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Before stories of King Arthur and Robin Hood were adapted and readapted for film, television and theater, radio scriptwriters looking for material turned to Thomas Malory's Le Morte Darthur (1485) and Howard Pyle's The Merry Adventures of Robin Hood (1883). Throughout the 1930s to the mid-1950s, their legends inspired storylines for Abbott and Costello, Popeye, Let's Pretend, Escape, Gunsmoke, The Adventures of Superman and others. Many of these adaptations reflect the moral and ethical questions of the day, as characters' faced issues of gender relations, divorce, citizenship, fascism, crime and communism in a medieval setting.
Before stories of King Arthur and Robin Hood were adapted and readapted for film, television and theater, radio scriptwriters looking for material turned to Thomas Malory's Le Morte Darthur (1485) and Howard Pyle's The Merry Adventures of Robin Hood (1883). Throughout the 1930s to the mid-1950s, their legends inspired storylines for Abbott and Costello, Popeye, Let's Pretend, Escape, Gunsmoke, The Adventures of Superman and others. Many of these adaptations reflect the moral and ethical questions of the day, as characters' faced issues of gender relations, divorce, citizenship, fascism, crime and communism in a medieval setting.
A classic tale of adventure and bravery charting the transformation of Robert of Locksley into Robin Hood, the outlaw of myth and legend. Join Robin and his band of Merry Men as they battle injustice and seek to defeat the villainous Sheriff of Nottingham and Guy of Gisborne.

Books for the High School Library

Joint committee of the School library department of the National education association and of the School libraries section of the American library association

Published: 1924

Total Pages: 292


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Robin Hood is one of the most enduring and well-known figures of English folklore. Yet who was he really? In this intriguing book, Lesley Coote reexamines the early tales about Robin in light of the stories, both English and French, that have grown up around them—stories with which they shared many elements of form and meaning. In the process, she returns to questions such as where did Robin come from, and what did these stories mean? The Robin who reveals himself is as spiritual as he is secular, and as much an insider as he is an outlaw. And in the context of current debates about national identity and Britain’s relationship with the wider world, Robin emerges to be as European as he is English—or perhaps, as Coote suggests, that is precisely the quality which made him fundamentally English all along.
Retells, in graphic novel form, the tale of Arthur Pendragon who, raised in obscurity, draws a legendary sword from a stone and begins the life he was born to lead, guided by the elusive wizard Merlin.
Bridging the gap between 'Game of Thrones' and Bernard Cornwell comes the third and final chapter in James Wilde's epic adventure of betrayal, battle and bloodshed . . . AD 375 - The Dark Age is drawing near . . . As Rome's legions abandon their forts, chaos grows on the fringes of Britannia. In the far west, the shattered forces of the House of Pendragon huddle together in order to protect the royal heir – their one beacon of hope. For Lucanus, their great war leader, is missing, presumed dead. And the people are abandoning them. For in this time of crisis, a challenger has arisen, a False King with an army swollen by a horde of bloody-thirsty barbarians desperate for vengeance. One slim hope remains for Lucanus’ band of warrior-allies, the Grim Wolves. Guided by the druid, Myrrdin, they go in search of a great treasure – a vessel that is supposedly a gift from the gods. Success will mean a war unlike any other, a battle between two kings for a legacy that will echo down the centuries. And should they fail? Well, then all is lost . . . This is the shattering conclusion to James Wilde’s rousing reimagining of the myth of King Arthur . . .