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This is the first detailed account of the remarkable British writer and artist John Hargrave (1894-1982) and his three creations: The Kindred of the Kibbo Kift, The Green Shirt Movement for Social Credit and The Social Credit Party of Great Britain. Combining art, politics and design to visually stunning effect, Hargrave and his followers created a maverick but uniquely English form of modernism, one which harked back to a mythical past but also looked forward to a futuristic Utopia when mankind would be freed from the tyranny of work and war. A product of his turbulent times, Hargrave believed in ritual, ceremony, symbology and the 'resolute imagination' of the creative individual as the keys to a better world.The book draws on the extensive visual archive of the Kibbo Kift, held at the Museum of London, comprising graphic designs, photographs, ceremonial objects, banners, costume, regalia, log books and archive material, much of which has not been seen in public since the 1920s and 1930s. The collection includes many striking photographs by Angus McBean, official 'Kin Photographer' in the late 1920s. Designing Utopia also touches on Hargrave's career as a writer. In his novels, as with his graphics, Hargrave's imagination drew from the fragmented modern world of mass culture, advertising and film he saw around him and re-cast its elements in ways that suited his convictions about social order.Hargrave and the Kibbo Kift have been under-explored by cultural historians. But their time has come. The story of the Kibbo Kift has strong resonances with twenty-first century debates about art, politics, individualism, anti-capitalism, nature and the environment. It is also a story about English youth adapting to a new century, new ideologies and a new sense of possibilities in a global world.
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
This richly illustrated volume examines the idiosyncraticphenomenon of social nudism in mid-20th-century Britain, anisland nation fabled for its lack of sunshine and its reservedsocial attitudes.Structured across three interrelated phases, readers firstencounter the movement at its genesis in the 1920s,when nudism was synonymous with vegetarianism,intellectualism and utopianism. That nascent cultureproliferated in the postwar era, with a widening landscapeof amateur clubs and governing organizations alongsidehigh circulation publications and censorship-challengingphotographers. Finally, Annebella Pollen examines themovement's redefinition as naturism, its cultural battles andits struggle to survive amid shifts in sexual liberation in thepermissive 1960s.Unadorned bodies were the central campaigning tool ofBritish naturism's photographic propaganda. They drewattention to the cause and drove publication sales but theyalso attracted regular public opprobrium. Naturism's shiftingvisual culture thus provides a microcosmic view of Britishmoral, legal and aesthetic transformations in a period of rapidsocial change, revealing evolving perspectives on health andsex, gender and ethnicity, pleasure and power.
'The Art of Camping' is a witty and philosophical blend of 'how to', history and personal anecdotes - a must for every camper. Beautiful line illustrations, practical camping tips are included.
Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.
The field of dress history has experienced exponential growth over the past two decades. This in-depth investigation examines the expanding borders and porous boundaries of the discipline today, outlining key debates and showcasing the most exciting research. With international case studies from a wide range of scholars, the volume encompasses work from a variety of historical periods from the late 18th century to the present day. Contributors examine, critique and expand the methodologies and sources used in fashion history, analyse how dress is collected, displayed and sold, and investigate clothing's meanings and uses in the practice of identity. Exploring overlooked territories and new approaches to analysis, the book offers students and scholars a fresh appraisal of dress history in the 21st century.
Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead
Neither day nor night, twilight has long exerted a fascination for Western artists, thinkers, and writers, while haunting the Romantics and intriguing philosophers and scientists. In The Last of the Light, Peter Davidson takes readers through our culture’s long engagement with the concept of twilight—from the melancholy of smoky English autumn evenings to the midnight sun of northern European summers and beyond. Taking in poets and painters, Victorians and Romans, city and countryside, and deftly combining memoir, literature, philosophy, and art history, Davidson shows how the atmospheric shadows and the in-between nature of twilight has fired the imagination and generated works of incredible beauty, mystery, and romance. Ambitious and brilliantly executed, this is the perfect book for the bedside table, richly rewarding and endlessly thought-provoking.
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.