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Alex is just an average teenager trying to make it through high school when life takes a turn for the fantastic and the bizarre. One night, he finds an alien named Shyra in his bedroom. She tells him that Earth is threatened by the Zenakuu, a planet originally known for traveling to other planets to mine resources.
Background: The Kinetic Grand Championship Sculpture Race is a 3-day, 42-mile human-powered race over land, sand, mud and water. Participants travel 50 miles from the Arcata plaza to Ferndale. It is widely considered the ¿Triathlon of the Art World¿ and occurs every Memorial Day weekend in Humboldt County, in Northern California. 2018 will be the 50th running of the race.Summary: Kinetic Kompendium investigates the fascinating 50-year history of this unique, annual 3-Day race. Most people know that the race was started by a friendly wager between Jack Mays and Hobart Brown, and escalated into an 11-sculpture race on Mother¿s Day, 1969, in Ferndale, CA. Since that first epic event, there have been thousands of people involved in the race. Over the years, racers, builders, artists and photographers have participated in the grueling all-terrain spectacle. This book weaves their stories and pictures together to create a comprehensive overview of the life of the race since its origins.The book is currently a 600 page, full-color book, containing essays, interviews, race results from all 50 years and newly unearthed photos, reproductions and ephemera from the race. This Kompendium is primarily a historical document that will preserve the rich history of the Kinetic Sculpture race in one source. The race has a tremendous economic, creative and emotional impact on the local community every year, and over the years most of the people in Humboldt county have been connected to it in one way or another.
Because magnetically confined plasmas are generally not found in a state of thermodynamic equilibrium, they have been studied extensively with methods of applied kinetic theory. In closed magnetic field line confinement devices such as the tokamak, non-Maxwellian distortions usually occur as a result of auxiliary heating and transport. In magnetic mirror configurations even the intended steady state plasma is far from local thermodynamic equilibrium because of losses along open magnetic field lines. In both of these major fusion devices, kinetic models based on the Boltzmann equation with Fokker-Planck collision terms have been successful in representing plasma behavior. The heating of plasmas by energetic neutral beams or microwaves, the production and thermalization of a-particles in thermonuclear reactor plasmas, the study of runaway electrons in tokamaks, and the performance of two-energy compo nent fusion reactors are some examples of processes in which the solution of kinetic equations is appropriate and, moreover, generally necessary for an understanding of the plasma dynamics. Ultimately, the problem is to solve a nonlinear partial differential equation for the distribution function of each charged plasma species in terms of six phase space variables and time. The dimensionality of the problem may be reduced through imposing certain symmetry conditions. For example, fewer spatial dimensions are needed if either the magnetic field is taken to be uniform or the magnetic field inhomogeneity enters principally through its variation along the direction of the field.
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
This book examines pioneering Latin American kinetic artists who helped develop kinetic art into an international movement. Kinesthesia: Latin American Kinetic Art, 1954-1969 examines the influential and visually stunning work of South American kinetic artists. While Southern California was becoming the North American epicenter for Light and Space art in the 1960s, separate yet closely related technical experiments had been unfolding in a handful of major cities of South America, as well as in Paris, the European center for kinetic art. Kinesthesia highlights the broad differences that emerged among the two principal South American centers of activity: Argentina, where kinetic art grew out of local debates about painting; and Venezuela, where pioneering notions of modern architecture stimulated a synthesis of art and design. Featured in this volume are kinetic sculptures and installations by Jesús Rafael Soto, Julio Le Parc, Carlos Cruz-Diez, Martha Boto, and others, as well as essays that explore the history of this movement, examine the artists' reception by European and American audiences in the context of the Cold War, and link their achievements to 21st-century artists and their work.
A shift in the architecture industry’s focus in the last 20 years toward ecological concerns, long-term value, and user comfort has coincided with significant new developments in digital controls, actuators, shading typologies, building physics simulation capability, and material performance. This collision has afforded architects an expanded set of opportunities to create architecture that can respond directly to environmental conditions, resulting in innovative façade designs that quickly become landmarks for their cities. Authors Russell Fortmeyer and Charles Linn trace the historical development of active façades in modern architecture, and reveal how contemporary architects and consultants design and test these systems.
Kinetic models are becoming standard tools in the research of biological systems. They are used to represent hypotheses, analyze data, and design experiments to maximize the information obtained from a study. Kinetic Models of Trace Element and Mineral Metabolism During Development describes models for calcium, chromium, copper, iron, iodide, lead, mercury, selenium, zinc, and others in health and disease.
Kinetic models have often served as useful examples in develop ing the methodology for the design and analysis of experiments in volving mechanistic models. Thus, it is not surprising that these approaches have been applied quite successfully to kinetic obser vations. Nevertheless, many ideas and methods were developed indepen dently in various fields of science. More often than not, investi gators working in one area have not been aware of relevant advances in others. In order to facilitate the desirable exchange of ideas, a one-day symposium was held in Toronto in conjunction with the XIth International Congress of Biochemistry. Biochemists, pharmacolo gists,> and statisticians came together and discussed many of the topics presented in this volume. Participants in the symposium believed that it would be use ful to publish a collection of the presentations together with some additional material. The present volume is the result. It is an attempt to convey some of the interdisciplinary concerns involv ing mechanistic, and especially kinetic, model building. The coverage is by no means exhaustive: many principles, methods, and problems are not included. Even the applications are limited to biochemistry and pharmacology. Still, the symposium highlighted areas of current interest. These included questions of weighting, robust parameter estimation, pooled data analysis, model identification, and the design of experiments. These topics, which are of interest in many fields of science, are discus3ed also in the present volume.