, the Lady of Shalott, and now there is a book all her own. The year is 490 A.D. and 16-year-old Elaine has a temperament to match her fiery red hair. Living on a military base with her father, brothers, and the rest of Arthur's army, Elaine pines for the handsome Lancelot, and longs for a female companion. But when the cruel, beautiful Gwynivere arrives, Elaine is confronted with startling emotions of jealousy and rivalry. Can Elaine find the strength to survive the birth of a kingdom?
The heroic legends of King Arthur and his brave Knights of the Round Table is now available in an unabridged, illustrated cloth hardcover edition in Union Square and Co.’s Children's Signature Clothbound Classics series. Although the folklore of King Arthur and his Knights of the Round Table is centuries old, their spirited adventures continue to capture the hearts of young readers today. Camelot, Merlin, Morgana, the Holy Grail—all originating from Arthurian legend—have been widely adapted in media and modern fantasy world-building. This Children's Signature Clothbound Classics edition of The Story of King Arthur and His Knights is the only widely available edition of Howard Pyle’s version, which was written specifically for children.
The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .
One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).
A rousing postscript to Lawhead's bardic Pendragon Cycle . . . Playing off snappy contemporary derring-do against the powerful shining glimpses of the historical Arthur he created, Lawhead pulls off a genuinely moving parable of good and evil.'Â Publishers Weekly It has been foretold: In the hour of Britain's greatest need, King Arthur will return to rescue his people. In Portugal, the reprobate King Edward the Ninth has died by his own hand. In England, the British monarchy teeters on the edge of total destruction. And in the Scottish Highlands, a mystical emissary named Mr. Embries-better known as "Merlin"-informs a young captain that he is next in line to the throne. For James Arthur Stuart is not the commoner he has always believed himself to be-he is Arthur, the legendary King of Summer, reborn. But the road to England's salvation is dangerous, with powerful enemies waiting in ambush. For Arthur is not the only one who has returned from the mists of legend. And Merlin's magic is not the only sorcery that has survived the centuries.
This is my first collection of poetry (the second is "Pryderi's Pigs and other poems"). Most of these poems are written in medieval fixed forms, or approximations of medieval forms ' one of my on-going quests being a search for ways of reproducing the sound and feel of medieval Welsh poetry in modern English. And yet, because the bardic art I practice is a performance art, these are in a larger sense not my poems at all, but merely pale imitations ' poems preserved on paper. Until I can come and sing the real poems to you, I hope you will enjoy the substitutes.