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In the spring of 1789, within weeks of the establishment of the new federal government based on the U.S. Constitution, the Senate and House of Representatives fell into dispute regarding how to address the president. Congress, the press, and individuals debated more than thirty titles, many of which had royal associations and some of which were clearly monarchical. For Fear of an Elective King is Kathleen Bartoloni-Tuazon's rich account of the title controversy and its meanings.The short, intense legislative phase and the prolonged, equally intense public phase animated and shaped the new nation's broadening political community. Rather than simply reflecting an obsession with etiquette, the question challenged Americans to find an acceptable balance between power and the people's sovereignty while assuring the country’s place in the Atlantic world. Bartoloni-Tuazon argues that the resolution of the controversy in favor of the modest title of "President" established the importance of recognition of the people's views by the president and evidence of modesty in the presidency, an approach to leadership that fledged the presidency’s power by not flaunting it.How the country titled the president reflected the views of everyday people, as well as the recognition by social and political elites of the irony that authority rested with acquiescence to egalitarian principles. The controversy’s outcome affirmed the republican character of the country’s new president and government, even as the conflict was the opening volley in increasingly partisan struggles over executive power. As such, the dispute is as relevant today as in 1789.
A compendium of the most ridiculous examples of Congress's pork-barrel spending.
An “evocatively written examination” of the Americans who fought alongside the British during the American Revolution (American Spectator). The American Revolution was not simply a battle between the independence-minded colonists and the oppressive British. As Thomas B. Allen reminds us, it was also a savage and often deeply personal civil war, in which conflicting visions of America pitted neighbor against neighbor and Patriot against Tory on the battlefield, on the village green, and even in church. In this outstanding and vital history, Allen tells the complete story of the Tories, tracing their lives and experiences throughout the revolutionary period. Based on documents in archives from Nova Scotia to London, Tories adds a fresh perspective to our knowledge of the Revolution and sheds an important new light on the little-known figures whose lives were forever changed when they remained faithful to their mother country.
From a colorful youth growing up in the governors mansion, to a distinguished military career, and seeing firsthand the politics of world events during the second half of the twentieth century, Presidents, Kings, and Convicts tells the story of Congressman Bob Clements multifaceted life, and it reveals many previously untold stories about famous people. This memoir narrates the shaping of his life as a moderate Democrat growing up in the south in the 1950s; it shares how Clement had a front-row seat to some of Americas most significant events since World War II; it provides insights on the current crisis situations taking place in the Middle East and around the world; and it addresses the dysfunction and lack of bipartisanship among the nations political leaders, as well as offers solutions for getting the country back on track. Presidents, Kings, and Convicts provides entertaining and captivating behind-the-scenes accounts of some of Clements most memorable events and the people who shaped them. From personal stories of country music stars and other notable Americans, to the bipartisan meeting with the exiled king of Afghanistan and leaders of the Northern Alliance at the kings home outside Rome, Italy, Clement offers insight into his event-filled life and his storied political journey.
Vital perspectives for the divided Trump era on what the Constitution's framers intended when they defined the extent—and limits—of presidential power One of the most vexing questions for the framers of the Constitution was how to create a vigorous and independent executive without making him king. In today's divided public square, presidential power has never been more contested. The President Who Would Not Be King cuts through the partisan rancor to reveal what the Constitution really tells us about the powers of the president. Michael McConnell provides a comprehensive account of the drafting of presidential powers. Because the framers met behind closed doors and left no records of their deliberations, close attention must be given to their successive drafts. McConnell shows how the framers worked from a mental list of the powers of the British monarch, and consciously decided which powers to strip from the presidency to avoid tyranny. He examines each of these powers in turn, explaining how they were understood at the time of the founding, and goes on to provide a framework for evaluating separation of powers claims, distinguishing between powers that are subject to congressional control and those in which the president has full discretion. Based on the Tanner Lectures at Princeton University, The President Who Would Not Be King restores the original vision of the framers, showing how the Constitution restrains the excesses of an imperial presidency while empowering the executive to govern effectively.
Bringing together the best of King's work, the book explores topics ranging from the demographic revolution sweeping America to the pressing need for Social Security reform to the place of religious faith in politics. King's reach extends from Houston's local government scene to the Austin statehouse and the halls of Congress. Whatever the subject, King's dispassionate, fact-driven approach to hot-button issues sets him apart from other political observers. His clear explanation of complex subjects provides welcome perspective on topics that have become muddled by partisan interpretations.
“Reads like a novel. A fast-paced page-turner, it has everything: sex, wit, humor, and adventures. But it is an impressively researched and important story.” —David Fromkin, author of Europe’s Last Summer Vienna, 1814 is an evocative and brilliantly researched account of the most audacious and extravagant peace conference in modern European history. With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see. Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye. An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again. Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.
ONE OF USA TODAY'S BEST BOOKS OF THE YEAR • A riveting account of the crucial days, hours, and moments when the Watergate conspiracy consumed, and ultimately toppled, a president—from the best-selling author of One Minute to Midnight. In January 1973, Richard Nixon had just been inaugurated after winning re-election in a historic landslide. He enjoyed an almost 70 percent approval rating. But by April 1973, his presidency had fallen apart as the Watergate scandal metastasized into what White House counsel John Dean called “a full-blown cancer.” King Richard is the intimate, utterly absorbing narrative of the tension-packed hundred days when the Watergate conspiracy unraveled as the burglars and their handlers turned on one another, exposing the crimes of a vengeful president. Drawing on thousands of hours of newly-released taped recordings, Michael Dobbs takes us into the heart of the conspiracy, recreating these traumatic events in cinematic detail. He captures the growing paranoia of the principal players and their desperate attempts to deflect blame as the noose tightens around them. We eavesdrop on Nixon plotting with his aides, raging at his enemies, while also finding time for affectionate moments with his family. The result is an unprecedentedly vivid, close-up portrait of a president facing his greatest crisis. Central to the spellbinding drama is the tortured personality of Nixon himself, a man whose strengths, particularly his determination to win at all costs, become his fatal flaws. Rising from poverty to become the most powerful man in the world, he commits terrible errors of judgment that lead to his public disgrace. He makes himself—and then destroys himself. Structured like a classical tragedy with a uniquely American twist, King Richard is an epic, deeply human story of ambition, power, and betrayal.