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In 1984, John Thompson was convicted and sentenced to death for the murder of a prominent white man in New Orleans, Louisiana. He was sent to Angola Prison and confined to his cell for twenty-three hours a day. However, Thompson adamantly proclaimed his innocence and just needed lawyers who believed that his trial had been mishandled and would step up to the plate against the powerful DA’s office. But who would fight for Thompson’s innocence when he didn’t have an alibi for the night of the murder and there were two key witnesses to confirm his guilt? Killing Time is about the eighteen-year quest for Thompson’s freedom from a wrongful murder conviction. After Philadelphia lawyers Michael Banks and Gordon Cooney take on his case, they struggle to find areas of misconduct in his previous trials while grappling with their questions about Thompson’s innocence. John Hollway and Ronald M. Gauthier have interviewed Thompson and the lawyers, and paint a realistic and compelling portrait of life on death row and the corruption in the Louisiana police and DA’s office. When it is found that evidence was mishandled in a previous trial that led to his death sentence in the murder case, Thompson is finally on his road to freedom—a journey that continues with his suit against Harry Connick, Sr. and the New Orleans DA’s office to this day.
"An exciting and whipsmart mystery... Keep your eyes on Ehrlich." —Courtney Summers, New York Times bestselling author of Sadie and The Project “Deathly smart, twisty, and at times wickedly funny, Killing Time is a pitch-perfect mystery.” - Kara Thomas, author of The Cheerleaders Summer in Ferry, Connecticut, has always meant long, lazy days at the beach and wild nights partying in the abandoned mansions on the edge of town. Until now, that is. Natalie Temple, who’s never been one for beaches or parties in the first place, is reeling from the murder of her favorite teacher, and there’s no way this true-crime-obsessed girl is going to sit back and let the rumor mill churn out lie after lie—even if she has to hide her investigation from her disapproving mom and team up with the new boy in town… But the more Natalie uncovers, the more she realizes some secrets were never meant to be told. "Expertly-plotted and brimming with suspense, Killing Time is more than just a mystery. It's a thoughtful novel about true crime stories and how we tell them. Brilliant, fun, and utterly compelling." - Jessica Goodman, New York Times bestselling author of They'll Never Catch Us
A Romulan time-tampering project has transported the Enterprise and the galaxy into an alternate dimension of reality. Now Kirk is an embittered young ensign and Spock is a besieged Starship commander.
Killing Time is the story of Paul Feyerabend's life. Trained in physics and astronomy, Feyerabend was best known as a philosopher of science. His fame was in powerful, plain-spoken critiques of "big" science and "big" philosophy.
First of the One-Eyed Jack series from bestselling author Cindy Gerard, Killing Time is packed with action, romance, and the search for the truth "in this addition to her unique and successful brand of special-ops romantic suspense" (Kirkus Reviews). New York Times and USA Today bestselling author Cindy Gerard plunges readers into the heart of a seductive contest of wills between a hard-living hero and a beautiful rogue operative who is on a mission to dig up the secrets of his past. Tension sizzles in this pulse-pounding first adventure in Gerard’s action-packed new series as Eva Salinas lures Mike Brown from the sultry streets of Lima, Peru, to the desolate Idaho wilderness on the hunt for the cold-blooded traitor behind a fatal military operation that haunts them both.
The place is New York City's Greenwich Village. The corpse is found holding 11 pink roses. The suspects are as strange as the crime. And the detective just happens to be a country singer named Kinky Friedman in his wild, witty, and wisecracking debut novel.
'Killing Times' starts from the deceptively simple observation - made by Jacques Derrida - that the death penalty mechanically interrupts mortal time, preempting our normal experience of not knowing when we will die. The text examines more broadly what constitutes mortal temporality and how the 'machinery of death' exploits and perverts time.
Scott C. Martin examines leisure as a “contested cultural space” in which nineteenth-century Americans articulated and developed ideas about ethnicity, class, gender, and community. This new perspective demonstrates how leisure and sociability mediated the transition from an agricultural to an industrial society. Martin argues persuasively that southwestern Pennsylvanians used leisure activities to create identities and define values in a society being transformed by market expansion. The transportation revolution brought new commercial entertainments and recreational opportunities but also fragmented and privatized customary patterns of communal leisure. By using leisure as a window on the rapid changes sweeping through the region, Martin shows how southwestern Pennsylvanians used voluntary associations, private parties, and public gatherings to construct social identities better suited to their altered circumstances. The prosperous middle class devised amusements to distinguish them from workers who, in turn, resisted reformersÆ attempts to constrain their use of free time. Ethnic and racial minorities used holiday observances and traditional celebrations to define their place in American society, while women tested the boundaries of the domestic sphere through participation in church fairs, commercial recreation, and other leisure activities. This study illuminates the cultural history of the region and offers broader insights into perceptions of free time, leisure, and community in antebellum America.
In 1984, John Thompson was convicted and sentenced to death for the murder of a white man in New Orleans, Louisiana. He was sent to Angola prison and confined to his cell twenty-three hours a day. However, Thompson adamantly proclaimed his innocence and just needed lawyers who believed that his trial had been mishandled and who would step up to the plate against the powerful DA's office. But who would fight for Thompson's innocence when he didn't have an alibi for the night of the murder and there were two key witnesses to confirm his guilt? Killing Time is about the eighteen-year quest for John Thompson's freedom from a wrongful murder conviction. After Philadelphia lawyers Michael Banks and Gordon Cooney take on his case, they struggle to find areas of misconduct in his previous trials while grappling with their questions about Thompson's innocence. John Hollway and Ronald M. Gauthier have interviewed Thompson and the lawyers regarding the case and paint a realistic and compelling portrait of life on death row and the corruption in the Louisiana police and DA's office. When it is found that evidence was mishandled in a previous trial that led to his death sentence in the murder case, Thompson is finally on his road to freedom—a journey that continues to this day. Complete with an updated afterword describing Thompson's 2011 civil suit against Harry Connick Sr. and the New Orleans DA's office and the Supreme Court's shocking verdict.
BAD BLOOD With Halloween just around the corner, Dodie O’Dell is making preparations to transform the Windjammer Restaurant on the Jersey Shore into a haunted house, while the Etonville Little Theatre is staging Dracula. But casting the titular Transylvanian is proving challenging. The amateur actors in the company are not shy about chewing the scenery, but who among them can convincingly sink their fangs into a victim's neck? When a mysterious newcomer with a transfixing Eastern European accent lands the part, rumors that he might be an actual vampire start to take flight—not unlike the bat who's recently been spotted in the town park. But everyone’s blood really runs cold when a stranger is found in the cemetery with a real stake in his heart. Dodie decides to put her Halloween theme menu on the back burner and stick her neck out to bring the killer into the light of day. She'd better keep her wits about her, though—or Dodie may be the next one to go down for the Count . . .