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Publisher description: This book tells the story of the Christian religious movement led by Dona Beatriz Kimpa Vita in the Kingdom of Kongo from 1704 until her death, by burning at the stake, in 1706. Beatriz, a young woman, claimed to be possessed by St Anthony, argued that Jesus was a Kongolese, and criticized Italian Capuchin missionaries in her country for not supporting black saints. The movement was largely a peace movement, with a following among the common people, attempting to stop the devastating cycle of civil wars between contenders for the Kongolese throne. Thornton supplies background information on the Kingdom, the development of Catholicism in Kongo since 1491, the nature and role of local warfare in the Atlantic slave trade, and contemporary everyday life, as well as sketching the lives of some local personalities.
Kimpa Vita is a rejected stone that should become the builder’s head cornerstone in the modern era. Kilele is remolding an intentionally forgotten page of a Kongolese, say an African history, told by a conqueror to please their desire but is now rewritten by Africans themselves, as predicted by the late Patrice E. Lumumba. Greater than the French Joan of Arc, Kimpa Vita rejects Western religious alienation, domination, and spiritual formatting—a radical stance misjudged by the Western catholic priests who conspire with the naive locals to get her and her son burned at the stake. As an African martyr and heroine, Kimpa Vita, through her passion, as recounted by Jemadari Vi-Bee-Kil Kilele, remains a realistic tale to tell to the world’s generations at large, in order to expose false and imposed Western religions.
*Includes pictures *Includes excerpts of contemporary accounts *Includes a bibliography for further reading Africa may have given rise to the first human beings, and Egypt probably gave rise to the first great civilizations, which continue to fascinate modern societies across the globe nearly 5,000 years later. From the Library and Lighthouse of Alexandria to the Great Pyramid at Giza, the Ancient Egyptians produced several wonders of the world, revolutionized architecture and construction, created some of the world's first systems of mathematics and medicine, and established language and art that spread across the known world. With famous leaders like King Tut and Cleopatra, it's no wonder that today's world has so many Egyptologists, but interest in Africa has been present long before the modern era. In the Middle Ages, the Holy Lands were lost to Christianity, and Christian Europe was under siege. Folk tales began to circulate - their origins obscure, but first noted in historic texts around the 12th century CE - of a lost Christian kingdom in the East, the kingdom of Prester John. It was believed that this kingdom had the patriarch of Saint Thomas, who proselytized in the Orient. Later, in the 15th century, under the impetus of the Portuguese King Henry the Navigator, Portuguese missionaries and navigators entered the Indian Ocean from the south and, creeping northward up the east coast of Africa, heard ever more substantial tales of a Christian kingdom lost in the belly of Islam. As they entered upon the coast of Somalia, competing in a growing trade in slaves and gold with Arabs of the peninsula, they become increasingly interested in the source of this legend. In 1515, a Portuguese missionary explorer by the name of Father Francisco Álvares entered Ethiopia and took note in the interior of the remnants of a civilization of obviously Christian origin, with living adherents conforming to a branch of the faith clearly founded in antiquity. Could this be the kingdom of Prester John? Father Álvares was intrigued, but he was wary of too fanciful a construction, and he speculated more practically on the legend of King Solomon, the Queen of Sheba, and other such muses. As for the city at the center of the civilization, he called it Aquasumo. As it turned out, the Portuguese were arriving in Western Africa at a time when the Kingdom of Kongo was one of the great pre-colonial empires of Africa, with its geographic range at its greatest extent covering most of northwestern Angola, the western edges of the Democratic Republic of Congo and the Congo Republic, and overlapping at times into Cabinda and southern Gabon. It was centralized mostly within the borders of modern Angola, and it is most associated with the early history of that country, notwithstanding its name being applied to the two Congo republics. In fact, the name "Angola" derives from a vassal Kingdom of Kongo, the Ndonga, the kings of which were known as Ngola (hence the adaption to "Angola"). The Portuguese did eventually discover a Christian kingdom elsewhere in Africa, but their Christian influences helped lead to conversion movements in the Kingdom of Kongo, most famously that of Kimpa Vita, a young woman whose story included striking parallels with Joan of Arc. As the leader of a Christian movement, Kimpa Vita became involved in internal political disputes within the Kingdom of Kongo even as she set about spreading Christianity, and her ultimate fate has kept her memory alive as an ideal for later democratic and religious movements across the African continent. Kimpa Vita: The Life and Legacy of the Influential Christian Prophet in the Kingdom of Kongo chronicles the turbulent history of the region and the dramatic impact Kimpa Vita had in the late 17th century. Along with pictures depicting important people, places, and events, you will learn about Kimpa Vita like never before.
