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Discover one of Louis L’Amour’s most iconic heroes of the frontier: Lance Kilkenny, the reluctant gunslinger outrunning a bad reputation and a troubled conscience. One of the earliest creations from the master craftsman of Western fiction, Kilkenny featured prominently throughout the years in L’Amour’s work, his search for peace and quiet interrupted by one heart-stopping adventure after another. Now this rollicking eBook bundle collects the three full-length Kilkenny novels alongside three essential shorter pieces: KILKENNY THE RIDER OF LOST CREEK THE MOUNTAIN VALLEY WAR WEST OF DODGE (SHORT STORY) MONUMENT ROCK (NOVELLA) A GUN FOR KILKENNY (SHORT STORY) Kilkenny wasn’t looking for trouble when he entered the Clifton House stage station, but trouble found him when a reckless youngster named Tetlow challenged him, drew his gun, and paid for it with his life. Looking to escape a reputation that he never wanted, Lance Kilkenny settles in the lonely mountain country of Utah, planning to ranch a high, lush valley. But the past is on his trail. Jared Tetlow is a powerful rancher determined to run his vast herd on the limited grasslands there—whether he has to buy out the local ranchers, run them out, or kill them. He’ll cut down anyone who stands in his way, especially a man he already despises: the gunman named Kilkenny—the man who killed his son.
Kilkenny wasn’t looking for trouble when he entered the Clifton House stage station, but trouble found him when a reckless youngster named Tetlow challenged him, drew his gun, and paid for it with his life. Looking to escape a reputation that he never wanted, Kilkenny settles in the lonely mountain country of Utah, planning to ranch a high, lush valley. But the past is on his trail. Jared Tetlow is a powerful rancher determined to run his vast herd on the limited grasslands there—whether he has to buy out the local ranchers, run them out, or kill them. He’ll cut down anyone who stands in his way, especially a man he already despises: the gunman named Kilkenny—the man who killed his son. From the Paperback edition.
Veteran IRA leader Ernie O’Malley criticised County Kilkenny as being ‘slack’ during the War of Independence, but this fascinating new study of the period, by historian Eoin Swithin Walsh, challenges that view and reveals that Kilkenny was truly at the forefront of the struggle for Irish freedom. No Kilkenny citizen escaped the revolutionary era untouched, especially during the turmoil that followed the Easter Rising of 1916, the upheaval of the War of Independence and the tumultuous Civil War. Key personalities, revolutionary organisations and dramatic events in Kilkenny illuminate the country-wide struggle. Not to be forgotten, the lives of the ‘ordinary’ men and women of the county are explored, emphasising a life beyond politics and conflict. The listing of Kilkenny fatalities during the War of Independence is examined and, for the first time, combatants and civilians who died during the Truce and the Civil War are recorded, revealing an even more deadly conflict than previously believed. Presenting a complete history of the county in the opening decades of the twentieth century – including the use of previously unseen archival material – Kilkenny: In Times of Revolution, 1900–1923 is an indispensable contribution to the literature on the turbulent birth of the Irish nation.
This richly illustrated book presents the first comprehensive study of the making and marketing of pottery in medieval Ireland. Focusing on a well-preserved 14th-century pottery production center which was excavated in 2006 at Highhays, outside the walls of the renowned Anglo-Norman town of Kilkenny in south-east Ireland, the authors describe its kiln, workshops and working areas, as well as its ‘Highhays Ware’ products: jugs, jars, cooking-pots, money-boxes and ridge tiles. Foremost amongst the outputs from the kiln site were high-quality, wheel-thrown, green-glazed jugs that were closely modeled on French Saintonge and Bristol Redcliffe archetypes and the volume describes the distinctive processes, kiln-firing technology and raw materials that were employed to produce these, and the other wares, represented on the site. The book also presents the results of an innovative plasma spectrometry and petrological analysis of Highhays Ware, which facilitated identification of the source for the raw potting clays areas – located at a considerable distance from Highhays in north county Kilkenny – used in its production, in addition to allowing for a study of the uncharacteristically broad distribution of the ware throughout the south-east of Ireland. The authors also place the production of pottery at Highhays in its broader context by presenting an overall review of the archaeological and historical evidence for pottery making and consumption in medieval Ireland, as well as by exploring the cultural background and social status of potters in the Anglo-Norman colony. Supporting the analysis and interpretation of the Highhays site and its assemblage are specialist and scientific contributions on the pottery, tiles, ceramic production material, metal finds, coins and archaeobotanical and animal bone remains from the site, archaeomagnetic and radiocarbon dating and plasma spectrometry and petrological analysis.
County Kilkenny abounds in folk tales, myths and legends and a selection of the best, drawn from historical sources and newly recorded local reminiscence, have been brought to life here by local storyteller Anne Farrell. Kilkenny is the place where, legend has it, St Evin and St Molin once had to have their dispute settled by a shoal of fish; where the infamous Countess of Ormond brought fear and terror to the people of Grannagh; and where an imprudent local man decided to find out if the supposedly bottomless 'Kerry holes' would live up to their reputation. It is also said to be the home of a plethora of strange and magical creatures and stories abound of encounters with fairies, ghosts, banshees, shape-shifters and an army of cats who fought an epic battle near Dunmore Caves. From age-old legends and fantastical myths, to amusing anecdotes and cautionary tales, this collection is a heady mix of bloodthirsty, funny, passionate and moving stories. It will take you into a remarkable world where you can let your imagination run wild.
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials! Kilkenny wasn’t looking for trouble when he entered the Clifton House stage station, but trouble found him when a reckless youngster named Tetlow challenged him, drew his gun, and paid for it with his life. Looking to escape a reputation that he never wanted, Kilkenny settles in the lonely mountain country of Utah, planning to ranch a high, lush valley. But the past is on his trail. Jared Tetlow is a powerful rancher determined to run his vast herd on the limited grasslands there—whether he has to buy out the local ranchers, run them out, or kill them. He’ll cut down anyone who stands in his way, especially a man he already despises: the gunman named Kilkenny—the man who killed his son. Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volumes 1, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. These exciting publications will be followed by Louis L’Amour’s Lost Treasures: Volume 2. Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.