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Edward Girardet discusses his experiences as a foreign correspondent in Afghanistan over the last thirty years, including the Soviet invasion, the Taliban gaining control, the American occupation, and interviews with such people as Osama bin Laden, Islamist extremist Gulbuddin Hekmatyar, and Ahmed Shah Massoud.
Few reporters have covered Afghanistan as intrepidly and humanely as Edward Girardet. Now, in a gripping, personal account, Girardet delivers a story of that nation's resistance fighters, foreign invaders, mercenaries, spies, aid workers, Islamic extremists, and others who have defined Afghanistan's last thirty years of war, chaos, and strife. As a young foreign correspondent, Girardet arrived in Afghanistan just three months prior to the Soviet invasion in 1979. Over the next decades, he trekked hundreds of miles across rugged mountains and deserts on clandestine journeys following Afghan guerrillas in battle as they smuggled French doctors into the country, and as they combated each other as well as invaders. He witnessed the world's greatest refugee exodus, the bitter Battle for Kabul in the early 1990s, the rise of the Taliban, and, finally, the US-led Western military and recovery effort that began in 2001. Girardet's encounters with key figures-including Ahmed Shah Massoud, the famed "Lion of Panjshir" assassinated by al Qaeda two days before 9/11, Gulbuddin Hekmatyar, an Islamic extremist massively supported by the Americans during the 1980s only to become one of today's most ruthless anti-Western insurgents, and Osama bin Laden-shed extraordinary light on the personalities who have shaped the nation, and its current challenges, from corruption and narcotics trafficking to selfish regional interests. Killing the Cranes provides crucial insights into why the West's current involvement has turned into such a disaster, not only rekindling a new insurgency, but squandering billions of dollars on a recovery process that has shown scant success.
The 1978 murder of actor Bob Crane remains unsolved. Hook retested the original blood evidence, and searched for the identity of the killer. He shows how police mistakes and missing evidence impacted the investigation, and raises new questions in the search for truth.
A well-illustrated natural history of cranes worldwide, including anatomy, feeding, mating, habitats, migrations, species profiles, range maps and more. The efforts to save the whooping cranes is presented as a case study.
A princess in exile. Six enchanted cranes. An unspeakable curse. A beautiful and immersive YA fantasy retelling of the Grimm brothers' The Six Swans fairytale, set in an East-Asian inspired world, by the author of Spin the Dawn. 'A dazzling fairy tale full of breathtaking storytelling' Stephanie Garber, Sunday Times bestselling author of Caraval Shiori'anma, the only princess of Kiata, has a secret. Forbidden magic runs in her veins. And on the morning of her betrothal ceremony, Shiori loses control. At first, her mistake seems like a stroke of luck, forestalling the wedding she never wanted, but it also catches the attention of Raikama, her stepmother. A sorceress in her own right, Raikama banishes the young princess, turning her brothers into cranes, and warning Shiori that she must speak of it to no one: for with every word that escapes her lips, one of her brothers will die. Penniless, voiceless, and alone, Shiori searches for her brothers, and uncovers a dark conspiracy to seize the throne. Only Shiori can set the kingdom to rights, but to do so she must place her trust in a paper bird, a mercurial dragon, and the very boy she fought so hard not to marry. And she must embrace the magic she's been taught all her life to contain - no matter what it costs. Praise for Six Crimson Cranes 'An unputdownable, sweeping fairytale that thrills as much as it delights' Kerri Maniscalco, #1 New York Times bestselling author of Kingdom of the Wicked 'This book is magic!' Kristin Cashore, New York Times bestselling author of Graceling 'A stunning remake of a fairytale' Chloe Gong, New York Times bestselling author of These Violent Delights 'This is a gem for all lovers of whimsical fantasy!' Natasha Ngan, New York Times bestselling author of Girls of Paper and Fire
Millions of people know a little bit about efforts to save the whooping crane, thanks to the movie Fly Away Home and annual news stories about ultralight planes leading migratory flocks. But few realize that in the spring of 1941, the population of these magnificent birds--pure white with black wingtips, standing five feet tall with a seven-foot wingspan--had reached an all-time low of fifteen. Written off as a species destined for extinction, the whooping crane has made a slow but unbelievable comeback over the last seven decades. This recovery would have been impossible if not for the efforts of Robert Porter Allen, an ornithologist with the National Audubon Society, whose courageous eight-year crusade to find the only remaining whooping crane nesting site in North America garnered nationwide media coverage. His search and his impassioned lectures about overdevelopment, habitat loss, and unregulated hunting triggered a media blitz that had thousands of citizens on the lookout for the birds during their migratory trips. Allen's tireless efforts changed the course of U.S. environmental history and helped lead to the passage of the Endangered Species Act in 1973. Though few people remember him today, his life reads like an Indiana Jones story, full of danger and adventure, failure and success. His amazing story deserves to be told.
The Cranes are among the most ancient and distinctive families of birds on Earth, yet they are among the world's most threatened groups of birds. This Action Plan describes the many different sorts of threats facing cranes, especially as they migrate through different countries, and the many solutions that have been attempted to overcome them. It is intended for all those involved in crane conservation, including conservation biologists; conservation organizations, other non-governmental organizations, inter-national development agencies; political, civic, and business leaders; funding agencies and foundations; educators; and members of the general public.
**Independent Publisher Book Award (IPPY) Winner** **Middle School Book of the Year-- Northern Lights Book Awards** **Skipping Stones Honor Award Winner** For the first time, middle readers can learn the complete story of the courageous girl whose life, which ended through the effects of war, inspired a worldwide call for peace. In this book, author Sue DiCicco and Sadako's older brother Masahiro tell her complete story in English for the first time--how Sadako's courage throughout her illness inspired family and friends, and how she became a symbol of all people, especially children, who suffer from the impact of war. Her life and her death carry a message: we must have a wholehearted desire for peace and be willing to work together to achieve it. Sadako Sasaki was two years old when the atomic bomb was dropped on her city of Hiroshima at the end of World War II. Ten years later, just as life was starting to feel almost normal again, this athletic and enthusiastic girl was fighting a war of a different kind. One of many children affected by the bomb, she had contracted leukemia. Patient and determined, Sadako set herself the task of folding 1000 paper cranes in the hope that her wish to be made well again would be granted. Illustrations and personal family photos give a glimpse into Sadako's life and the horrors of war. Proceeds from this book are shared equally between The Sadako Legacy NPO and The Peace Crane Project.
The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.
A vivid account of growing up as a Hollywood "star baby" in the 1940s and 50s. Lana Turner's daughter recalls a movie-star mother willing to give everything but her time