"For two decades Teresia Hinga has been a leading voice in the fields of African Christianity, women in African theology, and gender and ethics in the African context. Now, African, Christian, Feminist brings together Hinga's own selections from her extensive body of work, a number of them not previously published. A valuable resource for scholars and students alike, African, Christian, Feminist reveals the depth and breadth of a unique voice in theology, ethics, and gender and African studies"--
Noting that the ways of interpreting the Bible now practiced in the West are patriarchal and oppressive of those in other parts of the world, Dube offers an alternative interpretation that attends to and respects needs of women in the two-thirds world. In a provocative and insightful reading of the book of Matthew, she shows us how to read the Bible as decolonizing rather than imperialist literature.
This book surveys a broad panorama of Christian and African traditions to discover and assess the components that will illuminate and motivate a Christian and African ethic of women’s political participation. The author’s primary lens for diagnosing the problems faced by women in Africa is Engelbert Mveng’s concept of “anthropological poverty” that results from slavery and colonialism. It affects women in unique ways and is exacerbated by the religious and cultural histories of women’s oppression. The author advocates an interplay between the sacredness of every individual’s life, a salient principle of Christian ethics, and the collective consciousness of solidarity distinctive to African cultures. This interplay can, in turn, foster a more enlightened approach to African masculinity. Using a “sophialogical” hermeneutic, this in-depth study undertakes a moral imagination through narrative criticism. It argues that the existential reality of African women must be addressed as an essential element in the development of Christian socio-political ethic. The righteous, solidaristic, and resistant anger of women can transform patriarchy and inform Catholic social teaching. The author draws on The Circle of concerned African women theologians, postcolonial theorists, inculturation theology, African males, and Jon Sobrino's liberation theology to present an innovative Christian ethic that will radically affect the lives of African women and inform feminist theology.
This book establishes Central Africa as the origin of most Africans brought to English and Dutch American colonies in North America, the Caribbean, and South America before 1660. It reveals that Central Africans were frequently possessors of an Atlantic Creole culture and places the movement of slaves and creation of the colonies within an Atlantic historical framework.
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Early modern central Africa comes to life in an extraordinary atlas of vivid watercolors and drawings that Italian Capuchin Franciscans, veterans of Kongo and Angola missions, composed between 1650 and 1750 for the training of future missionaries. These “practical guides” present the intricacies of the natural, social, and religious environment of seventeenth- and eighteenth-century west-central Africa and outline the primarily visual catechization methods the friars devised for the region. Images on a Mission in Early Modern Kongo and Angola brings this overlooked visual corpus to public and scholarly attention. This beautifully illustrated book includes full-color reproductions of all the images in the atlas, in conjunction with rarely seen related material gathered from collections and archives around the world. Taking a bold new approach to the study of early modern global interactions, art historian Cécile Fromont demonstrates how visual creations such as the Capuchin vignettes, though European in form and crafstmanship, emerged not from a single perspective but rather from cross-cultural interaction. Fromont models a fresh way to think about images created across cultures, highlighting the formative role that cultural encounter itself played in their conception, execution, and modes of operation. Centering Africa and Africans, and with ramifications on four continents, Fromont’s decolonial history profoundly transforms our understanding of the early modern world. It will be of substantial interest to specialists in early modern studies, art history, and religion.