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"Kilvert's Diary and Landscape" is an effort to tell the story of Francis Kilvert's life as well as to picture rural society, which Victorians were prone to idealize. Toman offers a complete revaluation of the man and his work.
Few have written more beautifully about the British countryside than Francis Kilvert. A country clergyman born in 1840, Kilvert spent much of his time visiting parishioners, walking the lanes and fields of Herefordshire and writing in his diary. Full of passionate delight in the natural world and the glory of the changing seasons, his diaries are as generous, spontaneous and vivacious as Kilvert himself. He is an irresistible companion. This new edition of William Plomer’s original selection contains new archival material as well as a fascinating introduction illuminating Kilvert’s world and the history of the diaries. ‘One of the best books in English’ Sunday Times 'Kilvert has touched and delighted (and mildly shocked) readers of his diaries ever since they were first published. New readers are in for a treat' Alan Bennett
Kilvert's World of Wonders takes a fresh look at the Victorian era, one that does not turn away from the smoke stacks and crowded streets of popular imagining, but which sees them from the distance of the rural countryside. Though a countryman and lover of country ways, here the well know diarist is shown to be deeply stirred by what he saw as a society being changed and improved by science, technology, and by the liberal, enlightened ideas that were starting to circulate. The social changes seen by Kilvert resonated with the vision of progress that was imbued in him by his Victorian upbringing, and as a result his diaries can be seen as a response to these changes and not, as previous Kilvert scholarship suggests, as a simple record of country life. Toman's new work goes beyond the biographical and social realities of Kilvert's family by comparing them to almost twenty other middle-class families in order to show common factors in the familial experience of a rapidly changing society. At the heart of this re-evaluation of Kilvert's life and times is the theme of Wonder, various aspects of which are explored throughout. Away from the rapidly growing urban centres the effects of industrialisation are seen in a surprisingly positive light by Francis Kilvert, a fervent Christian coming to terms with the encroachments that science, scepticism and secularism were making upon religious faith and yet seeing all around him a 'world of wonders'.
SINCE its first appearance in three volumes (1938–40) Kilvert’s Diary has become established as a minor classic. Its recognized place among the very best of English diaries has been gained by special qualities. It is the work of a man with a watchful eye and a clear style: Kilvert has the uncommon gift of making one see vividly what he describes. His detailed picture of life in the English countryside in mid-Victorian times is unmatched, and every sentence he writes helps to build up a self-portrait so personal and intimate that one gets to know him like a friend. Kilvert reveals himself as an essentially modest, innocent, truthful and unworldly young man, sociable, and with a strong love of life and of landscape, with a sense of drama and a good vein of humour. His life was strongly affected by two things–his susceptibility to the beauty of young women and girls, and his lack of money and of what used to be called prospects. As a faithful country clergyman, he moved with equal ease among people of both the landowning and labouring classes, and by both was welcomed equally. His good nature and good manners, his vitality, his love of children, and his practical sympathy with the unfortunate, won him much affection. If he did not question the values of his own class, he was never indifferent to sufferings which they permitted, and did what he could, with his evidently magnetic presence and voice, to lessen those sufferings. He knew that not far from the convivial and copious dinners and picnics, the lively croquet and archery parties, could be found loneliness, squalor, and hunger, and sometimes murders and suicides.
In 1997, P. D. James, the much loved and internationally acclaimed author of mysteries, turned seventy-seven. Taking to heart Dr. Johnson's advice that at seventy-seven it is "time to be in earnest," she decided to undertake a book unlike any she had written before: a personal memoir in the form of a diary. This enchanting and highly original volume is the result. Structured as the diary of a single year, it roams back and forth through time, illuminating James's extraordinary, sometimes painful and sometimes joyful life. Here, interwoven with reflections on her writing career and the craft of crime novels, are vivid accounts of episodes in her own past — of school days in 1920s and 1930s Cambridge . . . of the war and the tragedy of her husband's madness . . . of her determined struggle to support a family alone. She tells about the birth of her second daughter in the midst of a German buzz-bomb attack; about becoming a civil servant (and laying the groundwork for her writing career by working in the criminal justice system); about her years of public service on such bodies as the Arts Council and the BBC's Board of Governors, culminating in entry to the House of Lords. Along the way, with warmth and authority, she offers views on everything from author tours to the problems of television adaptations, from book reviewing to her obsession with Jane Austen. Written with exceptional grace, this "fragment of autobiography" has already been received with enthusiasm by British reviewers and readers. The thousands of Americans who have enjoyed P. D. James's novels will be equally charmed. Diary or memoir or both, Time to Be in Earnest is a delight.
An exquisite and intimate novel about four people's lives and our changing relationship with nature, for fans of Jon McGregor and Robert Macfarlane.
From the author of the acclimed and much-loved Waterlogand Wildwood. For the last six years of his life, Roger Deakin kept notebooks in which he wrote his daily thoughts, impressions, feelings and observations. Discursive, personal and often impassioned, they reveal the way he saw the world, whether it be observing the teeming ecosystem that was Walnut Tree Farm, thinking about the wider environment, walking in his fields or on Mellis Common, or quietly contemplating his past and present life. Notes From Walnut Tree Farmcollects the very best of these writings, capturing Roger's extraordinary, restless curiosity into the natural and human worlds, his love of literature and music, his knack for making unusual and apposite connections, and of course his distinct and subversive charm and humour. Together they cohere to present a passionate, engaged and - in spite of the worst pressures of contemporary life - optimistic view of our changing world.
#1 INTERNATIONAL BESTSELLER • A timeless, structure-bending classic that explores how actions of individual lives impact the past, present and future—from a postmodern visionary and one of the leading voices in fiction Featuring a new afterword by David Mitchell and a new introduction by Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow One of the New York Times’s 100 Best Books of the 21st Century • Shortlisted for the International Booker Prize Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium in 1931, to the West Coast in the 1970s, to an inglorious present-day England, to a Korean superstate of the near future where neocapitalism has run amok, and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, David Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a video game, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
"This is the first biography of Victorian Britain's greatest war artist, Elizabeth Thompson Butler, who found fame and public acclaim after exhibiting her Crimean War painting The Roll Call in 1874. A favourite of Queen Victoria, she quickly became one of the most celebrated women of the time. She transformed war art by depicting conflict trauma, decades before its designation as a medical condition, and her art championed the ordinary soldier and the dispossessed. Elizabeth Butler achieved celebrity as painter of the British empire in martial mode at a time when Britain's military supremacy was threatened by conflicts in Crimea, Ireland, the Sudan and elsewhere. However, her art became increasingly at odds with the jingoistic mood among the British public at the turn of the century, and by 1914 her reputation was in decline. Married to William Butler, an Irish Catholic officer in the British army, her life in art was a life spent in travel, accompanying her husband on his military postings from Egypt to South Africa. Settling in Ireland from 1905, she witnessed the turbulence of the War of Independence and Civil War. Her Irish paintings include 'Listed for the Connaught Rangers and the politically controversial Evicted. This is a story of travel and history, war and conflict. Catherine Wynne describes brilliantly how a female artist succeeded in this heavily, and often prejudicially, gendered world, and in doing so celebrates the remarkable artistic genius of Elizabeth Butler."--from publisher.