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In this provocative cultural study, the serial killer emerges as a central figure in what Mark Seltzer calls 'America's wound culture'. From the traumas displayed by talk show guests and political candidates, to the violent entertainment of Crash or The Alienist, to the latest terrible report of mass murder, we are surrounded by the accident from which we cannot avert our eyes. Bringing depth and shadow to our collective portrait of what a serial killer must be, Mark Seltzer draws upon popular sources, scholarly analyses, and the language of psychoanalysis to explore the genesis of this uniquely modern phenomenon. Revealed is a fascination with machines and technological reproduction, with the singular and the mass, with definitions of self, other, and intimacy. What emerges is a disturbing picture of how contemporary culture is haunted by technology and the instability of identity.
The Encyclopaedia of Serial Killers, Second Edition provides accurate information on hundreds of serial murder cases - from early history to the present. Written in a non-sensational manner, this authoritative encyclopaedia debunks many of the myths surrounding this most notorious of criminal activities. New major serial killers have come to light since the first edition was published, and many older cases have been solved (such as the Green River Killer) or further investigated (like Jack the Ripper and the Zodiac Killer). Completely updated entries and appendixes pair with more than 30 new photographs and many new entries to make this new edition more fascinating than ever. New and updated entries include: Axe Man of New Orleans; BTK Strangler; Jack the Ripper; Cuidad Juarez, Mexico; John Allen Muhammad and Lee Boyd Malvo, the Sniper Killers; Gary Leon Ridgway, the Green River Killer; and Harold Frederick Shipman.
In this, the first book of its kind, Kate Kray, who married gangster Ronnie Kray, peers into the minds of the top twenty worst killers in criminal history and, sparing no detail, reveals the awful truth of their abominable acts. The extreme nature of their violence and their shocking lack of remorse makes for uncomfortable, yet fascinating reading.From obsessive sexual predators and extreme sadists, to cannibals and head hunters, each type of psychopath is examined, their crimes against life told with grim, yet necessary, frankness. Kate offers true insight into the deeply worrying motivations of what come to seem closer to monsters than humans, begging the question of whether such individuals can themselves be viewed as victims of a troubled past, or merely as exponents of pure evil. But be warned, these stories are not for the faint-hearted...
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
An alphabetical listing of some 1,500 US television and radio series and international films that featured live and animated animals. Entries include information on directors, cast, animal trainers, and plot descriptions. Includes subject and star indexes. Annotation copyright Book News, Inc. Portla
Genocide Perspectives VI grapples with two core themes: the personal toll of genocide, and processes that facilitate the crime. From political choices governments and leaders make, through to denialism and impunity, the crime of genocide recurs again and again, across the globe. At what cost to individuals and communities? What might the legacy of this criminality be? This collection of essays examines the personal sacrifice genocide takes from those who live through the trauma, and the generations that follow. Contributors speak to the way visual art and literature attempt to represent genocide, hoping to make sense of problematic histories while also offering a means of reflection after years of “slow violence” or silenced memories. Some authors generously allow us into their own histories, or contemplate how they may have experienced genocide had they been born in another time or place. What facets contribute to the processes that lead to, or enable the crime of genocide? This collection explores those processes through a variety of case studies and lenses. How do nurses, whose role is inherently linked to care and compassion, become mass killers? How do restrictions on religious freedom play a role in advancing genocidal policies, and why do perpetrators of genocide often target religious leaders? Why is it so important for Australia and other nations with histories of colonial genocide to acknowledge their past? Among the essays published in this volume, we have the privilege and the sorrow of publishing the very last essay Professor Colin Tatz wrote before his passing in 2019. His contribution reveals, yet again, the enormous influence of both his research and his original ideas on genocide. He reflects on continuing legacies for Indigenous Australian communities, with whom he worked for many decades, and adds nuance to contemporary understanding of the Armenian Genocide and the Holocaust, two other cases to which he was deeply committed.
Summary of Killers of the Flower Moon David Grann’s Killers of the Flower Moon: The Osage Murders and the Birth of the FBI recounts how Tom White, an FBI investigator, straddled the divide between the old Wild West-style law enforcement and its new Progressivism movement predicated on rational, evidence-based, scientific investigation. In Osage County, Oklahoma, Tom White is tasked with solving the Osage murders case, in which twenty-four Osage individuals were suspected of being murdered, but nobody could figure out who or why these killings were happening. The case was four years old, and the Bureau of Investigation—still in its early years, and later transformed into the FBI—was under a lot of pressure to solve it, especially with a new, ambitious director named J. Edgar Hoover at the helm. He would go on to preside as director of the FBI (and Bureau of Investigation) for forty-eight years. At the time, however, Hoover was anxious to solve this troubling case and used its success as a springboard toward launching the Federal Bureau of Investigation’s genesis myth. Tom White leads a team of undercover agents into Osage County, carefully eliminating suspects and probing witnesses until he discovers that William K. Hale, the “King of the Osage Hills,” is pulling countless local strings to deviate the investigation away from him. What follows is a breathtaking account of a true story filled with corruption and crime—a raw story of how law enforcement can bring out the rawness and depth of (in)humanity. Here is a Preview of What You Will Get: ⁃ A Full Book Summary ⁃ An Analysis ⁃ Fun quizzes ⁃ Quiz Answers ⁃ Etc. Get a copy of this summary and learn about the book.
In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS