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'Provocative and compelling, it is a spectacular debut' - Daily Mail ____________ Is murder ever morally right? And is a murderer necessarily bad? These two questions waltz through the maddening mind of Michael, the brilliant, terrifying, fiendishly smart creation at the centre of this winking dark gem of a literary thriller. Michael lost his wife in a terrorist attack on a London train. Since then, he has been seeing a therapist to help him come to terms with his grief - and his anger. He can't get over the fact that the man he holds responsible has seemingly got away scot-free. He doesn't blame the bombers, who he considers only as the logical conclusion to a long chain of events. No, to Michael's mind, the ultimate cause is the politician whose cynical policies have had such deadly impact abroad. His therapist suggests that he write his feelings down to help him forgive and move on, but as a retired headteacher, Michael believes that for every crime there should be a fitting punishment - and so in the pages of his diary he begins to set out the case for, and set about committing, murder. Waltzing through the darkling journal of a brilliant mind put to serious misuse, Kill [redacted] is a powerful and provocative exploration of the contours of grief and the limits of moral justice, and a blazing condemnation of all those who hold, and abuse, power. ONE OF THE BEST DEBUT NOVELS of 2019 (the i )
Ever since Vladimir Putin came to power in Russia, his critics have turned up dead on a regular basis. According to Amy Knight, this is no coincidence. In Orders to Kill, the KGB scholar ties dozens of victims together to expose a campaign of political murder during Putin’s reign that even includes terrorist attacks such as the Boston Marathon bombing. Russia is no stranger to political murder, from the tsars to the Soviets to the Putin regime, during which many journalists, activists and political opponents have been killed. Kremlin defenders like to say, “There is no proof,” however convenient these deaths have been for Putin, and, unsurprisingly, because he controls all investigations, Putin is never seen holding a smoking gun. Orders to Kill is a story long hidden in plain sight with huge ramifications.
A sprawling account of the various, creative, often bizarre, yet incredibly disturbing attempts to assassinate Fidel Castro. Soon to be a TV series from Jed Mercurio, show runner for "The Bodyguard," and Richard Brown, producer of "True Detective" and "Catch-22." Fabián Escalante, the founder of the Cuban intelligence services, and head of the Cuban State Security Department, provides a clear-eyed first-person account of his experiences defending Fidel Castro from the extraordinary attempts to take his life. From lethal poisons to plastic explosives to bazookas, Escalante introduces and describes an array of assassination plots and historical figures and depicts the ensuing cat-and-mouse game in the midst of the Cold War. Written in the style of a political thriller yet based on real events, 634 Ways to Kill Fidel Castro is a well-researched and documented series of vignettes put together by multiple investigations in Cuba and the experiences of the author, who participated in several of them; dozens of interviews with participants; extensive documentary evidence; and the collaboration of officials, and undercover agents who dismantled these plots. Filled with harrowing stories of deceitful FBI tactics such as moles who infiltrated the revolutionary Cuban government and gained a reputation with them with the ultimate goal of bombing their military bases. As well as undercover attempts to give Fidel poison laced cigars, Escalante takes the reader from DC to New York, Miami to Havana and uncovers the intricate conspiracy to silence dissent and kill Fidel Castro. 634 Ways to Kill Fidel Castro is filled to the brim with historical details on the CIA, Cuba, the communist movement, US government officials, and Fidel himself. Escalante’s first-hand account provides evidence of the lengths to which the CIA went through to assassinate Fidel Castro and the determined efforts to protect him and what he stood for.
CORE has never experienced existence before. But now, after being created by an intelligent but socially awkward young man named Icarus, it must learn to exist as itself, artificial intelligence in a world terrified of it. While humanity hastily attempts to figure out what to do with this rapidly advancing AI, CORE must decide whether or not it trusts its creators, or whether they truly have its best interests in mind.
Eugene Smith lost his mother, wife, and infant son in the mass murder-suicide at Jonestown, Guyana, on November 18, 1978. Repatriated by the US authorities on New Year’s Eve, he broke a $50 bill stashed in his shoe to buy breakfast for himself and a fellow survivor. Returning to California at age twenty-one, Smith faced the daunting challenge of building from scratch a meaningful and self-sufficient life in the American society he thought he had left behind. “My first responsibility as a survivor,” he writes, “was not to embarrass my mother or my wife or my child, and to set an example that can’t be questioned.” Back to the World: A Life after Jonestown is the story of a double survival: first of the destruction of the idealistic but tragically flawed Peoples Temple community, then of its aftermath. Having survived, Smith has hard questions for today’s America. “It’s irritating to me that, four decades later, like a broken record, we’re going through all this all over again,” he writes.
Explosive findings by a journalist's daring investigation into the systematic murders of girls and women in Juarez, Mexico.
In the closing months of the Second World War, an old hedger was found bludgeoned and hacked to death in a Warwickshire field. His name was Charles Walton and the place was the little village of Lower Quinton, under the shadow of Meon Hill. They called in the local CID; they called in Scotland Yard; they interviewed hundreds of people; they asked thousands of questions. But somebody wasn’t talking. The whole village was silent, as if someone had drawn down a blind. After the case was scaled down, the rumors remained. Was Meon Hill the center of a witches’ coven? And was old Charlie Walton, with his ability to talk to birds and toads and his magic watch, a witch himself? For eighty years, the supernatural has hovered over the murder of Charles Walton, with vague, haunted memories of secret rites and black dogs. Even the dead man’s grave has vanished. Rumor has been piled on innuendo, adding to the excesses of writers determined to make a supernatural mystery out of a very local tragedy, until the dead man himself has disappeared into a morass of hocus pocus. This is the first book to get past the nonsense, accessing original police files that say precisely nothing about witchcraft. Analyzing the facts from the time and removing the ever-more ludicrous layers of fiction, it gets as near to solving the mystery as we are ever likely to.