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In early America, interracial homicide—whites killing Native Americans, Native Americans killing whites—might result in a massive war on the frontier; or, if properly mediated, it might actually facilitate diplomatic relations, at least for a time. In Killing over Land, Robert M. Owens explores why and how such murders once played a key role in Indian affairs and how this role changed over time. Though sometimes clearly committed to stoke racial animus and incite war, interracial murder also gave both Native and white leaders an opportunity to improve relations, or at least profit from conflict resolution. In the seventeenth century, most Indigenous people held and used enough leverage to dictate the terms on which such conflicts were resolved; but after the mid-eighteenth century, population and material advantages gave white settlers the upper hand. Owens describes the ways settler colonialism, as practiced by Anglo-Americans, put tremendous pressure on Native peoples, culturally, socially, and politically, forcing them to adapt in the face of violence and overwhelming numbers. By the early nineteenth century, many Native leaders recognized that, with population and power so heavily skewed against them, it was only practical to negotiate for the best possible terms; lex talionis justice—blood for blood—proved an unrealistic goal. Consequently, Indigenous and white leaders alike became all too willing to overlook murder if it led to some kind of gain—if, for instance, justice might be traded for financial compensation or land cessions. Ultimately, what Owens analyzes in Killing over Land is nothing less than the commodification of human life in return for a sense of order—as defined and accepted, however differently, by both Native and white authorities as the contest for land and resources intensified in the European colonization of North America.
"This is a history of the clash between the White settlers and the Native Americans in what is now an affluent county in California. The frontier wars gave land and gold to Whites and reservations to the Native Americans. Eyewitness accounts and extensive research show the conflicting roles played by the Army, State Legislature and the US Congress"--Provided by publisher.
Devoted to the conversion of cut-over timber lands & to their most productive use for farming, stock raising, fruit growing & kindred purposes...
#1 NEW YORK TIMES BESTSELLER • A twisting, haunting true-life murder mystery about one of the most monstrous crimes in American history, from the author of The Wager and The Lost City of Z, “one of the preeminent adventure and true-crime writers working today."—New York Magazine • NATIONAL BOOK AWARD FINALIST • NOW A MARTIN SCORSESE PICTURE “A shocking whodunit…What more could fans of true-crime thrillers ask?”—USA Today “A masterful work of literary journalism crafted with the urgency of a mystery.” —The Boston Globe In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. One of her relatives was shot. Another was poisoned. And it was just the beginning, as more and more Osage were dying under mysterious circumstances, and many of those who dared to investigate the killings were themselves murdered. As the death toll rose, the newly created FBI took up the case, and the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try to unravel the mystery. White put together an undercover team, including a Native American agent who infiltrated the region, and together with the Osage began to expose one of the most chilling conspiracies in American history. Look for David Grann’s latest bestselling book, The Wager!
This volume is part of a comprehensive effort by Professor Rummel to understand and place in historical perspective the entire subject of genocide and mass murder-what is herein called "Democide. "It is the third in a series of volumes published by Transaction, in which Rummel offers a comprehensive analysis of the 120,000,000 people killed as a result of government action or direct intervention. Curiously, while we have a considerable body of literature on the Nazi Holocaust, we do not have a total accounting-at least not until now with the issuance of "Democide. "In addition to the quantitative lacunae, there remains a paucity of theoretical information distinguishing the historical descriptive and the anecdotal accounts. This study of Nazi killings in cold blood is a path-finding effort in political psychology. While Rummel does not claim to give a definitive accounting, his explanation for the numbers reached-and they are high-is compelling. In addition, we now have a correlation of information on the murder of diverse groups: Jews, Gypsies, Poles, Ukranians, and even Germans themselves. It is now possible to fathom the Nazi genocidal poiicies-which were collective and which were selective. Rummel's volume is a clear guide to a murky past. It offers the first systematic effort to ascertain the nature and the extent of the Nazi genocide from the point of view of the perpetrator's aims rather than the victims' consequences. This is not a pretty picture, but it is not a partisan one either. The materials are presented in a clinical as well as a systemic fashion. Rummel has a deep sense of the life-saving instincts of individuals and the life-taking propensities of impersonal state machinery. It is thus, a humanistic effort, one that plumbs the effects of the Nazi war-machine on innocents in order to better understand present conditions. Professionals ranging from social scientists to demographers will find this a quintessential effort at political reconstruction.
" Killing Ground is a significant contribution, a new way of looking at highly familiar images."—Shelby Foote "These haunting photographs of then and now offer a new and powerful perspective on the tragedies and triumphs—above all, the human cost—of the Civil War. John Huddleston's photographs of selected spots on dozens of battlefields of that war, juxtaposed with photographs of soldiers killed or wounded there and other contemporary illustrations, make telling points in a unique manner. This book does more than prove the old adage that a picture is worth a thousand words; it tells the poignant story of the Civil War in a way that goes beyond words."—James McPherson " Killing Ground situates us uncomfortably in a terrain where living memory has only recently completed its transformation into history. John Huddleston has photographed the scenes of this vast communal hurt, from the mightiest battles to obscure actions involving a few combatants; in every instance he asks the land itself to yield up what traces it may hold of the mortal issues contested there. Suburban intersection, brushy tangle, murky pool, well-tended battle park—all are joined by a commonality that Huddleston insists we not forget: Americans died here, killed by other Americans."—Frank Gohlke In Killing Ground, John Huddleston embarks on a photographic odyssey through the modern-day landscape of the Civil War. He pairs historical images of the conflict from sixty-two battle sites across the nation—battlefield scenes, soldiers living and dead, prisoners of war, civilians, and slaves—with his own color photographs of the same locations a century and a half later, always taken at the same time of year, often at the same hour of the day. Sometimes Huddleston's lens reveals a department store or fast-food restaurant carelessly built on hallowed ground; other images depict overgrown fields or well-manicured parks. When contrasted with their mid-nineteenth-century counterparts, these indelible images challenge the meaning of place in American culture and the evolving legacy of the Civil War in our national memory.